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Writing from the Center is about one very fine writer's quest for a meaningful and moral life. The center he seeks and describes is geographical, emotional, artistic, and spiritual - and it is rooted in place. The geography is midwestern, the impulses are universal. Where and how do we find meaning? Where does a writer find inspiration? How can personal, artistic, family, and community needs be blended to create a harmonious life? What aids exist in such a ""located"" life against despair? How should a writer relate to and represent his place? Twelve interrelated essays probe these questions from different perspectives. ""Buckeye"" examines the resonance of objects and the mysteries of relationships and death. ""Imagining the Midwest"" surveys how other writers have seen and related to their region. ""The Common Life"" makes an eloquent case for community values. ""Sanctuary"" is an eloquent and painful consideration of environmental degradation. ""Writing from the Center"" and ""Letter to a Reader"" deal with Sanders's decisions to locate in the Midwest, to know his place, and to write about it in both fiction and nonfiction.
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With round-the-clock drugs, games, and eros parlors to entertain them and virtual weather to sustain them, humans live inside a global network of domed cities known collectively as "the Enclosure." Having poisoned the biosphere, we've had to close ourselves off from the Earth. The cities of the Enclosure are scattered around the globe on the land and sea, and are connected by a web of travel tubes, so no one needs to risk exposure. Health Patrollers police the boundaries of the Enclosure to keep the mutants and pollution out. Phoenix Marshall decodes satellite images for a living. He has spent all 30 years of his life in Oregon City, afloat on the Pacific Ocean. He busies himself with work a...