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The Dispatcher
From the author of the award-winning debut crime novel Good Neighbors-a white-knuckle thriller about the lengths a man will go to for his daughter. The phone rings. It's your daughter. She's been dead for four months. So begins East Texas police dispatcher Ian Hunt's fight to get his daughter back. The call is cut off by the man who snatched her from her bedroom seven years ago, and a basic description of the kidnapper is all Ian has to go on. What follows is a bullet-strewn cross-country chase from Texas to California along Interstate 10- a wild ride in a 1965 Mustang that passes through the outlaw territory of No Country for Old Men and is shot through with moments of macabre violence that call to mind the novels of Thomas Harris.
Acts of Violence
Katrina Marino is about to become America’s most infamous murder victim. This is Katrina’s story, and the story of her killer. It is also the story of Katrina’s neighbours, those who witnessed her murder and did nothing: the terrified Vietnam draftee; the woman who thinks she’s killed a child, and her husband who will risk everything for the truth; the former soldier planning suicide and the man who saves him. And others whose lives are touched by the crime: the elderly teacher whose past is catching up with him; the amateur blackmailer who’s about to find out just what sort of people he’s been threatening; the corrupt cop who believes he is God’s ‘red right hand’. Shocking and compassionate, angry and gripping, ACTS OF VIOLENCE is a sprawling, cinematic tour-de-force, a terrifying crime novel unlike any other.
Good Neighbors
A compulsively readable debut crime novel inspired by the legendary real-life murder of Kitty Genovese At 4:00 A.M. on March 13, 1964, a young woman returning home from her shift at a local bar is attacked in the courtyard of her Queens apartment building. Her neighbors hear her cries; no one calls for help. Unfolding over the course of two hours, Good Neighbors is the story of the woman's last night. It is also the story of her neighbors, the bystanders who kept to themselves: the anxious Vietnam draftee; the former soldier planning suicide; the woman who thinks she's killed a child and her husband, who will risk everything for her. Revealing a fascinating cross-section of American society in expertly interlocking plotlines, Good Neighbors calls to mind the Oscar-winning movie Crash, and its suspense and profound sense of urban menace rank it with Hitchcock's Rear Window and the gritty crime novels of Dennis Lehane, Richard Price, and James Ellroy.
Routledge Encyclopedia of Narrative Theory
The past several decades have seen an explosion of interest in narrative, with this multifaceted object of inquiry becoming a central concern in a wide range of disciplinary fields and research contexts. As accounts of what happened to particular people in particular circumstances and with specific consequences, stories have come to be viewed as a basic human strategy for coming to terms with time, process, and change. However, the very predominance of narrative as a focus of interest across multiple disciplines makes it imperative for scholars, teachers, and students to have access to a comprehensive reference resource.
The Last Tomorrow
Los Angeles, 1952 After thirteen-year-old Sandy Duncan shoots his stepfather and carves a symbol from a comic book into the corpse’s forehead, district attorney Seymour Markley launches a grand jury investigation into the murder, one that could implicate east-coast crime boss James Manning. Also in the frame is the comic book’s creator, Eugene Dahl. When threatening notes appear nailed to his front door, he is lured to a downtown hotel where one of the men who could bring down James Manning, is being held. There, Eugene finds the witness murdered, as well as the police officer charged with protecting him, and all fingers point to Eugene. Forced to go on the run, Eugene devises a plan that involves deeds far worse than anything he’s been accused of . . . 'There is no doubt of Jahn's writing talent . . . existential and surreal' The Times
Everything I Don't Remember
"Everything I Don't Remember is a gripping tale about love and memory. But it is also a story about a writer who, by filling out the contours of Samuel's story, is actually trying to grasp a truth about himself. In the end, what remains of all our fleeting memories? And what is hidden behind everything we don't remember?"--
Low Life
When Simon Johnson is attacked in his LA apartment, he knows he must defend himself or die. Turning on the lights after the scuffle, Simon realises he has killed his attacker and the resemblance of the man to himself is uncanny. He embarks on a gripping existential investigation, into his own murky past, and that of Jeremy Shackleford, the (apparently) happily married math teacher whose body is now lying in Simon's bathtub under forty gallons of ice.
The Breakout
James Murphy is a Marine Corps sniper. He’s done two tours in Afghanistan. He’s considered an American Hero. And James is out for revenge. Alejandro Rocha, a massively powerful drug kingpin who operates out of La Paz, Mexico, is responsible for James’s sister, Layla’s death, and he intends to make Rocha pay for it. James goes AWOL from his unit and travels to Mexico, ready to enact bloody vengeance, but before he can go through with his plan, he is arrested by the crooked police of La Paz. He’s quickly thrown into a dangerous prison on trumped-up charges. He knows he is marked for death while in this prison and there’s nothing he can do about it. However, there is a group of people who can do something about it. Discovering that James is wasting away in a Mexican prison, the marines in his unit decide to risk court-martial themselves and go AWOL as well, ready to go to war in order to break their brother out. And that’s just the beginning of the mayhem and violence.
Tarantula
Richard Lafargue is an eminent plastic surgeon haunted by dirty secrets. He has an operating theatre in the basement of his chateau and keeps his partner Eve imprisoned in her bedroom, a room he has equipped with an intercom and 300-watt speakers through which he bellows orders. Eve is only allowed out to be paraded at cocktail parties and on the last Sunday of each month, when the couple visit a young woman in a mental asylum. Following these outings, Lafargue humiliates Eve by forcing her to perform lewd sexual acts with strangers while he watches through a one-way mirror. In alternating chapters, Jonquet introduces seemingly unrelated characters - a criminal on the run after murdering a policeman, and an abducted young man who finds himself chained naked in a dark chamber, forced to endure all manner of physical torture at the hands of a mysterious stranger, whom he calls Mygale, after a type of tropical spider. All of these characters are caught in a deceitful web, waiting to meet their fate.
Basic Elements of Narrative
Basic Elements of Narrative outlines a way of thinking about what narrative is and how to identify its basic elements across various media, introducing key concepts developed by previous theorists and contributing original ideas to the growing body of scholarship on stories. Includes an overview of recent developments in narrative scholarship Provides an accessible introduction to key concepts in the field Views narrative as a cognitive structure, type of text, and resource for interpersonal communication Uses examples from literature, face to face interaction, graphic novels, and film to explore the core features of narrative Includes a glossary of key terms, full bibliography, and comprehensive index Appropriate for multiple audiences, including students, non-specialists, and experts in the field
