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Reframing long-held assumptions about what distinguishes fine from decorative art, this innovative study explores a mode of making, seeing, and thinking that slices across eighteenth-century visual culture. This book provides a new way of thinking about eighteenth-century French art and visual culture by prioritizing production over reception. Abandoning the ideologically driven discourse that distinguished fine from decorative art between the 1690s and 1770s, The Mobile Image reveals how the two have been inextricably bound from the earliest stages of artistic instruction through the daily life of painters’ workshops. In this study, author David Pullins defines artisanal and artistic mean...
"Zerbrechliche Geschichten - Die Entwicklung der Keramik" stellt die vielfältigen und bedeutenden Keramiksammlungen der Museumslandschaft Hessen Kassel erstmals in einem Band vor. Anhand von etwa 70 ausgewählten Objekten wird die Geschichte der Keramik- und Porzellanherstellung von der Vor- und Frühgeschichte über die ostasiatische Keramik bis zur Gegenwart anschaulich erzählt. Der Fokus liegt auf der technischen Entwicklung der Keramik, die ausgewählten Objekte begeistern aber auch für Themen wie Handel und Geschmack, Sammlungsgeschichten und Technologietransfers. Neben den bekannten Sammlungshighlights von Weltrang wie der Katzenelnbogischen Deckelschale werden einige der Keramiken hier erstmals publiziert.
An impressive overview of the gems of the most sumptuous Meissen porcelain of the early period! Presented in English. Switzerland is well-known for its host of remarkable collections of eighteenth-century European porcelain. Exemplary representatives of these are such extraordinary collector personalities as Albert Kocher or Dr Marcel Nyffeler. A number of these magnificent collections can be found today -- as a result of endowments or gifts -- in Switzerland's renowned institutions. This publication is dedicated to the passionate collecting of Swiss connoisseurs and these exceptional treasures, enriched by articles penned by renowned art historians and porcelain experts.
This book provides a full and richly illustrated catalogue of all the Fabergé egg objects produced in the Victor Mayer manufactory. The attention of the art historical reflections lies with the stylistic development and the iconography of the pieces all the while taking into account the particular challenges of their design. The company histories of the House of Fabergé as well as of the artificer Victor Mayer round off this comprehensive portrayal.
"In 2018 the Vienna Porcelain Manufactory celebrates its 300th anniversary. Having obtained the charter to produce porcelain in 1718, it is considered the second oldest porcelain manufactory in Europe after Meissen. The volume accompanying the exhibition in the MAK - Austrian Museum of Applied Arts / Contemporary Art in Vienna will now reopen the history of the Vienna Porcelain Manufactory, which closed in 1864, where major works such as the porcelain chamber from the Palais Dubsky (Dubsky Room) and the Zwettl centrepiece are presented in light of new findings. With numerous illustrations of leading pieces from the MAK's collection and international loans, the catalogue attests to the significance that Viennese porcelain has enjoyed as an outstanding cultural achievement of Austria since the Baroque era."--Publisher.
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
Meissen porcelain is eagerly collected throughout the world and traded vigorously at antique shows, auctions, and on the Internet. Of the few books available on this beautiful German porcelain, none includes current market values - but Jim and Susan Harran's new Meissen Porcelain does! The authors of the bestselling three-volume series, Collectible Cups & Saucers, and another volume, Dresden Porcelain Studios, have produced a book that features everyday items available in the marketplace, not the eighteenth century museum pieces found in many Meissen books. The majority of pieces featured date from the mid-nineteenth century through the 1950s. More than 625 color photographs are included, along with a helpful marks section. Meissen Porcelain provides historical information about the beautiful city of Meissen and a brief history of the Meissen manufactory itself, as well as discussions on decorating motifs and how Meissen porcelain is made. The book includes chapters on decorative porcelain, flower painting, Oriental motifs, Meissen's famous Blue Onion pattern, figures, copycats, and useful information for the collector.
Now the standard reference. More than 1200 illustrations, 282 in color, show the history of the Meissen porcelain manufactory in Germany and the products it produced. Years of meticulous research in the Meissen archives have culminated in this unexcelled reference book. Special attention is given to the 19th and 20th century products of the manufactory, which have been neglected in most books on Meissen.
Originally published in 2011, The Mosquito Bite Author is the seventh novel by the acclaimed Turkish author Barış Bıçakçı. It follows the daily life of an aspiring novelist, Cemil, in the months after he submits his manuscript to a publisher in Istanbul. Living in an unremarkable apartment complex in the outskirts of Ankara, Cemil spends his days going on walks, cooking for his wife, repairing leaks in his neighbor’s bathroom, and having elaborate imaginary conversations in his head with his potential editor about the meaning of life and art. Uncertain of whether his manuscript will be accepted, Cemil wavers between thoughtful meditations on the origin of the universe and the trajectory of political literature in Turkey, panic over his own worth as a writer, and incredulity toward the objects that make up his quiet world in the Ankara suburbs.
A reference work for collectors and enthusiasts of 18th-century objets d'art Featuring essays by leading specialists in the fields of European applied artOne hundred masterpieces of European art and arts and crafts of the eighteenth century form a panorama of innovation, design and expert realisation. In their sumptuous design, the porcelain, furniture, bronzes and silver objects are all miracles of the luxury craftsmanship found in court art. Such sophisticated design was the driving force behind the quickly successive styles of classicism, naturalism and the exotic design of the Rococo period. Andre-Charles Boulle, Jakob Philipp Hackert, Johann Joachim Kaendler, Alexandre-Jean Oppenordt and Jean-Baptiste Francois Pater are just some of the renowned artists featured in this catalogue. The artworks are opulently presented, interpreted in detail and arranged according to context. Thus the colourful image of a great era in art emerges, one that relied on creative energy and the power of the imagination."