Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Megachurch Accountability in Missions:
Megachurches are of relatively recent vintage. Their numerical strength invests them with social and financial power. To whom, if anyone, however, are megachurches accountable? What role do they play as innovators in missions? How have their enormous influence and financial strength been harnessed? What lessons can be learned? What course corrections ought to be made? Over the course of a week, the third meeting of the Korean Global Mission Leadership Forum (KGMLF), held in Korea in 2015, addressed these and related questions. Combining the insights of a rich mix of Korean and international megachurch leaders and scholars, Megachurch Accountability in Missions: Korean and Global Case Studies offers analysis, critique, and positive recommendations for future megachurch engagement in mission.
The Two Koreas
None
Handbook of Religion and the Asian City
"Handbook of Religion and the Asian City highlights the creative and innovative role of urban aspirations in Asian world cities. It points out that urban politics and governance are often about religious boundaries and processions--in short, that public religion is politics. The essays show how projects of secularism come up against projects and ambitions of a religious nature, a particular form of contestation that takes the city as its public arena. Asian cities are sites of speculation, not only for those who invest in real estate but also for those who look for housing, for employment, and for salvation. In its potential and actual mobility, the sacred creates social space in which they all can meet. Handbook of Religion and the Asian City makes the comparative case that one cannot study the historical patterns of urbanization in Asia without paying attention to the role of religion in urban aspirations"--Provided by publisher.
The Remasculinization of Korean Cinema
In one of the first English-language studies of Korean cinema to date, Kyung Hyun Kim shows how the New Korean Cinema of the past quarter century has used the trope of masculinity to mirror the profound sociopolitical changes in the country. Since 1980, South Korea has transformed from an insular, authoritarian culture into a democratic and cosmopolitan society. The transition has fueled anxiety about male identity, and amid this tension, empowerment has been imagined as remasculinization. Kim argues that the brutality and violence ubiquitous in many Korean films is symptomatic of Korea’s on-going quest for modernity and a post-authoritarian identity. Kim offers in-depth examinations of mo...
LIVING PAGES
The short stories that populate this book hold a mirror to various facets of life. They reflect a gamut of diverse emotions and moods. They display a rich variety of writing styles apt for the narrative – sombre for a serious social theme, flippant for a humorous anecdote, even a classical play format, and so on. The vibrant energy from these reflections of life turns the otherwise inanimate pages into ‘Living Pages.’
Dynamics of a Rice Cultivating Village in Korea, 1977-2015
"This book is an ethnographic report tracing the changing lives of the residents of Sanjin-ri over the past four decades. Sanjin-ri, located in the southwestern part of Gyeonggi Province, is a rice cropping hamlet"--Page 11.
The Cinema of Japan & Korea
The Cinema of Japan and Korea is the fourth volume in the new 24 Frames series of studies of national and regional cinema, and focuses on the continuing vibrancy of Japanese and Korean film. The 24 concise and informative essays each approach an individual film or documentary, together offering a unique introduction to the cinematic output of the two countries. With a range that spans from silent cinema to the present day, from films that have achieved classic status to underground masterpieces, the book provides an insight into the breadth of the Japanese and Korean cinematic landscapes. Among the directors covered are Akira Kurosawa, Takeshi Kitano, Kim Ki-duk, Kenji Mizoguchi, Kinji Fukusaku, Kim Ki-young, Nagisa Oshima and Takashi Miike. Included are in-depth studies of films such as Battle Royale, Killer Butterfly, Audition, Violent Cop, In the Realm of the Senses, Tetsuo 2: Body Hammer, Teenage Hooker Becomes a Killing Machine, Stray Dog, A Page of Madness and Godzilla.
New Korean Cinema
New Korean Cinema charts the dramatic transformation of South Korea's film industry from the democratization movement of the late 1980s to the 2000s new generation of directors. The author considers such issues as government censorship, the market's embrace of Hollywood films, and the social changes which led to the diversification and surprising commercial strength of contemporary Korean films. Directors such as Hong Sang-soo, Kim Ki-duk, Park Chan-wook, and Bong Joon-ho are studied within their historical context together with a range of films including Sopyonje (1993), Peppermint Candy (1999), Oldboy (2003), and The Host (2006).
