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Русские Рассказы / Russian Stories
Twelve superb tales by Chekhov, Tolstoy, Dostoevsky, Pushkin, Bunin, other masters. Excellent word-for-word English translations on facing pages. Also teaching and practice aids, Russian-English vocabulary, biographical/critical introductions to each selection, study questions, more. Especially helpful are the stress accents in the Russian text, usually found only in primers.
Short Stories in Russian for Beginners
An unmissable collection of eight unconventional and captivating short stories for young and adult learners. "I love Olly's work - and you will too!" - Barbara Oakley, PhD, Author of New York Times bestseller A Mind for Numbers Short Stories in Russian for Beginners has been written especially for students from beginner to intermediate level, designed to give a sense of achievement, and most importantly - enjoyment! Mapped to A2-B1 on the Common European Framework of Reference, these eight captivating stories will both entertain you, and give you a feeling of progress when reading. What does this book give you? · Eight stories in a variety of exciting genres, from science fiction and crime ...
Laurus
It is the late fifteenth century in rural Russia, a time of plague and pestilence. A young orphan lives by the forest with his elderly grandfather, the local healer. From him he learns the secrets of herbs and remedies, and soon follows in the old man's footsteps. But this knowledge proves powerless to save his beloved, who dies in childbirth. Overcome with guilt and seeking redemption, he embarks on a journey through plague-ridden Europe, offering his healing powers wherever he goes. But this is no ordinary journey- it is one that spans ages and countries, and brings him face-to-face with a host of unforgettable characters and legendary creatures from the strangest medieval bestiaries. Now old, and having addressed his wrongs, he returns to his home village to live out his days as a hermit - not realizing that it is here that he will face his most difficult trial yet. Winner of two of the biggest literary prizes in Russia, Laurus is a remarkably rich novel about the eternal themes of love, loss, self-sacrifice and faith, from one of the country's most exciting and critically acclaimed novelists.
Saints and Revolutionaries
An examination of literary works spanning more than seven centuries, this volume studies the ascetic hero and asceticism, exploring the elusive interplay between religion, politics, and belles lettres in Russia. The first part places works including the thirteenth-century Kievan Crypt Patericon and Life of Avraamii Smolenskii, Epifanii's Life of Sergii Radonezhskii, and other lives written in the north of Russia, in the context of crucial religious doctrines such as apocalypticism and deification. The author shows how Old Russian literature plays a major cultural role in the continuing development of these doctrines on Russian soil. The second part traces a revival of the Russian fascination...
A History of Russian Literature
Russia possesses one of the richest and most admired literatures of Europe, reaching back to the eleventh century. A History of Russian Literature provides a comprehensive account of Russian writing from its earliest origins in the monastic works of Kiev up to the present day, still rife with the creative experiments of post-Soviet literary life. The volume proceeds chronologically in five parts, extending from Kievan Rus' in the 11th century to the present day.The coverage strikes a balance between extensive overview and in-depth thematic focus. Parts are organized thematically in chapters, which a number of keywords that are important literary concepts that can serve as connecting motifs a...
Reference Guide to Russian Literature
"First Published in 1998, Routledge is an imprint of Taylor & Francis, an informa company."
The Gothic-fantastic in Nineteenth-century Russian Literature
From the contents: From Pantheon to Pandemonium (Richard Peace). - Karamzin's Gothic tale: The Island of Bornholm (Derek Offord). - Alessandra TOSI: At the origins of the Russian Gothic novel: Nikolai Gnedich's Don Corrado de Gerrera (1803) (Alessandra Tosi). - Does Russian Gothic verse exist? The Case of Vasilii Zhukovskii (Michael Pursglove). - The fantastic in Russian Romantic prose: Pushkin's The Queen of Spades (Claire Whitehead).
The Best Russian Plays and Short Stories
This edition represents a collection of some of the greatest Russian plays and short stories: Plays Introduction The Wedding The Jubilee A Merry Death The Beautiful Despot The Choice of a Tutor The Inspector General Savva The Life of Man Short Stories The Queen of Spades The Cloak The District Doctor The Christmas Tree And The Wedding God Sees The Truth, But Waits How A Muzhik Fed Two Officials The Shades, A Phantasy The Signal The Darling The Bet Vanka Hide And Seek Dethroned The Servant One Autumn Night Her Lover Lazarus The Revolutionist The Outrage An Honest Thief A Novel in Nine Letters An Unpleasant Predicament Another Man's Wife The Heavenly Christmas Tree The Peasant Marey The Crocodile Bobok The Dream of a Ridiculous Man Mumu The Shot St. John'S Eve An Old Acquaintance The Mantle The Nose Memoirs Of A Madman A May Night The Viy Knock, Knock, Knock The Inn Lieutenant Yergunov's Story The Dog The Watch Essay on Russian Novelists Lectures on Russian Novelists
Narrative Space and Gender in Russian Fiction
The present volume has as its primary aim readings, from a feminist perspective, of a number of works from Russian literature published over the period in which the 'woman question' rose to the fore and reached its peak. All the works considered here were produced in, or hark back to, a fairly narrowly defined period of not quite 20 years (1846-1864) in which issues of gender, of male and female roles were discussed much more keenly than in perhaps any other period in Russian literature. The overall project is summed up by the three key words of this book's title, narrative, space and gender, and, especially, the interconnections between them. That is, what do the way these stories were told tell us about gender identities in mid-nineteenth-century Russia? Which spaces were central to these fictional worlds? Which spaces suggested which gender identities? The discussions therefore focus on issues of narrative and space, and how they acted as 'technologies of gender'. This volume will be of interest to all interested in nineteenth-century Russian literature, as well as students of gender, and of the semiotics of narrative space.
