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His friendship with Agee, and also with Flannery O'Connor (whose literary executor he became) as well as with other literary figures such as John Berryman, Allen Tate, and Caroline Gordon flourished during this period. In the early fifties he moved with his family to Italy, where he worked for six years on his celebrated translation of the Odyssey. His other classical translations - the Iliad, the Aeneid, and his translations of Euripides and Sophocles, several done in collaboration with Dudley Fitts - have become the signal translations of our time. A renowned teacher as well as poet and scholar, Fitzgerald taught, over the years, at such institutions as Sarah Lawrence, Princeton, The New School, Mount Holyoke, and The University of Washington. His career culminated at Harvard where, in 1965, he was named Boylston Professor of Rhetoric and Oratory. For fifteen years his course in Versification influenced a generation of young poets, and his seminar in "Homer, Virgil, and Dante" a generation of young scholars.
In a book that confronts our society's obsession with sexual violence, Maria Tatar seeks the meaning behind one of the most disturbing images of twentieth-century Western culture: the violated female corpse. This image is so prevalent in painting, literature, film, and, most recently, in mass media, that we rarely question what is at stake in its representation. Tatar, however, challenges us to consider what is taking place--both artistically and socially--in the construction and circulation of scenes depicting sexual murder. In examining images of sexual murder (Lustmord), she produces a riveting study of how art and murder have intersected in the sexual politics of culture from Weimar Germ...
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A richly entertaining and informative collection of Hans Christian Andersen's stories, annotated by one of America's leading folklore scholars. In her most ambitious annotated work to date, Maria Tatar celebrates the stories told by Denmark's "perfect wizard" and re-envisions Hans Christian Andersen as a writer who casts his spell on both children and adults. Andersen's most beloved tales, such as "The Emperor's New Clothes," "The Ugly Duckling," and "The Little Mermaid," are now joined by "The Shadow" and "Story of a Mother," mature stories that reveal his literary range and depth. Tatar captures the tales' unrivaled dramatic and visual power, showing exactly how Andersen became one of the world's ten most translated authors, along with Shakespeare, Dickens, and Marx. Lushly illustrated with more than one hundred fifty rare images, many in full color, by artists such as Arthur Rackham and Edmund Dulac, The Annotated Hans Christian Andersen will captivate readers with annotations that explore the rich social and cultural dimensions of the nineteenth century and construct a compelling portrait of a writer whose stories still fascinate us today.
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