You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Carla Jensen is big-hearted, bright, beautiful - and bipolar. A rebel by nature and a feisty champion of the downtrodden, she battles to resist the relentless pull of the murky waters of her illness, while remaining sceptical of her diagnosis and suspicious of medication. Adrift and exhausted by her mood swings, Carla witnesses a random act of violence on a city street and the ensuing confrontation impels her to challenge man's inhumanity to society's outcasts and ultimately to embark on a personal quest for healing and redemption. Her journey takes her into the maelstrom of disordered minds, across the sometimes hazardous terrain of sexual deviance, and into the dark heart of her own family and of Anna, her mother, who is haunted by her own sad secrets. Along the way Carla finds inspiration in unexpected places and laughter and joy in the underbelly of a city where most would see only pain.
This vividly textured tale of risk and betrayal juxtaposes an unlikely trio of two women and the child who both connects and divides them. An intimate portrayal of the bare-bones struggle for survival in the world's oldest profession, it is also a luminous page-turner about love in its limitless guises; about motherhood, sisterhood and friendship. From a tiny apartment in Cape Town, Katy works as a prostitute while raising her daughter Jody. Out of the blue, Katy's most trusted regular commits an appalling crime against the little girl, forcing Katy to make a devastating choice. Maggie is a hooker with a secret. She forges an unbreakable bond with young Jody while Katy, strident and embattled, is compelled to retrace the destructive decisions that threaten to separate her from her daughter forever. Together Katy, Jody, Maggie and the web of intriguing characters they encounter take the reader on a moving journey into unchartered regions of the human heart.
Growing up in Cape Town as the only child of orthodox Jews who escaped the Holocaust, Jen rebels against the religious beliefs and superstitions her parents impose on her. Her aim in life is simply to have fun. But she quickly finds she can escape neither her heritage nor the consequences of her choices. Jen's life is overshadowed by the dybbuk - the malign force that she believes robs her of what she holds most dear. Her twin daughters, feisty and individual, are every bit as rebellious as she was. Burdened with the shifting sands of their home, the sisters are propelled inexorably towards the breakdown of all they have shared and deeply loved. Beautifully crafted and unpredictable, this captivating novel leaves long echoes, drawing readers into the undergrowth of family, the ambiguities of parental love and the ageless power of superstition, which binds even those who scorn it.
For the longest time, our home defined who I was. The moods of the Kalahari ... the river of my being rising and dwindling, yet always finely in tune with the undertow, the ebb and flow of the desert.' So writes Emma, daughter of Deirdre and Alf Johannsen. Captivated by the remoteness and beauty of the Kalahari Desert after a chance visit in 1884, Emma's father makes the decision to leave his home in Europe and return to settle in Africa. On his journey back, he meets the woman who will become his wife. Together they take on the challenge of making their home in the vast desert wilderness. During the first fourteen years of her life, Emma develops her father's passion for the Kalahari and th...
The bed, dressed in hand sewn quilt or threadbare blanket, may in and of itself be memorable, but it is what happens in the bed - the sex and lovemaking, the dreams, the reading, the nightmares, the rest, giving birth and dying - which give 'bed' special meaning. Whether a bed is shared with a book, a child, a pet or a partner, whether lovers lie in ecstasy or indifference, whether 'bed' relates to intimacy or betrayal, it is memories and recollections of 'bed', in whatever form, which have triggered the writing of these thirty stories by women from southern Africa. Well known writers Joanne Fedler, Sarah Lotz, Arja Salafranca, Rosemund Handler and Liesl Jobson will delight, but you will discover here new writers from Botswana, Zimbabwe, Mozambique, Malawi, Namibia and Zambia, each with a unique voice as they cast light on the intimate lives of women living in this part of the world and the possibilities that are both available to and denied them. The BED BOOK of short stories - some quirky and tender, others traumatic or macabre - is the perfect companion to take to bed with you, to keep you reading long into the night.
What are African Writers thinking and writing about as the first decade of the 21st century draws to a close? The South African Centre of International PEN asked the question, and the volume you have in your hands holds the answer. --
"Original short stories by young writers of the SADC region, selected by the South African Centre of International PEN."
Activist and journalist Marisa Handler takes us on a fascinating journey—from her childhood home in apartheid South Africa to Israel, India, Nepal, Ecuador, Peru, and all over the United States—to offer a rare and revealing glimpse inside the global justice movement. She examines the movement's strengths and contradictions, demystifies its confrontational tactics, and explains why it has become such a powerful force for change. With vivid details of the many characters and events that have influenced her, this gripping coming-of-age story shows how, in a globalized society, we each have within us the power to change the world.
The Botsotso literary journal started in 1996 as a monthly 4 page insert in the New Nation, an independent anti-apartheid South African weekly and reached over 80,000 people at a time – largely politisized black workers and youth – with a selection of poems, short stories and short essays that reflected the deep changes taking place in the country at that time. Since the closure of the New Nation in 1999, the journal has evolved into a stand-alone compilation featuring the same mix of genres, and with the addition of photo essays and reviews. The Botsotso editorial policy remains committed to creating a mix of voices which highlight the diverse spectrum of South African identities and la...