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The Majorettes
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Making Movies
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The Future Without a Past
"Argues that technological imperatives like rationalization, universalism, monism, and autonomy have transformed the humanities and altered the relation between humans and nature. Examines technology and its impact on education, historical memory, and technological and literary values in criticism and theory, concluding with an analysis of the fiction of Don DeLillo"--Provided by publisher.
A Long-Ago Murder
Some secrets refuse to stay buried. When David Cristi was thirteen, his best friend Ron was brutally murdered in a crime that shocked their small town and forever changed David’s life. Three boys were accused of the grisly act, and the case was closed. But nearly three decades later, the convictions are overturned, leaving a haunting question: Who really killed Ron? Now a filmmaker known for his gritty horror movies, David is determined to dig into the past and solve the mystery that still casts a shadow over his hometown. But as he peels back layers of secrets, he begins to uncover a tangled web of lies, buried trauma, and dangerous truths that refuse to stay hidden. With his own life on the line, David must confront not only the darkness of the crime but also the demons that lurk in the hearts of those he once trusted. In this gripping thriller, John A. Russo weaves a story of friendship, loss, and the relentless pursuit of justice. Can David uncover the truth, or will the past claim another victim?
New Working-Class Studies
"We put the working class, in all its varieties, at the center of our work. The new working-class studies is not only about the labor movement, or about workers of any particular kind, or workers in any particular place—even in the workplace. Instead, we ask questions about how class works for people at work, at home, and in the community. We explore how class both unites and divides working-class people, which highlights the importance of understanding how class shapes and is shaped by race, gender, ethnicity, and place. We reflect on the common interests as well as the divisions between the most commonly imagined version of the working class—industrial, blue-collar workers—and worker...
Inhuman
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Undead: Night of the Living Dead & Return of the Living Dead
George A. Romero's classic 1968 film, Night of the Living Dead, has been revered among horror buffs and moviegoers since its release. It introduced a new era of gut-munching cinematic mayhem and inspired legions of directors and writers, among them Quentin Tarantino, George Lucas, Stephen King, and Steven Spielberg. John A. Russo, who co-wrote the screenplay for Night of the Living Dead, turned the flesh-eating frenzy into two blood-drenched novels which have been unavailable for thirty years. Now combined in one gory, chilling volume, guaranteed to delight (and disgust) horror fans old and new Undead is gruesome, suspenseful horror at its best.
Limb to Limb
SUCH A PRETTY PRETTY GIRL . . .SUCH A COLD, CRUEL KNIFE . . . Tiffany Blake was a beautiful long-limbed dancer with a glorious future and the backing of a rich benefactor. Then a monstrous accident severed her leg at the hip. And now her fellow dancers are disappearing without a trace. One by one they fall victim to a dark and deadly pattern of evil - caught by the bloody, brutal logic that would have them pay with their lovely bodies for the cruel fate of another . . . victims of the sadistic madman whose flashing knife will make them writhe a gruesome new dance.
