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Director's foreword -- Acknowledgements -- A conversation with Beverly McIver / Kim Boganey -- Beverly McIver : self-portraits in multiple perspectives / Michele Faith Wallace -- Pigments and personas / Richard J. Powell -- Plates -- Selected exhibition history, collections and awards -- Selected bibliography -- Works in the exhibition.
“Playful, smart, easy to implement, and, dare I say, punk rock, this book will wake you up to your personal power and remind you just how enjoyable your life, and work, can be.”—Jen Sincero, #1 New York Times bestselling author of You Are a Badass WINNER OF THE PORCHLIGHT BUSINESS BOOK AWARD “You don’t have to turn into a corporate drone to kick ass in the working world,” says inspirational speaker Tania Katan. After more than ten years of smuggling creativity into the business sector, Katan is here to tell you that any task or pursuit can be a creative one. You just need to be willing to defy conformity and be ready to conjure imagination anywhere, at any time. That’s where Cr...
Let's Walk West presents recent work by Brad Kahlhamer, an Arizona-born, New York-based artist and musician. It includes large-scale watercolor-and-ink paintings, texts excerpted from his journals and song lyrics, working photographs, and preliminary studies, along with a selection of nineteenth-century Plains Indian ledger drawings selected by Kahlhamer from the collection of the Heard Museum in Phoenix. Let's Walk West looks at Kahlhamer's rambling journey into his Native American heritage and the landscape of the West. He was born in Tucson in 1956 of Native American parentage, but was adopted and raised in rural Wisconsin. His art is propelled by a quest to reconnect with his Native identity and to reconcile it with his middle-American upbringing. His paintings arm-wrestle with an unknown biography, with people and places both real and imagined, part visionary, part pop culture. Eagles, coyotes, and javelinas appear like talismans, alongside caricatures of family and friends.
Catalog of an exhibition held at De Domijnen in Sittard, the Netherlands, July 28 - November 15, 2015 and at the Scottsdale Museum of Contemporary Art, Scottsdale, Arizona, January 30 - May 1, 2016.
Elaine Horwitch was a feisty, larger-than-life gallerist who put contemporary Southwest art on the culture map. Prefaced by a historical survey of art in Arizona and New Mexico, Southwest Rising examines Horwitch's remarkable life and highlights many of the artists she promoted in the 1960s, 1970s, and 1980s, as well as some of her top rivals in the art business. This book looks at Southwest art through the lens of art markets and institutions, and the creative spirit of artists who contributed to the rise of a unique genre.
Among mountains and desert, take in one spectacular natural wonder after another and capture the adventure of Arizona. Imagine all the adventures you’ll have in Arizona— touring the mountains and red deserts, seeing one spectacular natural wonder after another: the Grand Canyon, Organ Pipe Cactus National Monument...Discover the art galleries, museums, resorts, and cuisine that help make Phoenix and Scottsdale such hot destinations.
Edited by Jenelle Porter. Text by Jenelle Porter, Edwin Denby, Shirley Clarke, Yvonne Rainer, Charles Atlas, et al.
A revelatory resituation of Van Gogh's familiar works in the company of the surprising variety of nineteenth-century art and literature he most revered Vincent van Gogh's (1853-1890) idiosyncratic style grew out of a deep admiration for and connection to the nineteenth-century art world. This fresh look at Van Gogh's influences explores the artist's relationship to the Barbizon School painters Jean-François Millet and Georges Michel--Van Gogh's self-proclaimed mentors--as well as to Realists like Jean-François Raffaëlli and Léon Lhermitte. New scholarship offers insights into Van Gogh's emulation of Adolphe Monticelli, his absorption of the Hague School through Anton Mauve and Jozef Isra...
Foreword by Glenn D. Lowry. Text by Roxana Marcoci.
Black Maps is the first in-depth survey of the major aerial projects by David Maisel, whose images of radically altered terrain have transformed the practice of contemporary landscape photography. In more than 100 photos that span Maisel's career, Black Maps presents a hallucinatory worldview encompassing both stark documentary and tragic metaphor, and exploring the relationship between nature and humanity today. Maisel's images of environmentally impacted sites consider the aesthetics of open pit mines, clear-cut forests, rampant urbanization and sprawl, and zones of water reclamation. These surreal and disquieting photos take us towards the margins of the unknown and as the Los Angeles Times has stated, argue for an expanded definition of beauty, one that bypasses glamour to encompass the damaged, the transmuted, the decomposed.