You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The Fear of French Negroes is an interdisciplinary study that explores how people of African descent responded to the collapse and reconsolidation of colonial life in the aftermath of the Haitian Revolution (1791-1845). Using visual culture, popular music and dance, periodical literature, historical memoirs, and state papers, Sara E. Johnson examines the migration of people, ideas, and practices across imperial boundaries. Building on previous scholarship on black internationalism, she traces expressions of both aesthetic and experiential transcolonial black politics across the Caribbean world, including Hispaniola, Louisiana and the Gulf South, Jamaica, and Cuba. Johnson examines the lives ...
A nature trek turns dangerous when the wilderness gives up its bones... New Zealand's remote Milford Track seems the perfect place for forensic investigator Alexa Glock to reconnect with her brother Charlie, with whom she hasn't spent much time since they were kids. Their backpacking trip seems ill-fated from the start, though, when she must stop on the way to examine nine skeletons—most likely Māori tribespeople—whose graves have been unearthed by highway construction. Before she opens the first casket, a Māori elder gives her a dire warning: "The viewing of bones can unleash misfortune to the living. Or worse." Though Alexa dismisses his words as superstitious, they soon come back to haunt her as the idyllic hike takes a sinister turn. First, Charlie is aloof and resentful of the time Alexa has spent at work. Then a rock avalanche nearly carries her away as it reveals the skeletal remains of someone who has clearly been stabbed to death. When a fellow hiker goes missing and is later found dead, Alexa has all she can do to focus on the science as she investigates two murders, while trying not to become the third victim.
"At first, Alexa Glock's first case as a traveling forensic investigator seems straightforward-her expertise in teeth helps her identify the skeletal remains of a hunter found on the remote Stewart Island in New Zealand. But when she realizes the bullet lodged in his skull was not self-inflicted and a second, shark-ravaged body washes up on Ringaringa Beach, it's clear that something is off. The disturbing sight confirms what locals have hashed out in the pub: shark cage-diving, lucrative for owners and popular with tourists, has changed the great white sharks' behavior, turning them into man eaters. Tensions between cagers and locals mount as Alexa dives into the harrowing case. And while measuring bite patterns, she makes a shocking discovery that just might lead her to the man responsible for both murders"--
Presents all of the key ideas needed to understand, design, implement and analyse iterative-based error correction schemes.
In Denying to the Grave, authors Sara and Jack Gorman explore the psychology of health science denial. Using several examples of such denial as test cases, they propose seven key principles that may lead individuals to reject "accepted" health-related wisdom.
This volume is a collection of writings by and about Katherine Dunham, the African American dancer, anthropologist and social activist. It includes articles, her essays on dance and anthropology and chapters from her volume of memoirs, 'Minefields'.
As a new wave of interplanetary exploration unfolds, a talented young planetary scientist charts our centuries-old obsession with Mars. 'Beautifully written, emotive - a love letter to a planet' DERMOT O'LEARY, BBC Radio 2 Mars - bewilderingly empty, coated in red dust - is an unlikely place to pin our hopes of finding life elsewhere. And yet, right now multiple spacecraft are circling, sweeping over Terra Sabaea, Syrtis Major, the dunes of Elysium and Mare Sirenum - on the brink, perhaps, of a discovery that would inspire humankind as much as any in our history. With poetic precision and grace, Sarah Stewart Johnson traces the evocative history of our explorations of Mars. She interlaces he...
Your invitation to wait well in a world obsessed with having everything right now. No one likes to wait. But no matter how hassle-free the world around us has become, some things take time. Still, beginnings are fun"š€š"finish lines, thrilling. We love and celebrate those mountaintop moments. Life in the middle, however, is often hard and boring, certainly nothing to celebrate. Yet Sarah has discovered that the best parts of life can actually be those very moments between where we are and where we want to be. Waiting is a vital part of our stories, and what we do with our times of waiting matter. Life isn't about navigating around seasons of waiting. It is learning to embrace them. We ha...
'Weird and wild and wonderfully unsettling... Dive in for just a moment and you'll emerge gasping and haunted' Celeste Ng, bestselling author of Little Fires Everywhere It's been sixteen years since Gretel last saw her mother, half a lifetime to forget her childhood on the canals. But a phone call will soon reunite them, and bring those wild years flooding back: the secret language that Gretel and her mother invented; the strange boy, Marcus, living on the boat that final winter; the creature said to be underwater, swimming ever closer. In the end there will be nothing for Gretel to do but to wade deeper into their past, where family secrets and aged prophesies will all come tragically alive again. 'As readable as it is dazzling, full of unsettling twists and dark revelations' Observer **SHORTLISTED FOR THE MAN BOOKER PRIZE 2018**
Each time its people move away, the little hall sits empty. Will its walls ever again ring with laughter, music, stories and song? Then, one day, a little boy steps inside the hall- and feels the welcome of its wooden arms. Suggested level: primary.