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This catalogue, reissued in its third edition, contains entries for British and foreign participants at London's International Exhibition in 1862. A diverse range of industries - including mining, engineering, textiles, printing and photography - are represented. Also featuring many contemporary advertisements, this publication remains an instructive resource for social and economic historians.
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With the opening of the Liechtenstein Museum in Vienna, an incomparable private collection of artworks from six centuries returns to its original home. Masterful paintings, sculptures, and furniture are displayed in the Liechtenstein Palace, famous for its Baroque architecture and sumptuous gardens. A visit to the museum is a journey through time from the Baroque to the Biedermeier eras.
From the late seventeenth through the mid-eighteenth centuries, large-scale Italian frescoes soared in popularity as nobles in the German principalities of the Holy Roman Empire constructed new palaces at an unprecedented rate. They competed with one another to produce lavish decorative schemes that expressed their claim to princely power and political authority. Whereas previous art historians have primarily focused on iconographic and stylistic issues and generally treated these programs as individual commissions of regional courts, this book places the works of art within their broad cultural and historical contexts during the Enlightenment. This monograph explains how rulers gradually shifted from emphasizing military heroism to stressing their cultivation of the arts and sciences, and addresses how expressing membership in a specifically European civilization emerged as an integral visual theme and a key ambition of the German nobility.