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African Cultures, Visual Arts, and the Museum
From the contents: Christine MATZKE: Comrades in arts and arms: stories of wars and watercolours from Eritrea. - Sabine MARSCHALL: Positioning the other': reception and interpretation of contemporary black South African artists. - Kristine ROOME: The art of liberating voices: contemporary South African art exhibited in New York. - Jonathan ZILBERG: Shona sculpture and documenta 2002: reflections on exclusions.
Odún
A poetic ‘voice’ scans the rhythm of academic research, telling of the encounter with odún; then the voice falls silent. What is then raised is the dust of a forgotten academic debate on the nature of theatre and drama, and the following divergent standpoints of critical discourses bent on empowering their own vision, and defining themselves, rather, as counterdiscourses. This, the first part of the book: a metacritical discourse, on the geopolitics (the inherent power imbalances) of academic writing and its effects on odún, the performances dedicated to the gods, ancestors, and heroes of Yorùbá history. But odún: where is it? and what is it? And the ‘voice’? The many critical d...
Feminist Visions and Queer Futures in Postcolonial Drama
In this timely study, Batra examines contemporary drama from India, Jamaica, and Nigeria in conjunction with feminist and incipient queer movements in these countries. Postcolonial drama, Batra contends, furthers the struggle for gender justice in both these movements by contesting the idea of the heterosexual, middle class, wage-earning male as the model citizen and by suggesting alternative conceptions of citizenship premised on working-class sexual identities. Further, Batra considers the possibility of Indian, Jamaican, and Nigerian drama generating a discourse on a rights-bearing conception of citizenship that derives from representations of non-biological, non-generational forms of kinship. Her study is one of the first to examine the ways in which postcolonial dramatists are creating the possibility of a dialogue between cultural activism, women’s movements, and an emerging discourse on queer sexualities.
African Theatre
Includes the playscript of Toufann by Dev Virahsawmy, an English version of his Mauritian Creole interpretation of The Tempest.
Moment of Truth
Tunde Bakare is a Nigerian Prophetic-Apostolic pastor. He has received national and international attention for his televangelism, which has sometimes been critical of the Nigerian government. He presides over Global Apostolic Impact Network (GAIN) - a network of churches, ministries and kingdom businesses committed to advancing the Kingdom of God on earth. Dr. Bakare is also the President of Latter Rain Ministries, Inc. (Church Development Center) in Atlanta, GA, USA.
Sober Reflections
Sober Reflections is a collection of 83 poems. It is divided into three phases: Episode I (1993 1999). This section has 37 poems. Episode II (2000 2006) has 32 poems, while Episode III (2007 2008) has 14 poems. Each of these episodes is an account or a description of a phase in time, an event, a situation or period of time in the poets experience in life that is important or interesting in some way which the poet wishes to communicate to his readership. As the title of the anthology implies, it is a poets reflection on experiences over periods of time or happenstances of life. In Sober Reflections, there is a unique feature that cuts across the whole poems and which holds the reader spell bo...
Critical Readings of the Works of Ngugi wa Thiong'o
In this collection of scholarly essays on the works of Ngugi wa Thiong’o, one of the most important postcolonial writers alive, the contributors adopt a range of reading approaches and analytical models like feminism, postcolonialism, historicism, formalism, and psychoanalysis, to excavate new meanings and provide fresh insights into Ngugi’s artistic oeuvre. Through some robust and engaging scholarly discourses, the volume animates the politics, poetics, and artistic vision of Ngugi wa Thiong’o, as well as his commitment to the enterprise of decolonisation. The comprehensiveness of this collection is partly illustrated by the fact that it addresses a range of diverse issues in all of Ngugi’s novels, most of his plays, and some of his scholarly works. To this end, the volume is a valuable addition to the body of literature on Ngugi’s works and an important resource material to students, teachers, and researchers of African literature.
Scholarship and Commitment
Professor Darah turned seventy on Wednesday November 22, 2017 and to celebrate his very productive career, his colleagues and many of those he has mentored thought it appropriate to mark his official exit from the university in a dignified way by commissioning for publication, in the now acceptable festschrift tradition, the highly compelling and outstanding collection of essays titled: Scholarship and Commitment: Essays in Honour of G.G. Darah. The book is a ground-breaking collection of essays; some are couched as tributes to the ebullient celebrant, there are others on more serious discourses in the areas of literary theories and criticism, language and linguistics, popular literature and politics, the African woman, identity and contemporary realities, oral literature, the news media and cultural studies. The essays, on their own, attest to the vivacity and liveliness as well as the encouraging state of health of publishing in the Nigerian academia, which in this collection alone, parades forty-two essays in different fields or discourses.
Committed Theatre in Nigeria
This book provides an overview of the full range of the teaching and practice of Committed Theatre and theatre of commitment in Nigeria for scholars in the arts and cultural studies. It is divided into four sections; Chapter 1: Theatre in Development Discourse, which is comprised of four papers that explore the theories of practice of theatre of commitment. Chapter 2 : Nigerian Theatre in Perspective discusses the trends, ethos of revolution, theatrical elements and communalistic/individualistic tendencies and the taboos theatre, drama and traditional theatre in Nigeria. In Chapter 3, the social, cultural and historical implications of Nigeria theatre, is examined in papers that focus on pol...
Black African Literature in English, 1997-1999
This volume lists the work produced on anglophone black African literature between 1997 and 1999. This bibliographic work is a continuation of the highly acclaimed earlier volumes compiled by Bernth Lindfors. Containing about 10,000 entries, some of which are annotated to identify the authors discussed, it covers books, periodical articles, papers in edited collections and selective coverage of other relevant sources.
