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People rarely say they hate books, or television, or films. But they often say they hate musicals. Moreover everyone seems to have a fixed idea of exactly what a musical is; what it sounds like, looks like, or is about. Why is the collision and integration of music, song and storytelling so polarising and why have we allowed a form so full of possibility to become so repetitive and restrictive? Through a series of essays Breaking Into Song asks what audiences can do to stay open minded and what creatives can do to make new musicals better. Examining both sides of the divide, Adam Lenson asks how those who both love and hate musicals can further expand the possibilities of this widely misunderstood medium.
THE STORY: I never really knew what I was like until I quit smoking, by which time there was hell to pay. So observes Charlotte, a young writer of short stories as she confronts her past, present and future in post 9/11 Manhattan. With the help o
"Seven Jewish children is Caryl Churchill's response to the situation in Gaza in January 2009, when the play was written."--p. [8].
(Vocal Selections). Jason Robert Brown, the creator of Parade and Songs for a New World , has written a distinctive new Off-Broadway musical. The Last Five Years tells the story of a failed marriage of 20-somethings: he a successful novelist, she a struggling actress. Her story is told in reverse, his conventionally moving forward. They meet in the middle at the point of their wedding. Brown's strong writing has found a solid following among musical theatre fans. Our songbook features piano/vocal arrangements of 12 songs: Goodbye Until Tomorrow * I Can Do Better Than That * If I Didn't Believe in You * Moving Too Fast * The Next Ten Minutes * Nobody Needs to Know * A Part of That * The Schmuel Song * Shiksa Goddess * Still Hurting * A Summer in Ohio * When You Come Home to Me. "Short, bittersweet and nearly perfect, Brown has come up with a winning combination of music and book." Variety
‘Cool and intelligent, unsettling and deeply felt, Naudé’s voice is something new in South African writing.’ – Damon Galgut From an ancient castle in Bavaria and a pre-War villa in Milan, to a winter landscape in Lesotho and the suburban streets of Pretoria, the stories in The Alphabet of Birds take an acute look at South Africans at home and abroad. In one story, a strange, cheerful Japanese man visits a young South African as he takes care of his dying mother; in another, a woman battles corrupt bureaucracy in the Eastern Cape. A man trails his lover through the underground dance clubs of Berlin, while in London a young banker moves through layers of decadence as a soul would through purgatory. Pulsating with passion, loss, and melancholia, S J Naudé’s collection The Alphabet of Birds is filled with music, art, architecture, myth, the search for origins and the shifing relationships between people.
One morning, as I was writing, I suddenly understood that as a species, through incredible stubbornness, we were able to write love into our genetic makeup, and that this is enough to redeem us all. We were given mouths to bite with, and with deep intelligence and beauty, we learned to kiss each other. Part performance lecture, part auto-fictional memoir, Divine Invention is Sergio Blanco's attempt to say something new about love. To do so, he recalls his own experiences of love, true and invented, and explores the history of love in art, literature, music, and science. The result is a life-affirming new play. Written by acclaimed Franco-Uruguayan playwright Sergio Blanco (Thebes Land, The Rage of Narcissus, When You Pass Over My Tomb) and translated by his long-time collaborator Daniel Goldman, Divine Invention is 'collaboration to savour by two masters of the form' (Lyn Gardner). This edition was published to coincide with the English language world premiere at Edinburgh Fringe Festival's Summerhall in August 2024.
Twelve contemporary stories inspired by Shakespeare and Cervantes, to mark the 400th anniversaries of their deaths. Introduced by Salman Rushdie.
The Prime Minister and his cabinet have been assassinated and England's most treasured writers are being murdered one by one. Back at the university, a bachelor don anguishes over sex, marriage, anagrams and the meaning of life.Written as a response to Molière's The Misanthrope and first performed at the Royal Court in 1970, this biting 'bourgeois comedy' examines the empty, insular lives of college intellectuals.The Philanthropist was revived at the Donmar Warehouse in September 2005.'Intellectually stimulating, touchingly sympathetic and gloriously, gloriously funny.' Sunday Times
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"A seamless pairing of March of the Falsettos and Falsettoland, acclaimed off Broadway musicals written nearly a decade apart. It is the jaunty tale of Marvin who leaves his wife and young son to live with another man. His ex wife marries his psychiatrist, and Marvin ends up alone. Two years later, Marvin is reunited with his lover on the eve of his son's bar mitzvah, just as AIDS is beginning its insidious spread"--Publisher