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F. Scott Hess
Throughout his 40 year career F Scott Hess has painted against the grain of the contemporary art world. In this comprehensive monograph, we witness Hess steadfastly going his own way. In the 80s, a period in which conceptual art was favored, he emphasized figurative work with narrative themes. His rebellious nature is further exposed as his career progresses and he confronts and explores societal taboos. Although much of Hess' subject matter is challenging, he also employs humor to great end, leavening work that is sometimes very dark. His stylistic influences are many, reflecting both his formal studies and his extensive travels. During his time studying at the Academy of Fine Arts in Vienna, he received the Theodor K rner award. In the 1990s, he spent a year in residency in Iran on a J. Paul Getty Fellowship. More recently Hess painting was chosen as the cover art for the book Realismus in Der Bildenden Kunst (Realism in the Visual Arts Europe and N. America 1830 2000, Gebr. Mann
F. Scott Hess
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F. Scott Hess
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F. Scott Hess
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The Paternal Suit
A fanciful creation of the F. Scott Hess family, spanning four hundred years, mixing fact and fiction and illustrated with art and artifacts.
William Wordsworth and the Ecology of Authorship
In William Wordsworth and the Ecology of Authorship, Scott Hess explores Wordsworth's defining role in establishing what he designates as "the ecology of authorship" a primarily middle-class, nineteenth-century conception of nature associated with aesthetics, high culture, individualism, and nation. Instead of viewing Wordsworth as an early ecologist, Hess places him within a context that is largely cultural and aesthetic. The supposedly universal Wordsworthian vision of nature, Hess argues, was in this sense specifically male, middle-class, professional, and culturally elite--factors that continue to shape the environmental movement today.
Authoring the Self
Drawing upon historicist and cultural studies approaches to literature, this book argues that the Romantic construction of the self emerged out of the growth of commercial print culture and the expansion and fragmentation of the reading public beginning in eighteenth-century Britain. Arguing for continuity between eighteenth-century literature and the rise of Romanticism, this groundbreaking book traces the influence of new print market conditions on the development of the Romantic poetic self.
William Wordsworth and the Ecology of Authorship
In William Wordsworth and the Ecology of Authorship, Scott Hess explores Wordsworth’s defining role in establishing what he designates as "the ecology of authorship": a primarily middle-class, nineteenth-century conception of nature associated with aesthetics, high culture, individualism, and nation. Instead of viewing Wordsworth as an early ecologist, Hess places him within a context that is largely cultural and aesthetic. The supposedly universal Wordsworthian vision of nature, Hess argues, was in this sense specifically male, middle-class, professional, and culturally elite—factors that continue to shape the environmental movement today.
The Vision
The highly anticipated sequel to The Dream by Tyler Scott Hess.Sometimes plans fail. Sometimes that's for the best, even when someone can't see why. When Timmy is given a vision from God, he is tasked with remodeling an old fire house into a new church while building his relationships with his brother and his new "family", while learning what it means to live by faith.
