You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Nightclub, theatre, creative hub, party place, and one of the most important venues in Scotland, Britain and Europe: for almost 25 years, The Arches was the beating heart of Glasgow. In 1991, former punk-turned-theatre director Andy Arnold walked into the disused red brick Victorian railway arches underneath Glasgow's Central Station and immediately saw the potential of the space. Not even he could have imagined its future, as simultaneously one of the biggest and most famous nightclubs in the world and a major player on the European theatre scene. Until its closure following a drug-related death in 2015, The Arches carved its own, indefinable path, playing a vital role in the lives of many Scottish artists along the way. Some of those stars of the future began their careers taking tickets, hanging coats and serving drinks there. For the first time, the people who made the venue get to tell their story. Piecing together accounts from directors, DJs, performers, clubbers, artists, bar tenders, actors, audiences and staff, Brickwork writes the biography of a space that was always more than its bricks and mortar.
A deeply moving memoir of how one theatre company, Slung Low, fed their local community during the Covid pandemic of 2020. This is the vivid story of the cost of trying to do good in a divided world.
In 2019 a young man left his life behind to search for meaning. He walked up and down the coastlines of England, noting down fragments of the conversations he had. These poems, drawn from his verbatim conversations, are the result.
None
Ever feel like your body takes up too much space in a world that doesn't want to make any room? Katie is fat. Pretty much always been fat, and will be fat forever.FATTY FAT FAT is a funny, frank and provocative solo show about living in a body the world tells you to hate. Leave your diet books at the door.'A funny, tender, poignant and important show which doesn't tie the story up in a neat bow because life isn't about convenient happy endings. Greenall has created a piece of art that will live with you long after you leave the room' Catherine Renton , The Wee Review'Greenall is not just performing a show, she's performing a radical act; one that sticks a middle finger up to society's expectations, puts fat bodies front and centre, and does the 'Cha Cha Slide' while she's at it.' Katharine Gemmell, The List'In today's society, her voice is needed so desperately and I couldn't recommend this piece enough. I laughed throughout but left knowing that things need to change - and that we all need to be part of the solution.'Esme Leitch, Feminist Fringe
None
People rarely say they hate books, or television, or films. But they often say they hate musicals. Moreover everyone seems to have a fixed idea of exactly what a musical is; what it sounds like, looks like, or is about. Why is the collision and integration of music, song and storytelling so polarising and why have we allowed a form so full of possibility to become so repetitive and restrictive? Through a series of essays Breaking Into Song asks what audiences can do to stay open minded and what creatives can do to make new musicals better. Examining both sides of the divide, Adam Lenson asks how those who both love and hate musicals can further expand the possibilities of this widely misunderstood medium.
Named one of NPR's Best Books of 2021 From the author of Annihilation, a brilliant speculative thriller of dark conspiracy, endangered species, and the possible end of all things. Security consultant “Jane Smith” receives an envelope with a key to a storage unit that holds a taxidermied hummingbird and clues leading her to a taxidermied salamander. Silvina, the dead woman who left the note, is a reputed ecoterrorist and the daughter of an Argentine industrialist. By taking the hummingbird from the storage unit, Jane sets in motion a series of events that quickly spin beyond her control. Soon, Jane and her family are in danger, with few allies to help her make sense of the true scope of the peril. Is the only way to safety to follow in Silvina’s footsteps? Is it too late to stop? As she desperately seeks answers about why Silvina contacted her, time is running out—for her and possibly for the world. Hummingbird Salamander is Jeff VanderMeer at his brilliant, cinematic best, wrapping profound questions about climate change, identity, and the world we live in into a tightly plotted thriller full of unexpected twists and elaborate conspiracy.