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The Mind Is a Collection
The Mind Is a Collection approaches seventeenth- and eighteenth-century theory of the mind from a material point of view, examining the metaphors for mental activity that invoked the material activity of collection.
Irish Materialisms
Irish Materialisms: The Nonhuman and the Making of Colonial Ireland, 1690-1830, is the first book to apply recent trends in new materialist criticism to Ireland. It radically shifts familiar colonial stereotypes of the feminized, racialized cottier according to the Irish peasantry's subversive entanglement with nonhuman materiality. Each of the chapters engages a focused case study of an everyday object in colonial Ireland (coins, flax, spinning wheels, mud, and pigs) to examine how each object's unique materiality contributed to the colonial ideology of British paternalism and afforded creative Irish expression. The main argument of Irish Materialisms is its methodology: of reading literature through the agency of materiality and nonhuman narrative in order to gain a more egalitarian and varied understanding of colonial experience. Irish Materialisms proves that new materialism holds powerful postcolonial potential. Through an intimate understanding of the materiality Irish peasants handled on a daily basis, this book presents a new portrait of Irish character that reflects greater empowerment, resistance, and expression in the oppressed Irish than has been previously recognized.
Loving Dr. Johnson
The autopsy of Samuel Johnson (1709-84) initiated two centuries of Johnsonian anatomy-both in medical speculation about his famously unruly body and in literary devotion to his anecdotal remains. Even today, Johnson is an enduring symbol of individuality, authority, masculinity, and Englishness, ultimately lending a style and a name—the Age of Johnson—to the eighteenth-century English literary canon. Loving Dr. Johnson uses the enormous popularity of Johnson to understand a singular case of author love and to reflect upon what the love of authors has to do with the love of literature. Helen Deutsch's work is driven by several impulses, among them her affection for both Johnson's work and...
Feeling Time
Literary historians have tended to associate the eighteenth century with the rise of the tyranny of the clock—the notion of time as ruled by mechanical chronometry. The transition to standardized scheduling and time-discipline, the often-told story goes, inevitably results in modernity's time-keeper societies and the characterization of modern experience as qualitatively diminished. In Feeling Time, Amit Yahav challenges this narrative of the triumph of chronometry and the consequent impoverishment of individual experience. She explores the fascination eighteenth-century writers had with the mental and affective processes through which human beings come not only to know that time has passe...
Practical Form
A groundbreaking study of the development of form in eighteenth-century aesthetics In this original work, Abigail Zitin proposes a new history of the development of form as a concept in and for aesthetics. Her account substitutes women and artisans for the proverbial man of taste, asserting them as central figures in the rise of aesthetics as a field of philosophical inquiry in eighteenth-century Europe. She shows how the idea of formal abstraction so central to conceptions of beauty in this period emerges from the way practitioners think about craft and skill across the domestic, industrial, and so-called high arts. Zitin elegantly maps the complex connections among aesthetics, form, and formalism, drawing out the understated presence of practice in the writings of major eighteenth-century thinkers including Locke, Addison, Burke, and Kant. This new take on an old story ultimately challenges readers to reconsider form and why it matters.
The Science-Music Borderlands
Interdisciplinary essays on music psychology that integrate scientific, humanistic, and artistic ways of knowing in transformative ways. Researchers using scientific methods and approaches to advance our understanding of music and musicality have not yet grappled with some of the perils that humanistic fields concentrating on music have long articulated. In this edited volume, established and emerging researchers—neuroscientists and cognitive scientists, musicians, historical musicologists, and ethnomusicologists—build bridges between humanistic and scientific approaches to music studies, particularly music psychology. Deftly edited by Elizabeth H. Margulis, Psyche Loui, and Deirdre Loug...
Dancing at All the Weddings
Vivacious and talented Elaine Richman is faced with choices: A risky life in the New York theatre; an exciting life with college sweetheart, actor/director Jake Applebaum in Hollywood; a secure life in Boston with predictable lawyer David Alter, the match anointed by her domineering mother because 'he's the kind you marry.' On the way to a dream, it is possible to collide with another dream's seduction, only to learn there is no fulfillment on the path to safety. Elaine goes through the wringer to meet herself.
The Soul Protector
Lange is a soul protector, a divine guardian sent to protect a soul throughout several lifetimes. It's demanding work, and even an angel needs a little break from the job. Lange, fascinated by the mortal condition, finds relief by materializing in human form. The problem is that there is always a price to pay for bending the rules-and it won't be Lange who pays the ultimate price. Instead, his charge-Julie Holmes, an activist for women's rights-dies before her time. To atone for this grievous mistake, Lange is sentenced to a new beginning: a lifetime on Earth as a mortal named Angel Guardino. Working as a policeman, he meets Jessica, a woman he once failed to save in her incarnation as Julie. Together, the two set out on the trail of a revenge-obsessed killer. In a twisting tale of karma, fate, revenge, corruption, and ultimately spiritual awakening, Angel and Jessica race to keep more lives from being needlessly lost.
Small Things in the Eighteenth Century
Offering an intimate history of how small things were used, handled, and worn, this collection shows how objects such as mugs and handkerchiefs were entangled with quotidian practices and rituals of bodily care. Small things, from tiny books to ceramic trinkets and toothpick cases, could delight and entertain, generating tactile pleasures for users while at the same time signalling the limits of the body's adeptness or the hand's dexterity. Simultaneously, the volume explores the striking mobility of small things: how fans, coins, rings, and pottery could, for instance, carry political, philosophical, and cultural concepts into circumscribed spaces. From the decorative and playful to the useful and performative, such small things as tea caddies, wampum beads, and drawings of ants negotiated larger political, cultural, and scientific shifts as they transported aesthetic and cultural practices across borders, via nationalist imagery, gift exchange, and the movement of global goods.
Henry Smeathman, the Flycatcher
This book enriches our understanding of Romanticism and colonialism by telling the story of Henry Smeathman (1742-86), natural historian and sentimental traveller whose extraordinary life in West Africa and the West Indies provides us with vivid, eye-witness accounts of Atlantic slavery, the Middle Passage, and the difficulties of collecting in the tropics.
