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From the grindhouse oddities to major studio releases, this work details 46 horror films released during the genre's golden era. Each entry includes cast and credits, a plot synopsis, in-depth critical analysis, contemporary reviews, time of release, brief biographies of the principal cast and crew, and a production history. Apart from the 46 main entries, 71 additional "borderline horrors" are examined and critiqued in an appendix.
Sacramental Letters is a spirited exploration of the sacramental themes that underlie some of our more profound literature. While it is a serious literary study, it is also a religious journey into the meaning of the sacraments and the underlying grace that imbues our world. From a uniquely Catholic perspective, the author offers new and challenging insights into the works of Albert Camus, Flannery O'Connor, Gerard Manley Hopkins, Thomas Merton, Graham Greene, Annie Dillard, and Richard Rodriguez. Readers will explore the themes of sin, guilt, redemption, grace, suffering, and sanctity, as they are revealed through the sacraments of the church and in the creative craft of each writer. Sacramental Letters challenges the Christian disciple to gain a new perspective, a new way of seeing, and to engage the world with compassion, responding to the longing each one of us has to love the world as Christ loves us. This is an indispensable itinerary for any spiritual traveler, Catholic book club, or religious classroom setting.
Volume 1 of 8, TOC and pages 1-504. A genealogical compilation of the descendants of John Jacob Rector and his wife, Anna Elizabeth Fischbach. Married in 1711 in Trupbach, Germany, the couple immigrated to the Germanna Colony in Virginia in 1714. Eight volumes document the lives of over 45,000 individuals.
This book attempts a close reading of the fiction of Flannery O'Connor, story by story, with one eye on her use of the Bible, and her view of the Bible in relation to her own work. After introductory chapters on O'Connor's markings in her own Roman Catholic Bible, her book reviews in diocesan newspapers, and her impatience with her wayward readers, Michaels looks first at her two novels, Wise Blood and The Violent Bear It Away, and then at seventeen of her short stories from her two collections, A Good Man Is Hard to Find and Everything That Rises Must Converge. Michaels takes notice of O'Connor's explicit references to the Bible (or Bibles) in her stories, and looks more particularly to the ways in which the stories are driven at least in part by specific biblical texts. Among the themes that emerge are alienation or displacement, what it means to be "good," the relation between body and spirit and between the Old Testament and the New, issues of race and gender, and above all what O'Connor once called "the action of grace in territory held largely by the devil."