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Women Classical Scholars
  • Language: en
  • Pages: 484

Women Classical Scholars

La 4e de couverture indique : "the first written history of the pioneering women born between the Renaissance and 1913 who played significant roles in the history of classical scholarship."

Costume in Greek Tragedy
  • Language: en

Costume in Greek Tragedy

The core of the book focuses on tragic costume in its original performance context of fifth-century Athens, but the implications of subsequent uses in Roman and more recent performances are also taken into consideration.Most importantly, the reader is invited to think about how tragic costume worked as a language in ancient performance and was manipulated physically and verbally in order to create meaning. Elements of this language are shown through a series of test cases from a range of ancient tragedies. All ancient passages are given in translation and the book includes a glossary of terms.

Ancient Theatre and Performance Culture around the Black Sea
  • Language: en
  • Pages: 583

Ancient Theatre and Performance Culture around the Black Sea

Presents a landmark study combining key specialists around the region with well-established international scholars, from a wide range of disciplines.

The Pronomos Vase and Its Context
  • Language: en
  • Pages: 320

The Pronomos Vase and Its Context

  • Categories: Art

The Pronomos Vase is the single most important piece of pictorial evidence for ancient theatre to have survived from ancient Greece. It depicts an entire theatrical chorus and cast along with the celebrated musician Pronomos, in the presence of their patron god, Dionysos. In this collection of essays, illustrated with nearly 60 drawings and photographs, leading specialists from a variety of disciplines tackle the critical questions posed by this complex hub of evidence. Thediscussion covers a wide range of perspectives and issues, including the artist's oeuvre; the pottery market; the relation of this piece to other artistic, and especially celebratory, artefacts; the political and cultural contexts of the world that it was produced in; the identification of figures portrayedon it: and the significance of the Pronomos Vase as theatrical evidence. The volume offers not only the most recent scholarship on the vase but also some ground-breaking interpretations of it.

Theatre Props and Civic Identity in Athens, 458-405 BC
  • Language: en
  • Pages: 281

Theatre Props and Civic Identity in Athens, 458-405 BC

  • Categories: Art

List of Illustrations List of Abbreviations -- Acknowledgements -- Introduction -- Propping up Athens -- Chapter 1 - Casting votes in Athens -- Chapter 2 - Trialling Props on stage I The Oresteia 's appropriation of voting urns and pebbles II Dramatic retrials after 458 BC -- Chapter 3 - A Weapon of Democracy -- Chapter 4 - Swords drawn on the tragic stage I The Oresteia 's tyrant slayers II Ajax 's battlefield sphagia -- Chapter 5 - Swords redrawn on stage I The comic re-drawing of swords -- II Swords redrawn again in Phoenician Women -- Chapter 6 - The Mask in hand I Society II Theatre -- Conclusion -- Evaluating Objects -- Appendix -- Clytemnestra's sword in the Oresteia -- Notes -- Bibliography -- Index.

New Directions in Ancient Pantomime
  • Language: en
  • Pages: 501

New Directions in Ancient Pantomime

  • Type: Book
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  • Published: 2008-11-20
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  • Publisher: OUP Oxford

This is the first comprehensive and illustrated study of the most important form of theatre in the entire Roman Empire - pantomime, the ancient equivalent of ballet dancing. Performed for more than five centuries in hundreds of theatres from Portugal in the West to the Euphrates, from Gaul to North Africa, solo male dancing stars - the forerunners of Nijinsky, Nureyev, and Baryshnikov - stunned audiences with their erotic costumes, subtlety of gesture, and dazzling athleticism. In sixteen specially commissioned and complementary studies, the leading world specialists explore all aspects of the ancient pantomime dancer's performance skills, popularity, and social impact, while paying special attention to the texts that formed the basis of this distinctive art form.

Theorising Performance
  • Language: en
  • Pages: 320

Theorising Performance

  • Type: Book
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  • Published: 2010-03-25
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  • Publisher: A&C Black

Constitutes the first analysis of the modern performance of ancient Greek drama from a theoretical perspective.

Aristophanes in Performance, 421 BC-AD 2007
  • Language: en
  • Pages: 411

Aristophanes in Performance, 421 BC-AD 2007

  • Type: Book
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  • Published: 2007
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  • Publisher: MHRA

Flying to Heaven to demand an end to war, building Cloudcuckooland in the sky, descending to Hades to retrieve a dead tragedian - such were the cosmic missions on which Aristophanes, the father of comedy, sent his heroes of the classical Athenian stage. The wit, intellectual bravura, political clout and sheer imaginative power of Aristophanes' quest dramas have profoundly influenced humorous literature and satire, but this volume, which originated at an international conference held at the Archive of Performances of Greek and Roman Drama at Oxford University in 2004, is the first interdisciplinary study of their seminal contribution to the evolution of comic performance. Interdisciplinary es...

Performance in Greek and Roman Theatre
  • Language: en
  • Pages: 601

Performance in Greek and Roman Theatre

  • Type: Book
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  • Published: 2013-03-15
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  • Publisher: BRILL

Drawing on insights from various disciplines (philology, archaeology, art) as well as from performance and reception studies, this volume shows how a heightened awareness of performance can enhance our appreciation of Greek and Roman theatre.

A Handbook to the Reception of Greek Drama
  • Language: en
  • Pages: 619

A Handbook to the Reception of Greek Drama

A Handbook to the Reception of Greek Drama offers a series of original essays that represent a comprehensive overview of the global reception of ancient Greek tragedies and comedies from antiquity to the present day. Represents the first volume to offer a complete overview of the reception of ancient drama from antiquity to the present Covers the translation, transmission, performance, production, and adaptation of Greek tragedy from the time the plays were first created in ancient Athens through the 21st century Features overviews of the history of the reception of Greek drama in most countries of the world Includes chapters covering the reception of Greek drama in modern opera and film