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The Bamboo Stalk
Winner of the International Prize for Arabic Fiction.
Mama Hissa's Mice
From the winner of the International Prize for Arabic Fiction comes an apocalyptic and caustically funny novel about the power of friendship in a war-torn world that NPR calls "rich and resonant." Growing up together in the Surra section of central Kuwait, Katkout, Fahd, and Sadiq share neither ethnic origin nor religious denomination--only friendship and a rage against the unconscionable sectarian divide turning their lives into war-zone rubble. To lay bare the ugly truths, they form the protest group Fuada's Kids. Their righteous transgressions have made them targets of both Sunni and Shi'a extremists. They've also elicited the concern of Fahd's grandmother, Mama Hissa, a story-spinning fo...
Saud al-Sanousi's Saaq al-bambuu
This book is an abridged edition of the Arabic novel Saaq al-Bambuu (The Bamboo Stalk), written by Saud al-Sanousi, a living Kuwaiti writer. The abridged edition, which was written by the editors and approved by the author (highlighting its authenticity), is presented in Arabic and provided with exercises for use in an Arabic language-learning course at the intermediate-advanced level. Following Familiar's first book, Hoda Barakat's Sayyidi wa Habibi, this book seeks to engage students in reading a rewarding story that was written by a contemporary Middle Eastern author, while providing them with the necessary apparatus to understand the language and literature with which they are engaging. ...
The Pact We Made
Featured on BBC Radio 4’s Open Book • Featured on BBC Radio 3’s Free Thinking • An ELLE Magazine cultural pick • Reviewed in the Observer ‘Beautifully written’ Joanna Cannon ‘Fascinating ... full of personality’ Guardian ‘Brilliant ... What a debut’ Pandora Sykes
Lyrics Alley
From the author of the New York Times Notable Book, The Translator: a novel of the “rich and complex world of a Sudanese patriarch in the 1950s” (Sarah Blake, author of The Postmistress). Lyrics Alley is the evocative story of an affluent Sudanese family shaken by the shifting powers in their country and the near-tragedy that threatens the legacy they’ve built for decades. In 1950s Sudan, the powerful Abuzeid dynasty has amassed a fortune through their trading firm. With Mahmoud Bey at its helm, they can do no wrong. But when Mahmoud’s son, Nur, the brilliant, handsome heir to the business empire, suffers a debilitating accident, the family stands divided in the face of an uncertain ...
The Book of Collateral Damage
Sinan Antoon returns to the Iraq war in a poetic and provocative tribute to reclaiming memory Widely-celebrated author Sinan Antoon’s fourth and most sophisticated novel follows Nameer, a young Iraqi scholar earning his doctorate at Harvard, who is hired by filmmakers to help document the devastation of the 2003 invasion of Iraq. During the excursion, Nameer ventures to al-Mutanabbi street in Baghdad, famed for its bookshops, and encounters Wadood, an eccentric bookseller who is trying to catalogue everything destroyed by war, from objects, buildings, books and manuscripts, flora and fauna, to humans. Entrusted with the catalogue and obsessed with Wadood’s project, Nameer finds life in New York movingly intertwined with fragments from his homeland’s past and its present—destroyed letters, verses, epigraphs, and anecdotes—in this stylistically ambitious panorama of the wreckage of war and the power of memory.
The Iraqi Christ
** WINNER OF THE ENGLISH PEN WRITERS IN TRANSLATION AWARD ** **LONG-LISTED FOR THE 2013 FRANK O'CONNOR INTERNATIONAL SHORT STORY AWARD** **BOOK OF THE MONTH IN THE SKINNY** A soldier with the ability to predict the future finds himself blackmailed by an insurgent into the ultimate act of terror… A deviser of crosswords survives a car-bomb attack, only to discover he is now haunted by one of its victims… Fleeing a robbery, a Baghdad shopkeeper falls into a deep hole, at the bottom of which sits a djinni and the corpse of a soldier from a completely different war… From legends of the desert to horrors of the forest, Blasim’s stories blend the fantastic with the everyday, the surreal wi...
Minaret
In her Muslim hijab, with her down-turned gaze, Najwa is invisible to most eyes, especially to the rich London families whose houses she cleans. But twenty years earlier it was a different story. Najwa was at university in Khartoum and, as an upper-class westernised Sudanese, her dreams were to marry well and raise a family. However, those days of innocence came to an abrupt end and tough years followed. Now Najwa finds solace in her visits to the Mosque, the companionship of the Muslims she meets there and in the hijab she adopts. Her dreams may have shattered but her awakening to Islam has given her a different peace. Then Najwa meets a younger man and slowly they begin to fall in love ...
Reading the World
'A brilliant, unlikely book' Spectator How can we celebrate, challenge and change our remarkable world? In 2012, the world arrived in London for the Olympics...and Ann Morgan went out to meet it. She read her way around all the globe's 196 independent countries (plus one extra), sampling one book from every nation. It wasn't easy. Many languages have next to nothing translated into English; there are tiny, tucked-away places where very little is written down; some governments don't like to let works of art escape their borders. Using Morgan's own quest as a starting point, Reading the World explores the vital questions of our time and how reading across borders might just help us answer them. 'Revelatory... While Morgan's research has a daunting range...there is a simple message: reading is a social activity, and we ought to share books across boundaries' Financial Times
Self Portrait in Green
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
