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• Cutting-edge idea! • Titles on altered books are topping sales charts • Packed with valuable artists’ resources—galleries, bookstores, Web sites, book fairs, exhibitions Famous artists from David Hockney and Andy Warhol to Gilbert and George have created their own books—distinctive bound collections of work, sometimes variations on the popular altered-book craze. Now any artist can follow in the booksteps of these well-known muses, with the help ofCreating Artists’ Books. Author Sarah Bodman, an expert on artists’ books, gives wonderful inspiration and practical guidance on printmaking processes for making books, digital output and computer-based books, assembling books with limited resources, and creating altered books. An invaluable appendix lists bookstores and galleries that sell and exhibit artists’ book; book arts collections, archives, and organizations; book fairs; related Web sites; and more.Creating Artists’ Booksis packed with ideas, inspiration, and information from cover to cover.
On March 5th, 2007, a car bomb was exploded on al-Mutanabbi Street in Baghdad. More than thirty people were killed and more than one hundred were wounded. This locale is the historic center of Baghdad bookselling, a winding street filled with bookstores and outdoor book stalls. Named after the famed 10th century classical Arab poet al-Mutanabbi, it has been the heart and soul of the Baghdad literary and intellectual community. This anthology begins with a historical introduction to al-Mutanabbi Street and includes the writing of Iraqis as well as a wide swath of international poets and writers who were outraged by this attack. This book seeks to show where al-Mutanabbi Street starts in all o...
Douglas Coupland's inventive novel-think Clerks meets Who's Afraid of Virginia Woolf?-is the story of an extraordinary epistolary relationship between Roger and Bethany, two very different, but strangely connected, "aisles associates" at Staples. Watch as their lives unfold alongside Roger's work-in-progress, the oddly titled Glove Pond. A raucous tale of four academics, two malfunctioning marriages, and one rotten dinner party, Roger's opus is a Cheever-style novella gone horribly wrong. But as key characters migrate into and out of its pages, Glove Pond becomes an anchor of Roger's unsettled-and unsettling-life.Coupland electrifies us on every page of this witty, wise, and unforgettable novel. Love, death, and eternal friendship can all transpire where we least expect them...and even after tragedy seems to have wiped your human slate clean, stories can slowly rebuild you.
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"Refresh the Book contains reflections on the multimodal nature of the book, focusing on its changing perception, functions, forms, and potential in the digital age. Offering an overview of key concepts and approaches, such as liberature, technotexts, and bookishness, this volume of essays addresses the specificity of the printed book as a complex cultural phenomenon. It discusses diverse forms of representation and expression, both in literary and non-literary texts, as well as in artist's books. Of special interest are these aspects of the book which resist remediation into the digital form. Finally, the volume contains an extensive section devoted to artistic practice as research, discussing the book as the synthesis of the arts, and site for performative aesthetic activity"--
An engaging appraisal of photobook culture today and the future of the form Elucidating key issues and themes in contemporary photobook culture--from the medium's post-digital and post-photographic condition to the aims of publishing, issues of accessibility and the act of reading--Matt Johnston's Photobooks &combines research and interviews with key individuals from the photobook world. Informed by his experience with the Photobook Club project, Johnston examines current trends and practices, emphasizing connections (made and missed) between makers and readers. Johnston calls for a recalibration of a maker-centric discourse to address the communicative potential of the medium: aligning making with making public. Contributors include: Alejandro Acin, Eman Ali, Mathieu Asselin, Sarah Bodman, Bruno Ceschel, Natasha Christia, Juan Cires, Ángel Luis González, Larissa Leclair, Russet Lederman, Dolly Meieran, Olga Yatskevich, Michael Mack, Amak Mahmoodian, Lesley Martin, Tate Shaw, Doug Spowart, Jon Uriarte, Anshika Varma, and Amani Willett and Tiffany Jones.
The Book Is Alive is a survey of current thinking and innovative practice in contemporary publishing based on papers presented at the Booklive international symposium in London in June 2012. This event brought together theorists and practitioners from the world of publishing and artists' books to examine the current transformation of the book and its ability to keep apace with digital culture and the emergence of new modes of making, reading, collecting and disseminating "on-the-page" work. It includes an interview with conceptual artist Joan Fontcuberta, a keynote text by Artbook - D.A.P. President Sharon Gallagher and writings by Andrej Blatnik, Sarah Bodman, Marco Bohr, Daniela Cascella, Arnaud Desjardin, Annabel Frearson, Peter Jaeger, Susan Johanknecht and Katharine Mignell, Sharon Kirland and Nick Thurston, Didier Mathieu, Paul Soulellis and Stefan Szczelkun.
Woodblock printing is an ancient art form, which produces beautiful, subtle and lively pieces with just a few simple materials. This book introduces the art, and shares technical information and ideas for those with more experience. A wide range of exciting examples of printed woodcuts are shown along with advice on materials and tools, and a step-by-step guide to sharpening. Techniques to achieve quality prints and perfect registration are covered too. Drawing on the vibrant living traditions from China and Japan, it is both a technical guide and an inspiration. Beautifully illustrated with 160 colour photographs.
The multi-award-winning China Miéville has been called 'the equal of David Mitchell or Zadie Smith' (Scotland on Sunday), a writer whose 'inventiveness and precision is awesome' (Independent), and who writes with 'an imagination of immense power' (Guardian). In these twenty-eight short stories, glistening icebergs float above urban horizons; a burning stag runs wild through the city; the ruins of industry emerge unsteadily from the sea; and the abandoned generations in a decayed space-elevator look not up at the stars but down at the Earth. Ranging from portraits of childhood to chilling ghost stories, from dystopian visions to poignant evocations of uncanny love, with beautiful prose and melancholy wit, Three Moments of an Explosion is a breath-taking collection that poses searching questions of what it is to be human in an unquiet world. It is a humane and unsentimental investigation of our society, our world, and ourselves.
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