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Samuel Roberts
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Samuel Roberts
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A True Likeness
Extraordinary photos that reveal the social, economic, and cultural realities of the Black South A True Likeness showcases the extraordinary photography of Richard Samuel Roberts (1880–1935), who operated a studio in Columbia, South Carolina, from 1920 to 1935. He was one of the few major African American commercial photographers working in the region during the first half of the twentieth century, and his images reveal the social, economic, and cultural realities of the black South and document the rise of a small but significant southern black middle class. The nearly two hundred photographs in A True Likeness were selected from three thousand glass plates that had been stored for decade...
Infectious Fear
For most of the first half of the twentieth century, tuberculosis ranked among the top three causes of mortality among urban African Americans. Often afflicting an entire family or large segments of a neighborhood, the plague of TB was as mysterious as it
A True Likeness
Collects recently discovered portraits made by a commerical Black photographer of Columbia, South Carolina's Black middle class during the 1920's and '30's
Samuel Roberts
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No Higher Honor
Like its World War II namesake of Leyte Gulf fame, USS Samuel B. Roberts (FFG 58) was a small combatant built for escort duty. But its skipper imbued his brand-new crew with a fighting spirit to match their forebears, and in 1988 when the guided missile frigate was thrust into the Persian Gulf at the height of the Iran-Iraq War, there was no better ship for the job. Forbidden to fire unless fired upon, Captain Paul Rinn and his crew sailed amid the chaos in the Gulf for two months, relying on wit and nerve to face down fighter jets and warships bent on the destruction of civilian vessels. Their sternest test came when an Iranian mine ripped open the ship's engine room, ignited fires on four ...
All Around Town
This special picture book offers a window into the African American community of Columbia, South Carolina, during the early twentieth century. While the town is specific, the themes and photographs are universal--weddings and funerals, teachers and preachers, sassy cars and baseball teams, and, of course, families of all sizes. More than half a century later, Richard Samuel Roberts's photographs and Dinah Johnson's lyrical text come together to illustrate the pride, joy, and strength of a bustling community.
