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The ROM Field Guide to Birds of Ontario
This unique publication, produced in association with the Royal Ontario Museum, is the guide Ontario birders have been waiting for... The ROM Field Guide to Birds of Ontario is researched and written specifically for the Ontario bird watcher. It is the most authoritative, easy to use, and beautifully designed guide to Ontario birds available. This landmark publication features: - Detailed and clearly written descriptions of more than 300 migrant and resident Ontario bird species and accidentals, including notes on Appearance, Voice, Habitat and Behaviour, and Status. - Close to 400 stunning full-colour photographs from Canada's top wildlife photographers, carefully selected for quick and easy identification in the field. - Over 300 easy-to-read colour distribution maps, showing summer and winter ranges and breeding grounds. - Handy page-per-species format, with photo, description, and range map all in one place. - Glossary, Checklist of Ontario Birds, and Index.
Art Treasures in the Royal Ontario Museum
A pictorial survey of its collections, with a brief historical introduction and commentary. Includes reproductions of sculpture, paintings, textiles, ivories, silver, jewelry, etc.
The Museum Makers
None
Cloth that Changed the World
Published in conjunction with the exhibition originally scheduled to be held at the Royal Ontario Museum from April 4, 2020 to September 27, 2020.
Bold Visions
None
A Museum in Public
Not satisfied with the assertion that museums have taken great strides in becoming representative, relevant and open in their preoccupations, A Museum in Public contends that the supposedly public nature of their institutional role continues to be a rhetorical one. This book critically examines museums as institutions of the public sphere, questioning what assumptions are made about the publicness of their operations. Using as a case study the Royal Ontario Museum (ROM), Canada’s largest museum, the book interrogates the public nature and political dynamics of the ROM as it completed a multi-million dollar architectural project and adopted a new vision of the museum. Providing an engaged c...
A Museum in Public
Not satisfied with the assertion that museums have taken great strides in becoming representative, relevant and open in their preoccupations, A Museum in Public contends that the supposedly public nature of their institutional role continues to be a rhetorical one. This book critically examines museums as institutions of the public sphere, questioning what assumptions are made about the publicness of their operations. Using as a case study the Royal Ontario Museum (ROM), Canada's largest museum, the book interrogates the public nature and political dynamics of the ROM as it completed a multi-million dollar architectural project and adopted a new vision of the museum. Providing an engaged cul...
Contested Representations
The controversy surrounding the significant "Into the Heart of Africa" exhibit at the Royal Ontario Museum in Canada is explored in this compelling and analytical text. The exhibit has become an international, controversial touchstone for issues surrounding the politics of visual representation, such as the challenges to curatorial and ethnographic authority in multicultural and postcolonial contexts. Asking why the museum's exhibit failed so many people, the author examines such issues as institutional politics, the broad political and intellectual climate surrounding museums, the legacies of colonialism and traditions of representation of Africa, and the politics of irony. By drawing upon anthropological and cultural criticism, the book offers a unique account of the ways in which an ambiguous exhibit about colonialism became the site of an expansiveInto the Heart of Africa."
A Museum in Public
Not satisfied with the assertion that museums have taken great strides in becoming representative, relevant and open in their preoccupations, A Museum in Public contends that the supposedly public nature of their institutional role continues to be a rhetorical one. This book critically examines museums as institutions of the public sphere, questioning what assumptions are made about the publicness of their operations. Using as a case study the Royal Ontario Museum (ROM), Canada's largest museum, the book interrogates the public nature and political dynamics of the ROM as it completed a multi-million dollar architectural project and adopted a new vision of the museum. Providing an engaged cul...
