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A collection of essays originally presented on the Blackfriars stage at the American Shakesepeare Center, Shakespeare Expressed brings together scholars and practitioners, often promoting ideas that can be translated into classroom experiences. Drawing on essays presented at the Sixth Blackfriars Conference, held in October 2011, the essays focus on Shakespeare in performance by including work from scholars, theatrical practitioners (actors, directors, dramaturgs, designers), and teachers in a format that facilitates conversations at the intersection of textual scholarship, theatrical performance, and pedagogy. The volume’s thematic sections briefly represent some of the major issues occup...
The Civil War was not an upset. The North held an edge in almost every category, but one little-known advantage was President Lincoln’s susceptibility to, and cognizance of, premonitions. He had always been tuned to, and intrigued by, the meaning of dreams and their accuracy; and during the war he used this curious fascination in the predictive power of dreams to surprising benefit. It could have very well been his deepest secret.
The Oconaluftee Valley, located on the North Carolina side of the Smokies, is home of the Eastern Band of the Cherokee Indians and part of the Great Smoky Mountains National Park (a UNESCO World Heritage Site). This seemingly isolated valley has an epic tale to tell. Always a desirable place to settle, hunt, gather, farm, and live, the valley and its people have played an integral role in some of the greatest dramas of the colonial era, the Trail of Tears, and the Civil War era. The experiences of turn-of-the-twentieth-century industrial logging alongside the national park movement show how land-use trends changed communities and families. Though the valley saw its share of conflict, its res...
William Amos (ca1690-1759) came from England to Maryland as a young man. He married Ann in January 1713 at Joppa Maryland. His children are Thomas (1713-1763), Elizabeth (1715-ca1759) and William (1718-1814). This book traces their descendants to the present in Maryland, North Carolina, Georgia, Pennsylvania and elsewhere in the United States.
In Corrosive Solace, Daniel O’Quinn argues that the loss of the American colonies instantiated a complex reorganization in sociability and politics in the British metropole that has had long-lasting effects on British national and imperial culture, which can be seen and analyzed within its performative repertoire. He examines how the analysis of feeling or affect can be deployed to address the inchoate causal relation between historical events and their mediation. In this sense, Corrosive Solace’s goals are twofold: first, to outline the methodologies necessary for dealing with the affective recognition of historical crisis; and second, to make the historically familiar strange again, an...
Jacob M. Weik married Susannah Moir in 1783 in Rowan County, North Carolina. Descendants and relatives lived mainly in North Carolina, Arkansas, Louisiana and Missouri.
The Children’s Troupes and the Transformation of English Theater 1509–1608 uncovers the role of the children’s companies in transforming perceptions of authorship and publishing, performance, playing spaces, patronage, actor training, and gender politics in the sixteenth century. Jeanne McCarthy challenges entrenched narratives about popular playing in an era of revolutionary changes, revealing the importance of the children’s company tradition’s connection with many early plays, as well as to the spread of literacy, classicism, and literate ideals of drama, plot, textual fidelity, characterization, and acting in a still largely oral popular culture. By addressing developments from the hyper-literate school tradition, and integrating discussion of the children’s troupes into the critical conversation around popular playing practices, McCarthy offers a nuanced account of the play-centered, literary performance tradition that came to define professional theater in this period. Highlighting the significant role of the children’s company tradition in sixteenth-century performance culture, this volume offers a bold new narrative of the emergence of the London theater.
An intriguing case study on how popular images of Oceania, mediated through a developing culture of celebrity, contributed to the formation of British identity both domestically and as a nascent imperial power in the eighteenth century.