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Kisah hidup HM Rusli, seorang pengusaha, politisi, tokoh agama dan pendidikan di Kalimantan Timur, Indonesia. Mengisahkan pergulatan hidup beliau sebagai sebuah skenario yang telah diatur oleh Allah SWT dengan sangat sempurna. Sebuah kisah HIJRAH yang menunjukkan bahwa tiada kebetulan dalam hidup ini. Semoga buku ini bermanfaat bagi para pembaca.
Cerita fabel adalah sebuah dongeng yang para tokohnya diperankan oleh binatang dengan perilaku yang menyerupai manusia. Biasanya dongeng ini memiliki jalan cerita yang mendidik dan menyampaikan pesan moral sehingga sangat baik untuk diceritakan pada anak-anak. Dengan menceritakan cerita fabel, dapat mengajarkan nilai-nilai kehidupan yang bermanfaat bagi masa depan anak kelak. Selain itu, mengenalkan cerita fabel yang memiliki banyak peran dengan berbagai karakter, anak bisa memahami nilai karakter atau watak manusia dengan lebih baik. Nah, salah satunya “Fabel 37 Provinsi - Lampung: Rusli dan Gajah Penolong”. Buku ini menceritakan Gajah yang sangat rajin dan senang menolong. Dia membantu menyirami kebun sawit Pak Olan. Dia pun mengangkut kayu bakar Pak Anwar untuk di jual ke pasar. Adapun Rusli, pemuda malas, yang memanfaatkan kebaikan Gajah. Apa yang terjadi pada mereka? Yuk, koleksi semua judulnya!
Gajah sangat rajin dan senang menolong. Dia membantu menyirami kebun sawit Pak Olan. Dia pun mengangkut kayu bakar Pak Anwar untuk dijual ke pasar. Adapun Rusli, pemuda malas, yang memanfaatkan kebaikan Gajah. Apa yang terjadi pada mereka? Fabel 34 Provinsi terdiri dari 34 judul dengan tokoh binatang endemik dari seluruh provinsi di Indonesia. Terdapat fakta unik di masing-masing akhir cerita.
Diversifying the current art historical scholarship, this edited volume presents the untold story of modern art by exposing global voices and perspectives excluded from the privileged and uncontested narrative of “isms.” This volume tells a worldwide story of art with expanded historical narratives of modernism. The chapters reflect on a wide range of issues, topics, and themes that have been marginalized or outright excluded from the canon of modern art. The goal of this book is to be a starting point for understanding modern art as a broad and inclusive field of study. The topics examine diverse formal expressions, innovative conceptual approaches, and various media used by artists around the world and forcefully acknowledge the connections between art, historical circumstances, political environments, and social issues such as gender, race, and social justice. The book will be of interest to scholars working in art history, imperial and colonial history, modernism, and globalization.
In Women and Property Rights in Indonesian Islamic Contexts, eight scholars of Indonesian Islam examine women’s access to property in law courts and in village settings. The authors draw on fieldwork from across the archipelago to analyse how judges and ordinary people apply interpretations of law, religion, and gender in deliberating and deciding in property disputes that arise at moments of marriage, divorce, and death. The chapters go beyond the world of legal and scriptural texts to ask how women in fact fare in these contexts. Women’s capabilities and resources in Indonesia, the world’s largest Muslim society and one with distinctive traditions of legal and social life, provides a critical knowledge base for advancing our understanding of the social life of Islamic law. Contributors: Nanda Amalia, John R. Bowen, Tutik Hamidah, Abidin Nurdin, Euis Nurlaelawati, Arskal Salim, Rosmah Tami & Atun Wardatun.
This book explores Indonesian cinema, focusing on moments of unique creativity by Indonesian film artists who illuminate important but less-widely-known aspects of their multi-dimensional society. It begins by exploring early 1950s ‘Indonesian neorealist films’ of the Perfini group, which depict the ethos and emerging moral issues of the period of struggle for independence (1945–49). It continues by discussing four audacious political allegories produced in four discrete political eras—including the Sukarno, Suharto and Reformasi periods. It also surveys the main approaches to Islam in both popular cinema and auteur films during the Suharto New Order. One chapter celebrates the popular songs and B-movies of the Betawi comedian, Benyamin S, which dramatize the experience of the poor in ‘modernizing’ Jakarta. Another examines persisting Third World dimensions of Indonesian society as critiqued in two experimental features. The concluding chapter highlights innovation in a renewed Indonesian cinema of the post-Suharto Reformasi period (1999–2020), including films by an unprecedented generation of women writer-directors
This policy-oriented jurisprudence presents the latest research findings on legal challenges faced by the international regulatory framework, as posed by the increasing deployment of uncrewed vessels at sea. It is the first publication that offers discussions and opinions reflecting a combined international and comparative (especially, eastern) perspective. The contributors from multiple jurisdictions elaborate on legal implications of the use of uncrewed vessels for military, commercial, scientific-research, and law-enforcement purposes from such diverse angles as the law of the sea, international humanitarian law, the law of war, global shipping regulation, marine environment protection, cybersecurity, and artificial intelligence and law.
This book describes, analyses and interprets more than thirty years of long-distance politics exercised by the Acehnese diaspora and the diasporans attempts to influence Aceh’s homeland developments in the lead-up to, during and after the internal conflict that afflicted the region between 1976 and 2005.