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Barkley L. Hendricks: Photography
The penultimate installment in Skira's five-volume Barkley Hendricks survey reveals the artist's little-known work in photography Barkley L. Hendricks (1945-2017) revolutionized postmodern Black portraiture. This volume, the fourth in a five-part series dedicated to Hendricks' career, focuses on the artist's photographic oeuvre. Hendricks credited photography as a key facet of his practice, both as a tool for documenting his own work and as a source of inspiration for his paintings. Influenced by his experiences under Walker Evans' tutelage at Yale, Hendricks frequently took to the streets to capture the world as he saw it, with his subjects in their element as they lingered in front of stores or performed in jazz clubs. As in his paintings, Hendricks' attention to graphic composition and ability to capture his subjects' dynamism are stunning. For the first time, Hendricks' considerable body of photographic work is collected in a single volume, revealing an essential though underdiscussed dimension of his art.
Lisa Yuskavage
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Cashing in on Culture
Facing a lengthening recession and massive budget shortfalls, what does a university do with its $350 million art museum? Cashing in on Culture, by Francine Koslow Miller, is a firsthand account of Brandeis University's attempt to close down its famed Rose Art Museum and sell off major pieces from the museum's collection to close budget gaps in other areas of the university. The ill-considered plan caused an uproar in the art community and on campus when it was first proposed in January 2009. The controversy continued for two and a half years, until ongoing protests and a lawsuit by a number of the Rose's overseers brought a stop to the university's plan-at least for the time being-and reaffirmed the Rose as one of the nation's top university art museums. Miller is an alumnus of Brandeis and a respected Boston-area art critic and journalist. Tracking this story was a labor of love and the resulting book tells a very local story with very national implications.
Dor Guez
Dor Guez: 100 Steps to the Mediterranean is the catalogue for an exhibition of videos and photographs at the Rose Art Museum, Brandeis University, on view from September 20 through December 9, 2012. Guez, an artist whose heritage is both Christian Palestinian and Jewish Tunisian, takes as his overt subject the Christian Arab minority in Israel, a community marginalized by the prevailing metanarratives of both Israelis and Arabs. Guez's art installations address the gaps in those narratives, while exploring the role of contemporary art in raising questions about history, nationality, ethnicity, and personal identity.
Barry McGee
Edited by Aaron Rose.
Howardena Pindell
This retrospective volume celebrates five decades of Howardena Pindell's art, including works on paper, collage, photography, film, and video. Born in middle-class Philadelphia in the 1940s, Howardena Pindell came of age during the Civil Rights movement. As an African-American woman artist, making her way in the world provided Pindell with source material to inspire her work. This book examines every facet of Pindell's impressive career to date. Since the 1960s, she has used materials such as glitter, talcum powder, and perfume to stretch the boundaries of traditional canvas painting. She has also infused her work with traces of her labor, such as obsessively affixing dots of pigment and cir...
Deaccessioning and Its Discontents
The first history of the deaccession of objects from museum collections that defends deaccession as an essential component of museum practice. Museums often stir controversy when they deaccession works—formally remove objects from permanent collections—with some critics accusing them of betraying civic virtue and the public trust. In fact, Martin Gammon argues in Deaccessioning and Its Discontents, deaccession has been an essential component of the museum experiment for centuries. Gammon offers the first critical history of deaccessioning by museums from the seventeenth to the twenty-first century, and exposes the hyperbolic extremes of “deaccession denial”—the assumption that deac...
The Rose Art Museum Collection
Presents an overview of Brandeis University's Rose Art Museum, which houses a collection of American and European works since the early twentieth century. This catalog of their holdings demonstrates the breadth of the collection, which has continued to grow since its inception in 1961.
