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Set to generate future discussions in the field for years to come, The Poetics of Poetry Film is an encyclopaedic work on the ever-evolving genre of poetry film. Tremlett provides an introduction to the emergence and history of poetry film in a global context, defining and debating terms both philosophically and materially. Including over 40 contributors and showcasing the work of an international array of practitioners, this is an industry bible for anyone interested in poetry, digital media, filmmaking, art and creative writing, as well as poetry filmmakers. Poetry films are a genre of short film, usually combining the three main elements of the poem as: verbal message; the moving film image and diegetic sounds; and additional non-diegetic sounds or music, which create a soundscape. In this book, Tremlett examines the formal characteristics of the poetic in poetry film, film poetry and videopoetry, particularly in relation to lyric voice and time. The volume includes interviews, analysis and a rigorous and thorough investigation of the poetry film, from its origins to the present.
The Book of Hours is a contemporary re-imagining of a Medieval book of hours . These were collections of exquisitely hand-illustrated images and religious texts which followed a yearly calendar. They were created in a handy size so they could be carried by the owner and read on a daily basis. They can also be seen as interactive texts as these books were not intended to be read chronologically. This Book of Hours is secular but the general mood is contemplative and reflective and has been created in a poetry film form. This book contains the poetry from the poetry film project plus some extra poems. http: //thebookofhours.org/
The Spanish are reputed to be amongst Europe's most voluble people. So why have they kept silent about the terrors of the Spanish Civil War and the rule of dictator Generalísimo Francisco Franco? The appearance - sixty years after that war ended - of mass graves containing victims of General Franco's death squads has finally broken what Spaniards call 'the pact of forgetting'. At this charged moment, Giles Tremlett embarked on a journey around Spain - and through Spanish history. As well as a moving exploration of Spanish politics, Tremlett's journey was also an attempt to make sense of his personal experience of the Spanish. Why do they dislike authority figures, but are cowed by a doctor's white coat? How had women embraced feminism without men noticing? What binds gypsies, jails and flamenco? Why do the Spanish go to plastic surgeons, donate their organs, visit brothels or take cocaine more than other Europeans? 'Lively and well-informed . . . at once a history, a journalistic inquiry and a travel book.' Sunday Telegraph
'Packed with vivid character sketches and lyrical description, Tremlett has told a gripping story, full of beauty and darkness' The Times WINNER OF THE 2018 ELIZABETH LONGFORD PRIZE In 1474, a twenty-three year old woman ascended the throne of Castile, the largest and strongest kingdom in Spain. Ahead of her lay the considerable challenge not only of being a young, female ruler in an overwhelmingly male-dominated world, but also of reforming a major European kingdom that was riddled with crime, corruption, and violent political factionism. Her marriage to Ferdinand of Aragon was crucial to her success, bringing together as it did two kingdoms, but it was a royal partnership in which Isabella more than held her own. Her pivotal reign was long and transformative, uniting Spain and laying the foundations not just of modern Spain, but of the one of the world's greatest empires. With authority and flair, acclaimed historian Giles Tremlett Tremlett relates the story of this legendary, if controversial, first initiate in a small club of great European queens that includes Elizabeth I of England, Russia's Catherine the Great, and Britain's Queen Victoria.
The brillilant second collection from Next Generation Poet, T.S. Eliot and Costa shortlisted poet, Helen Mort. 'When we climb alone en corde� feminine, we are magicians of the Alps - we make the routes we follow disappear.' Helen Mort's riveting second collection is inspired by her two greatest passions: mountaineering and running. In odes to the young women who tramped the Alps in their skirts and petticoats, long hemlines and 'fashionable shoes', here are poems inspired by Miss Jemima Morrell, a young woman from Yorkshire, who was the first Victorian woman to scale the Swiss peaks. At the heart of the collection lies the breathtaking sequence 'Black Rocks', dedicated to Alison Hargreaves, the British climber who perished at the face of K2. These are distinctive and unforgettable poems of passion and precipices, of edges and extremes. No Map Could Show Them confirms Helen's position as one of the finest young poets at work today.
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"A stone is lobbed in ’84, hangs like a star over Orgreave. Welcome to Sheffield. Border-land,our town of miracles…" –Scab From the clash between striking miners and police to the delicate conflicts in personal relationships, Helen Mort’s stunning debut is marked by distance and division. Named for a street in Sheffield, this is a collection that cherishes specificity: the particularity of names; the reflections the world throws back at us; the precise moment of a realization. Distinctive and assured, these poems show us how, at the site of conflict, a moment of creation and reconciliation can be born.
Ritual and Democracy explores the complex intersections of ritual and democracy in a range of contemporary, cultural and geographic contexts.
An Insomniac's Slumber Party with Marilyn Monroe is a middle-of-the-night poetic conversation between two women who "live on the glittering edge," a sequined meditation on what keeps us up at night and what fills our dreams.
Shows just how far ordinary people will go to save democracy against overwhelming odds in a tale of European solidarity that resonates just as strongly today.