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In The Miso Soup
A rollercoaster ride from the cult master of the psycho-thriller 'A blistering portrait of contemporary Japan, its nihilism and decadence wrapped up within one of the most savage thrillers since The Silence of the Lambs' Kirkus 'Deft and fascinating ... A grisly tour of the darkness and confusion of the human mind' New York Times It's just before New Year, and Frank, an overweight American tourist, has hired Kenji to take him on a guided tour of Tokyo's nightlife. But Frank's behaviour is so odd that Kenji begins to entertain a horrible suspicion: his client may in fact have murderous desires. Although Kenji is far from innocent himself, he unwillingly descends with Frank into an inferno of evil, from which only his sixteen-year-old girlfriend, Jun, can possibly save him.
Audition
Since the death of his wife seven years ago, documentary maker Aoyama has not dated anyone else. Now even his teenage son, Shige, thinks that he should remarry and his best friend Yoshikawa comes up with a plan: to hold fake film auditions from which, he can choose a new bride. Of the thousands who apply, it is a beautiful ballerina, Yamasaki Asami, who captivates Aoyama. Infatuated by her fragile nature and nervous smile, he ignores his increasing sense of unease, putting aside his doubts about his new love, until it may be too late... In Audition, Ryu Murakami delivers his most subtly disturbing novel yet, confirming him as Japan's master of the psycho-thriller.
Piercing
Every night, Kawashima Masayuki creeps from his bed and watches over his baby girl's crib while his wife sleeps. But this is no ordinary domestic scene. He has an ice pick in his hand, and a barely controllable desire to use it. Deciding to confront his demons, Kawashima sets into motion a chain of events seeming to lead inexorably to murder...
Coin Locker Babies
'A cyberpunk coming-of-age tale' Japan Times 'Encapsulates the fin de siècle cultural detonation of Japanese youth' Kirkus Two babies are left in a Tokyo station coin locker and survive against the odds, but their lives are forever tainted by this inauspicious start. Raised amidst the outcasts and misfits of Toxitown, they carve out vastly different paths: one as a bisexual rock star on a desperate search for his mother, the other as an athlete consumed by revenge against the woman who left him behind. When their twisted journeys start to intertwine, this savage and stunning story plunges headlong into a surrealistic whirl of violence. Part of the Pushkin Press Classics series: timeless sto...
Almost Transparent Blue
This controversial novel touched the raw nerves of the Japanese and became a million seller within six months of publication. It is a semi-autobiographical tale of the author's youth spent amidst the glorious squalor of sex, drugs and rock 'n' roll in 1970s Japan. Almost Transparent Blue is a brutal tale of lost youth in a Japanese port town close to an American military base. Murakami's image-intensive narrative paints a portrait of a group of friends locked in a destructive cycle of sex, drugs and rock'n'roll. The novel is all but plotless, but the raw and
From the Fatherland, with Love
From the Fatherland, with Love is set in an alternative, dystopian present in which the dollar has collapsed and Japan's economy has fallen along with it. The North Korean government, sensing an opportunity, sends a fleet of 'rebels' in the first land invasion that Japan has ever faced. Japan can't cope with the surprise onslaught of 'Operation From the Fatherland, with Love'. But the terrorist Ishihara and his band of renegade youths - once dedicated to upsetting the Japanese government - turn their deadly attention to the North Korean threat. They will not allow Fukuoka to fall without a fight. Epic in scale, From the Fatherland, with Love is laced throughout with Murakami's characteristically savage violence. It's both a satisfying thriller and a completely mad, over-the-top novel like few others.
Tokyo Decadence
A cream-of-the-crop selection of Murakami's brilliance and piercing wit. This collection shows sides of Ryu Murakami that even avid fans may not be expecting. The intriguing, somewhat disturbing stories that Topaz was based on are included here, as are three entertaining and revealing portraits of the artist as a young man back in the Transparent Blue period of the late sixties and early seventies. We hear tales told by four very different individuals living in eighties Tokyo, each with his or her own problems but all with a thing about a certain pro baseball player, and we meet a brokenhearted young woman who finds an unexpected moment of love in the nineties and a single mother who stumble...
Sixty-Nine
In a small, inconsequential city in Japan, all that matters to 17-year-old Kensuke Yazaki and his friends is girls, rock music and, to a much lesser extent, school. Told at high speed and with irresistible humour by Kensuke himself, this is the story of their 1969, as they engage in heated conversations about Marxism, Rimbaud, Godard, the Beatles and the Stones, set up a barricade in their school, organise a rock festival and map out a highly successful strategy in girl-winning. This is a young Japan entirely turned towards the West, pervaded by Western music, where the girls have nicknames pulled from famous British films, but still locked in a fight with the rigid post-war conservatism of the older generation.
Almost Transparent Blue
It is a brutal tale of lost youth in a Japnese port town close to an American military base. Murakami's image-intensive narrative paints a portrait of a group of friends locked in a destructive cycle of sex, drugs and rock 'n' roll. Representing a sharp and conscious turning away from the introspective trend of postwar Japnese literature, this book polarized critics and public alike and soon attracted international attention as an alternative view of modern Japan.
Almost Transparent Blue
It is a brutal tale of lost youth in a Japnese port town close to an American military base. Murakami's image-intensive narrative paints a portrait of a group of friends locked in a destructive cycle of sex, drugs and rock 'n' roll. Representing a sharp and conscious turning away from the introspective trend of postwar Japnese literature, this book polarized critics and public alike and soon attracted international attention as an alternative view of modern Japan.
