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“The Longhunters”
As the author of this work; I have accumulated some 200 documents about Blevins Families in America and drawing on around an additional 400 pages of manuscript, I will be working to add additional information on the descendants of - William Blevins of Virginia – as these people are discovered - beginning with fifth generation descendants of the fourth American born generation. Therefore, anyone who can provide corrections or any additional Blevins information I hope they will do so by emailing me at LBlevins@sunflower.com .
Little Clifty United Methodist Church
There is no available information at this time.
The Music of Tragedy
The Music of Tragedy offers a new approach to the study of classical Greek theater by examining the use of musical language, imagery, and performance in the late work of Euripides. Naomi Weiss demonstrates that Euripides’ allusions to music-making are not just metatheatrical flourishes or gestures towards musical and religious practices external to the drama but closely interwoven with the dramatic plot. Situating Euripides’ experimentation with the dramaturgical effects of mousike within a broader cultural context, she shows how much of his novelty lies in his reinvention of traditional lyric styles and motifs for the tragic stage. If we wish to understand better the trajectories of this most important ancient art form, The Music of Tragedy argues, we must pay closer attention to the role played by both music and text.
Acts Passed at the ... Session of the General Assembly for the Commonwealth of Kentucky
Includes: public acts, local and private acts. Includes regular, adjourned, called, and extraordinary sessions.
Footnotes
First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Difference / Indifference
First Published in 1999. For the first time gathered together in book form, here are the influential writings of Moira Roth-articles, lectures, and interviews-on the two men who for so long embodied the very spirit of the avantgarde, Marcel Duchamp and John Cage. For almost thirty years Duchamp and Cage, who seemed to live on the border of modernism, and later, of postmodernism, alternately have fascinated, irritated, inspired, and daunted the author. Since her initial engagement with Duchamp and Cage in the early seventies, Roth increasingly focused on the work of many American artists-primarily women-only to return to Duchamp and Cage intermittently. At first, they were an inspiratio...
Journal
None
Annual Report
Reports for 1980- include also the Annual report of the National Council on the Arts.
