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This book deals with the defiant resistance faced by Mughals from the Zamindars of Bengal for more than eighty years, the atrocities of the Nawabs of Bengal, and the false allegations on Nawab Siraj-ud-Daulah by the British. History, during the Mughal period, was recorded by royal courtiers who wrote about the Emperors and Governors, exalting their victories and achievements. Rarely were the resistance of the Zamindars of Bengal recorded, if at all mentioned. The British contorted history to suit their schemes, denigrating and deriding the people of this country to justify colonial rule. The history of India, as taught to us, is not always a true depiction. It is the history of the foreigners who came and ruled India. The history has been repeatedly dressed up to suit their requirements. Facts have been misrepresented, misinterpreted or deliberately suppressed to serve the purpose of the ruler. The author has tried to present the occurrences in Bengal during the Mughal period from their correct perspective, through extensive research and cross-studies of many historians, both Indian and foreign, cross-vetting the truth and actuality.
Presents a study of the phenomenon that was Helen. Why did the refugee of French-Burmese parentage succeed so enormously in Bollywood?
This volume focuses on the life and times of the ‘star of the millennium’, Amitabh Bachchan, and goes on to describe his contemporaries such as Shashi Kapoor, Dharmendra and Vinod Khanna, and also the next generation of heroes, including the Khans, Govinda, Hrithik Roshan and others who have followed. Ashok Raj is a research coordinator based in New Delhi. An alumnus of the Indian Institute of Technology, New Delhi, he has served as a consultant to several national and international organizations and NGOs in various spheres such as science, culture and the media. His significant work is a sixteen-part series on cinema, which was published in Screen (in 1988).
Satyajit Ray, one of the greatest auteurs of twentieth century cinema, was a Bengali motion-picture director, writer, and illustrator who set a new standard for Indian cinema with his Apu Trilogy: Pather Panchali (Song of the Little Road) (1955), Aparajito (The Unvanquished) (1956), and Apur Sansar (The World of Apu) (1959). His work was admired for its humanism, versatility, attention to detail, and skilled use of music. He was also widely praised for his critical and intellectual writings, which mirror his filmmaking in their precision and wide-ranging grasp of history, culture, and aesthetics. Spanning forty years of Ray's career, these essays, for the first time collected in one volume, ...
Satyajit Ray: An Intimate Master is an invaluable sourcework for studies in the work of Satyajit Ray and offers fascinating reading at the same time. Specially commissioned articles by experts and some of Ray's closest associates, relations and friends provide insights into the entire range of the creativity of Satyajit Ray, one of the world's greatest filmmakers—as artist and designer, writer, and filmmaker—and the environment that nurtured him. The contributions unravel features never before touched—upon all those subterranean elements that went into the making of his films and his artistic character. They should serve to open up new approaches to and possibilities for fresh readings...
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Profiles the life of the Indian director, and discusses the making of each of his films
Interviews with India's preeminent film director and creator of the Apu trilogy