You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Si bien la comunicación oral y escrita es determinante en el aprendizaje y la generación de conocimiento, en el ámbito académico aún representa un desafío, ya que exige ciertas convenciones y un rigor que con frecuencia resultan difíciles de lograr para aquellos que no han tenido la oportunidad de desarrollar estas habilidades. Para su mejor dominio, la lectura, la escritura y la oralidad requieren de un cultivo constante e intencionado. En ese tenor, los centros y programas de escritura se nos presentan como espacios de acompañamiento donde los estudiantes pueden mejorar las competencias de literacidad a partir de conocer la estructura y los géneros de la comunicación académica, ...
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
CONTENIDO: Avances en la construcción de una propuesta didáctica para favorecer el desarrollo del lenguaje en su función cognitiva / Claudia Marcela Rincón W., Ivoneth Lozano Rodríguez, Martha Leonor Sierra Avila, Zulma P. Zuluaga Ocampo, Consuelo López Rodríguez / - Sobre la lectura y la escritura en la escuela: ¿Qué enseñar? / Pilar Mirely Chois Lenis / - Las configuraciones didácticas y la construcción del lenguaje escrito en los dos primeros años de escolaridad / Daniel Torres Ardila, Milena Barrios Martínez / - Un marco para pensar configuraciones didácticas en el campo del lenguaje, en la educación básica / Mauricio Pérez Abril / - Escritura y metacognición / Rubén Darío Hurtado Vergara, Luz Adriana Restrepo Calderón, Oliva Herrera Cano ... / Los proyectos de aula en lengua castellana: espacio para la meditación pedagógica en lectura y escritura / Sonia Gómez Benítez / Didáctica, práctica pedagógica e investigación en el marco de una red de docentes del lenguaje / Rudy Doria Correa ...
About Trees considers our relationship with language, landscape, perception, and memory in the Anthropocene. The book includes texts and artwork by a stellar line up of contributors including Jorge Luis Borges, Andrea Bowers, Ursula K. Le Guin, Ada Lovelace and dozens of others. Holten was artist in residence at Buro BDP. While working on the book she created an alphabet and used it to make a new typeface called Trees. She also made a series of limited edition offset prints based on her Tree Drawings.
This "gorgeously written" National Book Award finalist is a dazzling, heart-rending story of an oil rig worker whose closest friend goes missing, plunging him into isolation and forcing him to confront his past (NPR, One of the Best Books of the Year). One night aboard an oil drilling platform in the Atlantic, Waclaw returns to his cabin to find that his bunkmate and companion, Mátyás, has gone missing. A search of the rig confirms his fear that Mátyás has fallen into the sea. Grief-stricken, he embarks on an epic emotional and physical journey that takes him to Morocco, to Budapest and Mátyás's hometown in Hungary, to Malta, Italy, and finally to the mining town of his childhood in Ge...
Originally published in 2011, The Mosquito Bite Author is the seventh novel by the acclaimed Turkish author Barış Bıçakçı. It follows the daily life of an aspiring novelist, Cemil, in the months after he submits his manuscript to a publisher in Istanbul. Living in an unremarkable apartment complex in the outskirts of Ankara, Cemil spends his days going on walks, cooking for his wife, repairing leaks in his neighbor’s bathroom, and having elaborate imaginary conversations in his head with his potential editor about the meaning of life and art. Uncertain of whether his manuscript will be accepted, Cemil wavers between thoughtful meditations on the origin of the universe and the trajectory of political literature in Turkey, panic over his own worth as a writer, and incredulity toward the objects that make up his quiet world in the Ankara suburbs.
None