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The heroic deeds and words of a warrior poet of northern Arabia An epic hero and a poet, the semi-legendary Shāyiʿ al-Amsaḥ was a prominent ancestor of the Shammar tribal confederation that stretches across the Great Nafūd desert in the northern Arabian Peninsula. Shāyiʿ’s corpus of extant poems are preserved in narratives about his chivalrous exploits transmitted orally for centuries. In this volume, Marcel Kurpershoek vividly translates the deeds and verses of this compelling poet, based on recordings of late-twentieth century reciters, a testament to Shāyiʿ’s prominence as an embodiment of Bedouin virtue, courage, wiliness, and generosity. Born with one eye, Shāyiʿ presents...
A collection of poems from a changing Bedouin world Bedouin Poets of the Nafūd Desert features poetry from three poets of the Ibn Rashīd dynasty–the highwater mark of Bedouin culture in the nineteenth century. Khalaf Abū Zwayyid, ʿAdwān al-Hirbīd, and ʿAjlān ibn Rmāl belonged to tribes based around the area of Jabal Shammar in northern Arabia. A cultural and political center for the region, Jabal Shammar attracted caravans of traders and pilgrims, tribal shaykhs, European travelers (including T.E. Lawrence), illiterate Bedouin poets, and learned Arabs. All three poets lived at the inception of or during modernity’s accelerating encroachment. New inventions and firearms spread th...
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1985.
In Daybreak is Near ... : Literature, Clans and the Nation-State in Somalia, Ali Jimale Ahmed examines the role literature has played in modern Somali society of the past half century. The writer examines Somali literature, both written and oral, to trace the development of Somali nationalism, as well as seek explanations for the disintegration of the post-colonial Somali nation-state.
This volume presents in translation and transcription the oral text of narratives about and poems by Slēwīḥ, one of Arabia's most famous nineteenth-century robber barons, recorded by Xālid, a sheikh of the 'Utaybah tribe of Saudi Arabia and the great-grandson of Slēwīḥ.
This volume presents and analyses the work of four contemporary Saudi Bedouin poets, based on taped records, with special emphasis on this poetry's reflection of the tribal society's evolving self-image at a time of rapid social, economic, and political transformation.
The present work supplements the original volume of A Bibliography of Islamic Criminal Law, the most extensive bibliography on Islamic criminal law ever compiled. Drawing on a multitude of sources online and offline this bibliography covers in its thematic section not only the classical crime categories of ḥudūd, qiṣāṣ and taʿzīr but also a large number of newly emerging and related fields. In a second section, dedicated to countries, eras and institutions Olaf Köndgen comprehensively covers the historical and modern application of Islamic criminal law in all its forms. Unlocking the richness of this sub-field of Islamic law, also with the help of two detailed indices, this innovative reference work is highly relevant for all those researching Islamic law in general and the application of Islamic criminal law over time in particular.
Music in Arabia extends and challenges existing narratives of the region's distinctive but understudied music to reveal diverse and dynamic music cultures rooted in centuries-old heritage. Contributors to Music in Arabia bring a critical eye and ear to the contemporary soundscape, musical life, and expressive culture in the Gulf region. Including work by leading scholars and local authorities, this collection presents fresh perspectives and new research addressing why musical expression is fundamental to the area's diverse, transnational communities. The volume also examines music circulation as a commodity, such as with the production of early recordings, the transnational music industry, t...
Voices from the Desert is the fifth and concluding volume of Marcel Kurpershoek’s Corpus Oral Poetry & Narratives from Central Arabia. The first volume appeared in 1994. In the Preface the author looks back on his almost twenty years of involvement with Arabian oral culture. He also discusses some of the striking features of the traditions collected in these volumes, and their significance within the broader political, social, and cultural context of the tribal system stretching from Yemen to the Anatolian highlands. An Introduction is followed by a consolidated Glossary, comprising all data accumulated and integrated from the glossaries of the previous four volumes. This elaborate glossar...