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The Curse of Salamander Street
The Magenta has returned to the shores of England, carrying Kate, her friend Thomas and the ship's charismatic owner, Jacob Crane, up the Thames. They have recently escaped the sorcerer Demurral, and Kate searches the waves for a sign of their friend lost to the sea. But further trouble awaits them in London, where their ship is seized.
Class
Class uncovers what it is to be embarrassed about where you're from, how you can pretend to be richer than you are and explores why we all get a thrill from watching how the other half live.
Hope and Joy & The Return
Two new Scottish plays. Hope and Joy: An original play that explores love and loss in a changing environment, imagining Scotland in a time much like ours, but not quite. The Return: Inspired by the true story of Martin Guerre. A gripping play about the mystery of identity, and asks whether we can ever truly know even those we love best.
I Am Ill with Hope
In 2019 Gommie began walking the coastline of England with nothing but a backpack, a tent and an unusually large collection of pens. His aim? Searching for Hope in hard times. These poems are the result.
Skin Hunger
"My cheek is folded into his neck. He's speaking into my ear and I can feel his chest rising and falling against me. This hug is long, gentle, intimate and alien. Thanks to the huge sheet of plastic squeezed between us, covering us from head to toe and several feet further, it's also completely risk-assessed." The Guardian In the Summer of 2020 Dante or Die's Artistic Directors came across photographs of plastic hug tunnels in Brazilian care homes: plastic curtains with plastic arm-holes that allow two people to hug one another safely. They enabled elderly people to hug their loved ones during the Covid-19 pandemic. It struck a nerve, and inspired the company to make a one-on-one performance...
Brickwork: A Biography of the Arches
Nightclub, theatre, creative hub, party place, and one of the most important venues in Scotland, Britain and Europe: for almost 25 years, The Arches was the beating heart of Glasgow. In 1991, former punk-turned-theatre director Andy Arnold walked into the disused red brick Victorian railway arches underneath Glasgow's Central Station and immediately saw the potential of the space. Not even he could have imagined its future, as simultaneously one of the biggest and most famous nightclubs in the world and a major player on the European theatre scene. Until its closure following a drug-related death in 2015, The Arches carved its own, indefinable path, playing a vital role in the lives of many Scottish artists along the way. Some of those stars of the future began their careers taking tickets, hanging coats and serving drinks there. For the first time, the people who made the venue get to tell their story. Piecing together accounts from directors, DJs, performers, clubbers, artists, bar tenders, actors, audiences and staff, Brickwork writes the biography of a space that was always more than its bricks and mortar.
