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On Beckett
“On Beckett: Essays and Criticism” is the first collection of writings about the Nobel Prize–winning author that covers the entire spectrum of his work, and also affords a rare glimpse of the private Beckett. More has been written about Samuel Beckett than about any other writer of this century – countless books and articles dealing with him are in print, and the progression continues geometrically. “On Beckett” brings together some of the most perceptive writings from the vast amount of scrutiny that has been lavished on the man; in addition to widely read essays there are contributions from more obscure sources, viewpoints not frequently seen. Together they allow the reader to enter the world of a writer whose work has left an impact on the consciousness of our time perhaps unmatched by that of any other recent creative imagination.
Włodzimierz Staniewski and the Phenomenon of "Gardzienice"
This book offers a broad overview of the contemporary state of the Gardzienice theatrical company and its evolution. It promises to be of great interest to students and scholars across the fields of theatre and performance studies.
Beckett Critical Reader
The Reader makes readily available for the first time 17 major, previously uncollected significant essays from the Journal of Beckett Studies from 1992 to the present.
The Making of Samuel Beckett's Play/Comedie and Film
Samuel Beckett's short play Play / Comédie and his only film Film were written around the same time (1962-1963). They both have self-referential titles that invite meditation on the genres they represent. Although medium-specific opportunities and challenges underlie their very different geneses, they have influenced each other in terms of both form and content. In more ways than one, Film continues where Play left off. Whereas in Play the genesis shows a steady increase in speech tempo to the point of near unintelligibility, the silent Film radically eliminates speech from the outset. Conversely, the cinematic element is also clearly present in Play, notably in the crucial role assigned to the light beam as the mechanical, mindless inquisitor. Both works are grounded in technology and rely heavily on explanatory notes for the members of their production teams, thus exposing the inherently collaborative nature of such projects. The genetic critical analysis of the manuscripts of Play / Comédie and Film not only contributes to the interpretation of each work separately but also considers the two works together through the prism of Beckett's multimedial authorship.
Beckett's Happy Days
Beckett's Happy Days: A Manuscript Study by S. E. Gontarski traces the development of Samuel Beckett's final two-act play, composed in English between October 1960 and May 1961, through annotated and bedoodled manuscript notebooks, holographs, and typescript drafts to the final published and performed text. The analysis details Beckett's most salient alterations and revisions, including his development of the work's tapestry of fragmented, half-remembered literary allusions. The current reissue of Beckett's Happy Days comes at a timely moment not only in Beckett studies but also in the general growth in programs of book history and digital humanities. Gontarski's study is not just a look bac...
Beckett, Deleuze and the Televisual Event
An expressive dialogue between Deleuze's philosophical writings on cinema and Beckett's innovative film and television work, the book explores the relationship between the birth of the event – itself a simultaneous invention and erasure - and Beckett's attempts to create an incommensurable space within the interstices of language as a (W)hole.
Understanding Bergson, Understanding Modernism
Henri Bergson is frequently cited amongst the holy trinity of major influences on Modernism-literary and otherwise-alongside Sigmund Freud and William James. Gilles Deleuze's Bergsonism has re-popularized Bergson for the 21st century, so much so that, perhaps, our Bergson is Deleuze's Bergson. Despite renewed interest in Bergson, his influence remains understudied and consequently undervalued. While books examining the impact of Freud and James on Modernism abound, Bergson's impact, though widely acknowledged, has been closely examined much more rarely. Understanding Bergson, Understanding Modernism remedies this deficiency in three ways. First, it offers close readings and critiques of six ...
Samuel Beckett’s Italian Modernisms
In the wake of both Joycean and Dantean celebrations, this volume aims to investigate the fecund influence of Italian culture on Samuel Beckett’s work, with a specific focus on the twentieth century. Located at the intersection of historical avant-garde movements and a renewed interest in tradition, Italian modernism reimagined Italy and its culture, projecting it beyond the shadow of fascism. Following in Joyce’s footsteps, Samuel Beckett soon became an attentive reader of Italian modernist authors. These had a profound effect on his early work, shaping his artistic identity. The influence of his early readings found its way also into Beckett’s postwar writing and, most poignantly, in his theatre. The contributions in this collection rekindle the debate around Beckett as modernist author through the lenses of Italian culture. This study will be of particular interest to students and scholars in theatre and performance studies, Italian studies, English studies, and comparative literature.
French Twentieth Bibliography
This series of bibliographical references is one of the most important tools for research in modern and contemporary French literature. No other bibliography represents the scholarly activities and publications of these fields as completely.
Reading Simulacra
Traces the ways in which our culture has increasingly become a culture of simulations, and offers strategies for discerning meaning in a world where the difference between what is real and what is simulated has collapsed.
