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The Innocent
The first English translation of Mushanokoji's Omedetaki Hito (1911), referenced as The Good-Natured Person. Quintessential 'I-novel, ' it explores a scholar's idealization of a young woman. Approved by Mushanokoji's estate.
The Innocent
A landmark in modern Japanese literature, *The Innocent* marks the first-ever complete English translation of Saneatsu Mushanokoji's *Omedetaki Hito* (1911), also referenced as *The Good-Natured Person*. This compact literary masterpiece delves deeply into themes of identity and self-expression in the context of Japan's Meiji Restoration-a time that ended 265 years of national seclusion and ushered in an era of Western influences in art, culture, and thought. A quintessential example of the 'I-novel', this work offers a profound exploration of the revolutionary concept of the 'modern self'.The story centers on the protagonist's obsessive infatuation with Tsuru, a seventeen-year-old schoolgir...
Ma Theory and the Creative Management of Innovation
This book focuses on the core theoretical concept of “Ma thinking” - an idea that serves as springboard for the thoughts and actions of distinguished practitioners, innovators, and researchers. The theoretical and practical importance of the Ma concept in new innovation activities lies in the thinking and activities of the leading practitioners. However, there is little academic research clarifying these characteristic dynamic transition mechanisms and the synthesis of diverse paradoxes through recursive activities between formal and informal organizations to achieve integration of dissimilar knowledge.
Meeting the Sensei
Casting new light on the literary Shirakaba movement and on its charismatic leader Mushanokoji Saneatsu, this thorough study for the first time reveals Shirakaba as a highly significant episode in the cultural history of 20th century Japan.
Literature and the Japanese War of Aggression against China
In this book, Japanese literature, which played a prominent role in the aggressive war against China, is analysed as “Invasion Literature”. The book conducts an in-depth study and discussion focusing on the origin and development of invasion literature, the writers, their works and the important role they played in the war against China, and the influence that such writings have had on Japanese post-war literature. It examines in particular detail under-discussed and lesser-known texts, thus compensating for lack of other scholarly writings researching the history and representation of the Japanese invasion of China in Japanese literature. This book was first published in Chinese by the ...
From the Well to the Sea
From the Well to the Seais the true story of a young Japanese man who travels by ship to distant New Zealand, where he makes an inner journey of faith from Buddhism to Christianity. Using detailed material from his personal diary, readers will enjoy following Hideo Hatakeda as he struggles to adapt to living and working in a completely different culture from his own. When he realizes that Christian fellowship has no ethnic boundaries because of the indwelling of the Holy Spirit, he learns to trust, not in circumstances or blessings, but in God alone. Truly, this Japanese frog has jumped into the great ocean of self-discovery to experience the joy of a personal relationship with the true and living God. In like manner, readers will discover a fresh perspective on cultural differences and gain renewed faith as they see the world through the eyes of one young Japanese missionary.
Utopia in Practice
This book is a collection of texts on one of China's boldest social experiments in recent years: the rural reconstruction project in Bishan. The Bishan Project (2011-2016) was a rural reconstruction project in a small village Bishan, Anhui Province, China. The writings describe and criticize the social problems caused by China’s over-loading urbanization process and starts a a contemporary agrarianism and agritopianism discourse to resist the modernism and developmentalism doctrine which dominated China for more than a century, answering a global desire for the theory and action of the alternative social solution for today’s environmental and political crises.This practical utopian commune project ran for 6 years and caused a national debate on rural issues in China, when it was invited to be exhibited and presented abroad. This collection of writing will be of interest to artists, China scholars, architects, and the cultural community at large.
The Reception of Blake in the Orient
This volume brings together research from international scholars focusing attention on the longevity and complexity of Blake`s reception in Japan and elsewhere in the East. It is designed as not only a celebration of his art and poetry in new and unexpected contexts but also to contest the intensely nationalistic and parochial Englishness of his work, and in broader terms, the inevitable passivity with which Romanticism (and other Western intellectual movements) have been received in the Orient.
Japanese Modernisation and Mingei Theory
Conceptualised in 1920s Japan by Yanagi Sôetsu, the Mingei movement has spread world wide since the 1950s, creating phenomena as diverse as Mingei museums, Mingei connoisseurs and collectors, Mingei shops and Mingei restaurants. The theory, at its core and its adaptation by Bernard Leach, has long been an influential 'Oriental' aesthetic for studio craft artists in the West. But why did Mingei become so particularly influential to a western audience? And could the 'Orientalness' perceived in Mingei theory be nothing more than a myth? This richly illustrated work offers controversial new evidence through its cross-cultural examination of a wide range of materials in Japanese, English, Korean and Chinese, bringing about startling new conclusions concerning Japanese modernization and cultural authenticity. This new interpretation of the Mingei movement will appeal to scholars of Japanese art history as well as those with interests in cultural identity in non-Western cultures.
Nationalism and Internationalism in Imperial Japan
Throughout the history of modern Japan there has been a continuous struggle to create an integrated conception of how a politically and/or culturally autonomous Japan might relate to a pluralistic and interactive world. The aim of this study is to scrutinise nationalist and internationalist rhetoric by means of comparatively constant factors such as personal views of humanity, civilisation, progress, the nation and the outside world, and thus to develop new approaches towards the question of the relationship between Japanese nationalism and internationalism. This project brings together a group of comparatively young scholars who analyse how different generations of opinion leaders in the Japanese pre-war modern era tried to solve what they perceived as the dilemma of nationalism and internationalism.
