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"Published to accompany the exhibition The Fabric of India at the Victoria and Albert Museum, London, from 3 October 2015 to 10 January 2016"--Title page verso.
Illustrations show the richness and variety of Indian textile traditions and reveal patterns and colours that have both influenced and been influenced by Western design, from the 16th century when the earliest surviving pieces here were sent to Europe, right up to the late 1990s.
This volume deals in depth with Indian textiles in the ikat technique. It is based on the Victoria and Albert Museum's collection of ikats from all over India, many of which date from the mid-19th century, and represent aspects of weaving and dyeing that no longer survive in their places of origin. A complex form of resist-dyeing in which threads are patterned before weaving, ikat has been used in India since at least the early centuries AD. Over 100 pieces are discussed and illustrated, from the satin-weave mashurs of South India and the silk patola from Gujarat, to simple cotton saris from Orissa and Tamil Nadu and subtly-coloured rumals from Andhra Pradesh. Further sections explore the influence of Indian ikat on the textile traditions of other areas, including South-East Asia, the Middle East and Europe.
The role of the portrait in India between 1560 and 1860 served as an official chronicle or eye-witness account, as a means of revealing the intimate moments of everyday life, and as a tool for propaganda. Yet the proliferation and mastery of Indian portraiture in the Mughal and Rajput courts brought a new level of artistry and style to the genre.
About the Book : - The Rathore clan of Rajputs who ruled Marwar (Jodhpur) developed a strikingly individual style of painting that was interpreted in a host of different ways by local artists in the many small fiefdoms of the Rathore nobility. Artists trained at Mughal courts brought sophisticated concepts of portraiture and composition to Jodhpur in the 17th and 18th centuries; these ideas were combined with distinctive local styles and bold colour to form a uniquely lively school of painting. The first to feature a wide range of vibrant Marwar paintings in full colour, this book provides a complete survey of the development of this little-known school of Rajasthani painting. About the Author : - Rosemary Crill is Senior Curator in the Asian Department at the Victoria & Albert Museum, London.
Distributed for Merrell Holberton, Exhibition catalogue, Published in association with Victoria & Albert Museum.
This magnificently illustrated and deeply researched volume takes the reader on a journey throughout the Indian subcontinent to explore the history and traditions of its textiles. India's rich and vibrant textile tradition boasts an enormous range of techniques and extraordinary level of artistry. Drawn from one of the world's finest collections of Indian textiles, this book presents a fascinating overview of several centuries of artistic production from every corner of India. Each section examines a different region to reveal its distinct textile traditions, patterns, and processes: Patola silks from Gujarat, lampas weaves preserved in Tibetan temples, mordant resist dyed cottons exported t...
V&A Pattern: Indian Floralsprovides a dazzling introduction to the vibrant designs of the Indian subcontinent A source of inspiration for designers from William Morris to Alexander McQueen, the V&A holds over three million designs for textiles, decorations, wallpapers and prints. Now beautifully re-presented, the bestselling V&A Patternseries invites you to appreciate the work of some of the greatest names and styles in design history, highlighting interesting and imaginative works that are all too rarely seen. Each pocket-sized book features 66 carefully selected patterns, and has a concise expert introduction, making these an invaluable source of inspiration for creatives - and the perfect gift for pattern-lovers.
* Features Indian textiles pieces from the Karun Thakar Collection, and The Textile Museum and Cotsen Textile Traces Study Collection in Washington, DC* Published to accompany an exhibition at The Textile Museum at George Washington University in Washington, DC, opening January 2022The book features items from one of the world's foremost private collections of Indian textiles, the Karun Thakar Collection, together with key pieces from two recently united American collections, The Textile Museum and the Cotsen Textile Traces Study Collection in Washington, DC. The book and accompanying exhibition offer a unique approach to understanding Indian textile culture through reference to three distin...