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Darfur and the Crisis of Governance in Sudan
This book provides the most comprehensive, balanced, and nuanced account yet published of the Darfur conflict's roots and the contemporary realities that shape the experiences of those living in the region.
The Muse of Modernity
Culture plays a central role in the well-being of any society. This is especially true in postcolonial Africa, where rich traditional cultures collide with complex modern realities. Cultural development and the integration of culture into contemporary society is of primary importance not only for African prosperity, but also for the strengthening of civil society and of societal integration. This book focuses on the role of culture in the process of development as well as on strategies for ensuring the growth of indigenous African culture and the strengthening of cultural industries in the African context. The prospects for filmmaking, the performing arts, publishing, radio, museums, art, and traditional storytelling in Africa are creatively examined and explored by some of Africa's most creative cultural figures. This book combines thoughtful analysis of problems and a "state of the art" assessment of key cultural industries with practical suggestions for improvement and progress.
Salah M. Hassan
Salah M. Hassan schlägt in seinem Text eine Neubetrachtung des afrikanischen Marxismus vor, mit der er gleichzeitig eine Befreiung Marx', eines für das 20. Jahrhundert einflussreichsten politischen Denkers, vom Eurozentrismus bezweckt. Während der Entkolonisierung und der Befreiungsbewegung in Afrika und anderen Teilen der Dritten Welt in der Mitte des 20. Jahrhunderts, die mit den Anfängen der documenta zusammenfielen, wurde die Ideologie des Marxismus zur intellektuellen Leitkultur. Als Beispiele für die Innovationskraft und Kreativität des afrikanischen/schwarzen Marxismus, die in der gegenwärtigen Forschung nur wenig berücksichtigt werden, führt Hassan Texte zweier Schlüsselfig...
Ibrahim El-Salahi
Ibrahim El-Salahi is one of the most influential figures in Sudanese modern art. Including an interview with, and a special text by, the artist this book accompanies a major exhibition at Tate Modern.
Gendered Visions
A collection of work by six prominent artists accompanied by critical essays which place the work in the context of the artists' socio-cultural backgrounds. All six artists are of African origin but work in the West: Ethiopian painter Elisabeth T Atnafu; US fibre and mixed-media artist Xenobia Bailey; Jamaican photographer Renee Cox; Cameroon photographer Angele Essamba; painter Houria Niati from Algeria; and Ethiopian sculptor Etiye Dimma Poulsen.
Authentic, Ex-centric
Against the musty stereotypes and prejudices that still consider Africa a dark continent full of nameless, Third World nations always striving but never managing to catch up with the West, Authentic/Ex-Centric positions Africa as the source of many of the ideas associated with European modernism. From Cubism's radical abstraction to 70s performance art and its use of ritual, shamanism, and magic, the influence of African art has long been underap-preciated. Published in conjunction with an exhibition of the same name held to critical acclaim on the fringes of the 2001 Venice Biennale, Authentic/Ex-centric offers a glimpse of the ways in which African and African and African Diaspora artists have interpreted and translated the aesthetic and social experiences of post-colonial Africa into new idioms of artistic expression, and argues for their proper location in the broad narrative of global conceptualism. Including work by such artists as Maria Magdalena Campos-Pons, Willem Boshoff, Godfried Donkor, Rachid Koraichi, Berni Searle, and Yinka Shonibare.
Art and Islamic Literacy Among the Hausa of Northern Nigeria
Taking a perspective based on folk lore, this text is an ethnographic study of the tools, artifacts, and other expressions of the material culture of literacy as it is found in the clerics' diverse activities within the context of the Hausa society in northern Nigeria. This study fills a gap in African data by addressing how informational, magical, as well as aesthetic potentials of the written word have been adapted in local contexts. It explores the origins of the diverse roles and types of malams (represented primarily by malaman Qur'ani and malaman Ilmi). The history and origin of the current calligraphic styles adapted and developed by the Hausa malams are investigated as a guide to understanding calligraphic designs and writings on manuscripts, charms, amulets, Qur'anic boards, architectural decorations, and other artifacts.
Modern Sudanese Poetry
Spanning more than six decades of Sudan’s post-independence history, this collection features work by some of Sudan’s most renowned modern poets, largely unknown in the United States. Adil Babikir’s extensive introduction provides a conceptual framework to help the English reader understand the cultural context. Translated from Arabic, the collection addresses a wide range of themes—identity, love, politics, Sufism, patriotism, war, and philosophy—capturing the evolution of Sudan’s modern history and cultural intersections. Modern Sudanese Poetry features voices as diverse as the country’s ethnic, cultural, and natural composition. By bringing these voices together, Babikir provides a glimpse of Sudan’s poetry scene as well as the country’s modern history and post-independence trajectory.
Women, Patronage, and Self-Representation in Islamic Societies
The first to combine the study of representation, gender theory, and Muslim women from a historical and geographical perspective, this book examines where women have represented themselves in art, architecture, and the written word in the Muslim world. The authors explore the gendering and implicit power relations present in the positioning of subject and object in the visual field and look specifically at occasions when women publicly adopted the stance of the viewer, speaker, writer, or patron. Contributors include Ellison Banks Findly, Elizabeth Brown Frierson, Salah M. Hassan, Nancy Micklewright, Leslie Peirce, Kishwar Rizvi, D. Fairchild Ruggles, Yasser Tabbaa, Lucienne Thys-Senoçak, and Ethel Sara Wolper.
ReSignifications
ReSignifications links classical and popular representations of African bodies in European art, culture and history.
