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Living Weapon
Living Weapon is a love song to the imagination, a new blade of light homing in on our political moment. A winged man plummets from the troposphere, four police officers enter a phone store, concrete pavements hang overhead. Phillips ruminates on violins and violence, on hatred and pleasure, on turning forty-three, even on the end of existence itself. His poetry reveals the limitations of our vocabulary, showing that our platitudes are inadequate to the brutal times we find ourselves in. And yet, through interrogation of allegory and symbol, names and things, time and musicality, a language of grace and urgency is found. For still our lives go on, and these are poems of survival as much as indictment. Living Weapon is a piercing, flaring collection from 'a virtuoso poetic voice' (Granta).
When Blackness Rhymes with Blackness (Dalkey Archive Scholarly Series)
Lyrical, provocative, and highly original—a groundbreaking book by one of America’s smartest young poet-critics. In When Blackness Rhymes with Blackness, Rowan Ricardo Phillips pushes African American poetry to its limits by unraveling “our desire to think of African American poetry as African American poetry.” Phillips reads African American poetry as inherently allegorical and thus “a successful shorthand for the survival of a poetry but unsuccessful shorthand for the sustenance of its poems.” Arguing in favor of the “counterintuitive imagination,” Phillips demonstrates how these poems tend to refuse their logical insertion into a larger vision and instead dwell indefinitel...
The Ground
A masterful debut from a powerfully original poetic voice A poignant and terse vision of New York City unfolds in Rowan Ricardo Phillips's debut book of poetry. A work of rare beauty and lyric grace, The Ground is an entire world, drawn and revealed through contemplation of the post-9/11 landscape. With musicality and precision of thought, Phillips's poems limn the troubadour's journey in an increasingly surreal modern world ("I plugged my poem into a manhole cover/That flamed into the first guitar"). The origin of mankind, the origin of the self, the self's development in the sensuous world, and––in both a literal and figurative sense––the end of all things sing through Phillips's s...
The Stone Age
Jen Hadfield’s new collection is an astonished beholding of the wild landscape of her Shetland home, a tale of hard-won speech, and the balm of the silence it rides upon. The Stone Age builds steadily to a powerful and visionary panpsychism: in Hadfield’s telling, everything – gate and wall, flower and rain, shore and sea, the standing stones whose presences charge the land – has a living consciousness, one which can be engaged with as a personal encounter. The Stone Age is a timely reminder that our neurodiversity is a gift: we do not all see the world the world in the same way, and Hadfield’s lyric line and unashamedly high-stakes wordplay provide nothing less than a portal into a different kind of being. The Stone Age is the work of a singular artist at the height of her powers – one which dramatically extends and enriches the range of our shared experience.
Heaven
One of The Washington Post's Best Poetry Collections of 2015 One of NPR's Best Books of 2015 Long-listed for the National Book Award in poetry "Who the hell's heaven is this?" Rowan Ricardo Phillips offers many answers, and none at all, in Heaven, the piercing and revelatory encore to his award-winning debut, The Ground. Swerving elegantly from humor to heartbreak, from Colorado to Florida, from Dante's Paradise to Homer's Iliad, from knowledge to ignorance to awe, Phillips turns his gaze upward and outward, probing and upending notions of the beyond. "Feeling, real feeling / with all its faulty / Architecture, is / Beyond a god's touch"—but it does not elude Phillips. Meditating on feveri...
Ariadne in the Grotesque Labyrinth
One of the defining texts of twentieth-century Catalan fiction, written by one of its most innovative and cherished writers, Salvador Espriu's Ariadne in the Grotesque Labyrinth is a collection of thirty-four short stories in which the twists and turns of action, character, and place are as winding and sumptuous as the legendary maze of its title. Originally published in 1935 in the midst of great countrywide political and social upheaval, these stories are a mirror, a grotesque mirror, held up to Catalan and Spanish society. Infused with a deep sense of mythic power, blending social realism with lush modernist experiment, Ariadne in the Grotesque Labyrinth is a triumph of style. Perhaps best known for his poetry, Espriu's rich lyricism and highly evocative use of the Catalan language are here brought to life in the poet Rowan Ricardo Phillips's remarkable English language translation of a classic of world literature.
Silver
Rowan Ricardo Phillips’s fourth collection is a book as lustrous as the metal of its title. This beautiful, slender collection—small and weighted like a coin—is Rowan Ricardo Phillips at his very best. These luminous, unsparing, dreamlike poems are as lyrical as they are virtuosic. “Not the meaning,” Phillips writes, “but the meaningfulness of this mystery we call life” powers these poems as they conjure their prismatic array of characters, textures, and moods. As it reverberates through several styles (blank verse, elegy, terza rima, rhyme royal, translation, rap), Silver reimagines them with such extraordinary vision and alluring strangeness that they sound irrepressibly fresh and vibrant. From beginning to end, Silver is a collection that reflects Phillips’s guiding principle—“part physics, part faith, part void”—that all is reflected in poetry and poetry is reflected in all. This is work that brings into acute focus the singular and glorious power of poetry in our complex world.
Loop of Jade
*WINNER OF THE T. S. ELIOT PRIZE 2015* *WINNER OF THE SUNDAY TIMES / PETERS FRASER + DUNLOP YOUNG WRITER OF THE YEAR AWARD 2015* *SHORTLISTED FOR THE FORWARD PRIZE FOR BEST FIRST COLLECTION 2015* There is a Chinese proverb that says: ‘It is more profitable to raise geese than daughters.’ But geese, like daughters, know the obligation to return home. In her exquisite first collection, Sarah Howe explores a dual heritage, journeying back to Hong Kong in search of her roots. With extraordinary range and power, the poems build into a meditation on hybridity, intermarriage and love – what meaning we find in the world, in art, and in each other. Crossing the bounds of time, race and language, this is an enthralling exploration of self and place, of migration and inheritance, and introduces an unmistakable new voice in British poetry.
This is Yarrow
The poems in Tara Bergin's accomplished debut collection combine sensuous, supple lyricism with the unsettling familiarity of folklore, fairytale and dream. They are inhabited by characters who seem at first widely different from one another, yet share nervous energy, a troubled state of mind: 'I am unwell, little crow, / I am unwell and far from home / where longing lives in my house'. In This is Yarrow Bergin gathers language from a wide range of sources and places to create a music and vision entirely her own.
Feel Free
Celebrated for his novels and screenplays, Nick Laird has been 'an assured and brilliant voice' (Colm Toibin) in contemporary poetry ever since his impressive debut, To a Fault, in 2005. This is his strongest collection to date, in which we sense the deep American influence from living in New York meeting his familial shores of Northern Ireland: the acoustically generous, longer lines of the new world's Ginsberg or Whitman, and the lyricism of his forebears Heaney, MacNeice and Yeats. These are smart, energetic, worldly poems of political edge and family tenderness.
