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Ultimately, as Ralph Lutts demonstrates in The Nature Fakers, the dialogue resulted in a new standard of accuracy for the responsible nature writer and reflected a new way of thinking about moral responsibilities to wildlife.
A study of relations between American radicalism and modernism in the 1930s, focusing on Wallace Stevens.
Theories stating that plays attributed to Shakespeare were in fact written by other authors have existed for more than 200 years; some theories have been ridiculed and reviled while some have gained growing popular and scholarly support. The history of the Shakespeare controversy is presented in this revised edition of the 1992 work, with much new information and three additional chapters. Part I documents and critically assesses the most important theories on the authorship question. Part II is an annotated bibliography, arranged chronologically, of the many works that deal with the controversy from its vague beginnings to the present.
Washington Allston (1779-1843), the first major American artist trained in Europe, produced important paintings, explored sculpture and architecture, and published poetry and art criticism. On his return to America he became influential in the cultural and intellectual life of New England. Allston "knew everyone" and corresponded with many of the leading figures of his day, including Wordsworth, Longfellow, Irving, Sully, and Morse. Nathalia Wright's edition is the most comprehensive work to date on Allston, bringing together all known letters by and to him and describing his principal activities in years for which correspondence is lacking. Allston holds an important place in the history of American culture and European art and has long deserved such a volume, which offers a fascinating view of the world of arts and letters during the early American flowering.
John Franklin Jameson (1859-1937) was instrumental in the development of history as an academic discipline in the United States. After the Johns Hopkins University awarded him the country's first doctorate in history, he became a founder of the American Historical Association, served as the first managing editor of the American Historical Review, and was a key figure in the creation of the National Archives, the National Historical Publications Commission, and the Dictionary of American Biography. This book, the first volume in an ambitious documentary edition of Jameson's public and private papers, contains essays representing Jameson's own scholarly concerns, followed by documents that ref...
This issue of the Bucknell Review represents the first concerted effort to introduce and interpret Miller's philosophy, which was sometimes called historical idealism.
Only a few years after the discovery in Europe in the late 1850s that humanity had roots predating history and the Biblical chronicles, and reaching deep into the Pleistocene, came the suggestion that North American prehistory might be just as old. And why not? There seemed to be an "exact synchronism [of geological strata] between Europe and America," and so by extension there ought to be a "parallelism as to the antiquity of man." That triggered an eager search for traces of the people who may have occupied North America in the recesses of the Ice Age. "The Great Paleolithic War "is the history of the longstanding and bitter dispute in North America over whether people had arrived here in Ice Age times.
This chronology provides a concise and accurate outline of Forster's personal, literary and intellectual life from year to year in a series of crisply written diary entries. While the main focus is on his career as a writer of fiction, most of which falls between 1901 and 1924, the chronicle format also sheds new light on the extent and nature of Forster's political and public commitments during his middle years and into an active old age. Travel, friendships and wide reading are also documented to achieve a coherent picture of a full life. Drawing on numerous unpublished sources, including widely scattered letters and the Forster archive at King's College, Cambridge, this chronology makes available a wealth of new information about Forster the man and writer.
The work of Wallace Stevens has been read most widely as poetry concerned with poetry, and not with the world in which it was created; deemed utterly singular, it seems to resist being read as the record of a life and times. In this critical biography Alan Filreis presents a detailed challenge to this exceptionalist view as he traces two major periods of Stevens's career from 1939 to 1955, the war years and the postwar years. Portraying Stevens as someone whose alternation between cultural comprehension and ignorance was itself characteristically American, Filreis examines the poet's impulse to disguise and compress the very fact of his debt to the actual world. By actual world Stevens meant...
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