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Courage and Grace: The Life and Death of Elizabeth Edwards
Elizabeth Edwards story is both remarkable and heartbreaking. Edwards was an intelligent and self-possessed woman who was a devoted mother and a loyal political partner to her husband, John Edwards. Elizabeth Edwards lived her life in the spotlight, and when her husband ran for the Democratic nomination for President, she became an important part of his campaign. When she announced that she had breast cancer, the nation responded with sympathy, regardless of their political affiliations. During her illness, Elizabeth Edwards was seen as a strong woman who courageous battled a terrible disease. During the most vulnerable period of Edwards life, as she was undergoing chemotherapy, a shocking revelation derailed her husband's political campaign and thrust her into a media spotlight. When it was revealed that John Edwards was carrying on a sexual affair with another woman, Elizabeth Edwards was devastated. During this harrowing personal time, she had the courage to share her feelings with the rest of the world by writing a book about the experience. Elizabeth Edwards won the respect of many people with her honesty in the face of great personal pain.
The Gospels for Hearers
The Gospels for Hearers is a fresh, engaging new translation described by prominent theologian and historian, Paul W. Barnett as "A significant achievement that deserves widespread application and use." Every aspect of the book, from the translation to the presentation, supports one fundamental idea - that this book will be read out loud, in a public forum. It reaches back, as transparently as possible to the first public readings, capturing the urgency, passion and earthy humanity of the original Greek texts. The experience of hearing it is often described as both familiar and surprising; with an uncommon clarity that regularly prompts the listener to say they have heard, or realised someth...
Resilience
The bestselling author of Saving Graces shares her inspirational message on the challenges and blessings of coping with adversity. She’s one of the most beloved political figures in the country, and on the surface, seems to have led a charmed life. In many ways, she has. Beautiful family. Thriving career. Supportive friendship. Loving marriage. But she’s no stranger to adversity. Many know of the strength she had shown after her son, Wade, was killed in a freak car accident when he was only sixteen years old. She would exhibit this remarkable grace and courage again when the very private matter of her husband's infidelity became public fodder. And her own life has been on the line. Days ...
Photographs and the Practice of History
What is it to practice history in an age in which photographs exist? What is the impact of photographs on the core historiographical practices which define the discipline and shape its enquiry and methods? In Photographs and the Practice of History, Elizabeth Edwards proposes a new approach to historical thinking which explores these questions and redefines the practices at the heart of this discipline. Structured around key concepts in historical methodology which are recognisable to all undergraduates, the book shows that from the mid-19th century onward, photographs have influenced historical enquiry. Exposure to these mass-distributed cultural artefacts is enough to change our historical frameworks even when research is textually-based. Conceptualised as a series of 'sensibilities' rather than a methodology as such, it is intended as a companion to 'how to' approaches to visual research and visual sources. Photographs and the Practice of History not only builds on existing literature by leading scholars: it also offers a highly original approach to historiographical thinking that gives readers a foundation on which to build their own historical practices.
Uncertain Images: Museums and the Work of Photographs
Almost all museums hold photographs in their collections, and museum professionals and their audiences engage with photographs in a myriad of ways. Yet despite some three decades of critical museology and photographic theory, and an extensive debate on the politics of representation, outside art museums, almost no critical attention has been given specifically to the roles, purposes and lives of these photographs within museums. This book brings into focus the ubiquitous yet entirely unconsidered work that photographs are put to in museums. The authors' argument is that there is an economy of photographs in museums which is integral to the processes of the museum, and integral to the underst...
Saving Graces
Elizabeth Edwards, wife of vice-presidential candidate John Edwards, powerfully recounts how community has sustained her through John's campaigns, the death of her son, and her battle with breast cancer.
How Are You ... Really?
Know there is a gift in absolutely everything that comes your way. How are you really? When did you last ask yourself that question? Sadly, many valuable years can pass by without ever stopping to honestly evaluate where you are at in your life. Are you following your heart and your dreams? Are you happy and content? Or are you disconnected from your inner truth and just going through the motions day in and day out? It can be scary to open ourselves up to such truth, because too oft en we are afraid of change. But if you find you are not living the life you imagined, youre fearful, unhappy, and struggling to move forward, thats a clear sign things need to change. Author Elizabeth Edwards faced that issue herself. In her book, How Are You Really? A Guide to Making Small Changes that Make a Big Difference, she shows you how to make those changes so you can live without regret and confidently say you are exactly where you need to be: happy, healthy, and living the life of your dreams. How Are You Really? A Guide to Making Small Changes that Make a Big Difference can enlighten and enrich you beyond what you ever thought was possible. You really can live true to your hearts desire.
Women in Teacher Training Colleges, 1900-1960
Women in Teacher Training Colleges, 1900-1960 is an intricate and fascinating investigation of the lives and experiences of women in these important educational institutions of the early twentieth century. The book provides an overview of the historical context of the development of the colleges, using detailed case studies of three colleges: Homerton, Avery Hill and Bishop Otter. Drawing on a wealth of archival material, primary and secondary sources, and on the oral testimonies of former pupils and staff, the book examines the following key themes: *the changing social class of women students *the colleges culture of femininity drawn from the family organization and social practices of the middle-class home *the conflicting public and private roles of the woman principal *the role of the college staff and the residential context of college life *women's sexuality *the last days of the womens colleges.Women in Teacher Training Colleges, 1900-1960 is an essential contribution to women's history and gives a unique insight into this neglected aspect of women's experiences in the twentieth century.
The Genesis of Narrative in Malory's Morte Darthur
A study of the structure of the Morte, focusing on Malory's adaptation, as both redactor and translator, of traditional Arthurian material. The Morte Darthur is both a representative of the traditions of Arthurian literature, and a complex response to its stock themes and motifs. This book offers a new reading of the principles by which the Morte Darthur is structured, looking at the ways in which Malory deploys the Arthurian tradition and received narratives as both redactor and translator. The sources are considered in particular detail, and the additions and deletions which Malory makes to them: central to the investigation is the ways in which the fifteenth-century work on the one hand c...
Photographs Objects Histories
This innovative volume explores the idea that while photographs are images, they are also objects, and this materiality is integral to their meaning and use. The case studies presented focus on photographs active in different institutional, political, religious and domestic spheres, where physical properties, the nature of their use and the cultural formations in which they function make their 'objectness' central to how we should understand them. The book's contributions are drawn from disciplines including the history of photography, visual anthropology and art history, with case studies from a range of countries such as the Netherlands, North America, Australia, Japan, Romania and Tibet. Each shows the methodological strategies they have developed in order to fully exploit the idea of the materiality of photographic images.
