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With a little outside help, says veteran cartoonist Roy Paul Nelson, anyone with an interest in art can learn to draw humorous sketches. He proves it in this accessible guide to cartooning, offering beginners and professionals a complete manual for working in one of the world's liveliest art forms. Briefly tracing the origins of cartooning, Nelson goes on to furnish tips for using proper tools and techniques; drawing the human figure, animals, and backgrounds; composing; doing gag cartoons, comic strips, and panels; creating editorial and advertising cartoons; and much more. Accompanying the easy-to-follow directions are seventy-five illustrations, including many of the author's own. Designed especially for novices, this concise, readable guide will also serve as a refresher course for seasoned artists.
In 1872 in the treaty port of Shanghai, British merchant Ernest Major founded one of the longest-lived and most successful of modern Chinese-language newspapers, the Shenbao. His publication quickly became a leading newspaper in China and won praise as a "department store of news," a "forum for intellectual discussion and moral challenge," and an "independent mouthpiece of the public voice." Located in the International Settlement of Shanghai, it was free of government regulation. Paradoxically, in a country where the government monopolized the public sphere, it became one of the world's most independent newspapers. As a private venture, the Shenbao was free of the ideologies that constraine...
Completely updated, with current examples and new coverage of digital media, this popular handbook provides a range of qualitative approaches that enable students to effectively decipher information conveyed through the channels of mass communication - photography, film, radio, television, and interactive media. It aim is to help students develop critical thinking skills and strategies with regard to what media to use and how to interpret the information that they receive. The techniques include ideological, autobiographical, nonverbal, and mythic approaches. An Instructor's Manual is available to professors who adopt this new edition.
The new electronic age has seen a radical transition from book to screen, a development which has obscured the fact that it is not what we see which matters but how we see what we see. We live in a time when the visible needs to be retheorised.Panorama presents a broad analysis of philosophies of the visible in art and culture, particularly in painting, film, photography, and literature. The work of key philosophers--Kant, Hegel, Nietzsche, Heidegger, Levinas, Barthes, Blanchot, Foucault, Bataille, Derrida, Lyotard and Deleuze--is examined in the context of visibility, expressivity, the representational and the postmodern. Contributors: Zsuzsa Baross, Robert Burch, Alessandro Carrera, Dana Hollander, Lynne Huffer, Volker Kaiser, Reginald Lilly, Robert S. Leventhal, Janet Lungstrum, Ladelle McWhorter, Ludwig Nagl, Anne Tomiche, James R. Watson, Lisa Zucker
This book is about technological change within human communication and the media. Not technical, this work is an overview and evaluation of new communication technologies. Roger Fidler demystifies emerging media technologies and provides a structure for understanding their potential influences on the popular forms of mainstream media such as newspapers, magazines, television and radio.
The Bare Bones of Advertising Print Design is an ideal handbook for beginning designers and students of advertising design/layout and desktop publishing. Robyn Blakeman dissects the creative process one piece at a time, giving a step-by-step guide to the use and design of advertising in both magazines and newspapers. This friendly, concise, and well-illustrated book is an invaluable resource that new designers and ad design students will refer to time and again for tips on creative and effective print ads.
Well-crafted and class-tested, this guide to figure drawing features a unique teaching method. It focuses on learning to draw complete figures prior to the study of individual components, and it stresses action figures rather than the customary static examples favored by most drawing and anatomy texts. Employing more text than typical art instruction books, it presents thirty figure drawing lessons and fifty-six drawings and figures. Each lesson includes detailed instructions on anatomical drawing, accompanied by visual examples of strokes, boxes, and measurements. Author Alon Bement taught art instruction to future art teachers at Columbia University and later founded the prestigious Maryland Institute of Art. His students included Georgia O'Keeffe, who regarded him as a mentor and major influence. Bement's nontraditional approach offers students at all levels an excellent opportunity to build their visual acuity and technical skills.