You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Ego Trip's Book of Rap Lists is more popular than racism! Hip hop is huge, and it's time someone wrote it all down. And got it all right. With over 25 aggregate years of interviews, and virtually every hip hop single, remix and album ever recorded at their disposal, the highly respected Ego Trip staff are the ones to do it. The Book of Rap Lists runs the gamut of hip hop information. This is an exhaustive, indispensable and completely irreverent bible of true hip hip knowledge.
The story of the birth of the subway graffiti movement in New York in the words of twelve writers, whose creativity fuelled the flowering of the movement in the late 1970s and early 1980s, capturing all the raw, explosive creativity of that era. Henry Chalfant's photographs in Subway Art inspired budding graffiti writers around the world; now read the stories behind those iconic images in the words of the pioneers of the graffiti movement. In the late 1970s, New York City was bankrupt, dirty and dangerous. Born on these grimy streets, graffiti rapidly made its mark. Here, the graffiti writers give first-person accounts of their experiences. Individually interviewed for this book, they reveal an authentic, unparalleled insight into the golden age of graffiti. Henry Chalfant is the author of the most successful book on graffiti ever published, 'Subway Art', also published by Thames & Hudson.
-Piecebook: The Secret Drawings of Graffiti Writers- chronicles the evolution of graffiti via images that weren't intended for everyday people to see, focusing on the works of Germany City writers active from 1970s until the mid-1980s.
The Merciless Book of Metal Lists is an irreverent and illustrated compendium of the most random, funny, and challenging information about Heavy Metal from the last 40 years. You want to know which Metal albums “jumped the shark”? Curious to know what non-Metal bands Metalheads love, which album covers feature goats, embarrassing Metal fashion faux pas, and the unfortunate original names Metal bands started with? This is the book. In addition to some highly opinionated lists, this energetically designed volume features quotes, short essays, iconic four-color photography, and contributions from notable metal personalities, including Eddie Trunk, Gary Holt (Exodus), and Scott Ian (Anthrax, S.O.D.), among others. Praise for The Merciless Book of Metal Lists: “Authors Howie Abrams and Sacha Jenkins have a fun time in this ‘most opinionated compendium ever written concerning heavy metal.’ The writers are die-hard fans and knowledgeable beyond reproach…the trivia and factoids here will help you hold your own at the next Dokken after-party.” —Newsday.com
Ferociously intelligent one moment, willfully smart-ass the next, ego trip's Big Book of Racism is a glorious, hilarious conflation of the racial undercurrents that affect contemporary culture at every turn. This one-of-a-kind encounter with the absurdities, complexities, and nuances of race relations is brought to you by five writers of color whose groundbreaking independent magazine, ego trip, has been called "the world's rawest, stinkiest, funniest magazine" by Spin. Filled with enough testifying and truth to satisfy even the good Reverend Sharpton, ego trip's Big Book of Racism is a riotous and revolutionary look at race and popular culture that's sure to spark controversy and ignite debate.
Urban Styles chronicles the under the radar phenomenon of Punk Hardcore music blending with Graffiti in the metropolis known as New York City. This tale is told through the eyes of band members that were adept at wielding spray cans and writers that represented New York Hardcore on the streets as well as related iconography that reinforced the connection between these two subcultures. The conventional notion of what a graffiti writer is supposed to look and be into, is challenged, as stated on this quote from the book's jacket: "When you hear the term Graffiti Artist most people think of B-Boys in Kangol hats parachute pants and break dancing. No one thinks shaved heads, Doc Martens and CBGB...
From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.
Since the 1950s, writing about popular music has become a staple of popular culture.Rolling Stone,Vibe, andThe Sourceas well as music columns in major newspapers target consumers who take their music seriously. Rapidly proliferating fanzines, websites, and internet discussion groups enable virtually anyone to engage in popular music criticism. Until now, however, no one has tackled popular music criticism as a genre of journalism with a particular history and evolution.Pop Music and the Presslooks at the major publications and journalists who have shaped this criticism, influencing the public's ideas about the music's significance and quality. The contributors to the volume include academics...
This is the illustrated story of New York artist Chris Daze Ellis's successful transition from the subways to international studios and galleries. Follow his 30+ year career from his days as a teenage graffiti writer to his current life as a professional painter, mentor, and family man. This book, with more than 250 photographs, is a journey tracking the seminal moments in Daze's life that shaped his art. View his aesthetic evolution, from "Graffiti High" (New York's High School of Art and Design) and an "unsanctioned" street art phase to exhibitions with Keith Haring and Jean-Michel Basquiat. Train photos from the 1970s and '80s, a broad representation of Daze's studio and mural works, and personal photos guide the reader through an artistic portfolio spanning five decades. Contributions by graffiti writer Jay "J.SON" Edlin and essayist Claire Schwartz, and a foreword by graffiti historian and chronicler Sacha Jenkins, complete this volume.
From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.