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The Art of Rivalry
This is a story about rivalry among artists. Not the kind of rivalry that grows out of hatred and dislike, but rather, rivalry that emerges from admiration, friendship, love. The kind of rivalry that existed between Degas and Manet, Picasso and Matisse, Pollock and de Kooning, and Freud and Bacon. These were some of the most famous and creative relationships in the history of art, driving each individual to heights of creativity and inspiration - and provoking them to despair, jealousy and betrayal. Matisse's success threatened Picasso so much that his friends would throw darts at a portrait of his rival's beloved daughter Marguerite, shouting 'there's one in the eye for Matisse!' And Willem de Kooning's twisted friendship with Jackson Pollock didn't stop him taking up with his friend's lover barely a year after Pollock's fatal car crash. In The Art of Rivalry, Pulitzer Prize-winning art critic Sebastian Smee explores how, as both artists struggled to come into their own, they each played vital roles in provoking the other's creative breakthroughs - ultimately determining the course of modern art itself.
Sebastian Smee on the Inner Life in the Digital Age
We live in an age of constant distraction. Is there a price to pay for this? In this superb essay, renowned critic Sebastian Smee explores the fate of the inner life in the age of the internet. Throughout history, artists and thinkers have cultivated the deep self, and seen value in solitude and reflection. But today, with social media, wall-to-wall marketing and the agitation of modern life, everything feels illuminated, made transparent. We feel bereft without our phones and their cameras and the feeling of instant connectivity. It gets hard to pick up a book, harder still to stay with it. Without nostalgia or pessimism, Sebastian Smee evokes what is valuable and worth cultivating- he guides us from the apparent fullness of the app-filled world towards a more complex sense of self, and the inner life. If we lose this, Smee asks, what do we lose of ourselves? "Every day I spend hours and hours on my phone . . . We are all doing it, aren't we? It has come to feel completely normal. Even when I put my device aside and attach it to a charger, it pulses away in my mind, like the throat of a toad, full of blind, amphibian appetite." Sebastian Smee, Net Loss
Quarterly Essay 72 Net Loss
We live in an age of constant distraction. Is there a price to pay for this? In this superb essay, renowned critic Sebastian Smee explores the fate of the inner life in the age of the internet. Throughout history, artists and thinkers have cultivated the deep self, and seen value in solitude and reflection. But today, with social media, wall-to-wall marketing and the agitation of modern life, everything feels illuminated, made transparent. We feel bereft without our phones and their cameras and the feeling of instant connectivity. It gets hard to pick up a book, harder still to stay with it. Without nostalgia or pessimism, Sebastian Smee evokes what is valuable and worth cultivating: he guides us from the apparent fullness of the app-filled world towards a more complex sense of self, and the inner life. If we lose this, Smee asks, what do we lose of ourselves? “Every day I spend hours and hours on my phone ... We are all doing it, aren’t we? It has come to feel completely normal. Even when I put my device aside and attach it to a charger, it pulses away in my mind, like the throat of a toad, full of blind, amphibian appetite.”––Sebastian Smee, Net Loss
Paris in Ruins
The Pulitzer Prize-winning art critic's gripping account of how political turmoil in Paris from 1870-1871 gave rise to Impressionism
Freud at Work
Publisher description
Lucian Freud
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Side by Side
Matisse and Picasso influenced each other from 1905 on. This is the story of their creative rivalry, from its beginnings in the salons of Paris and under the auspices of Gertrude and Leo Stein through the years leading to World War I and beyond.
Lucian Freud On Paper
"This volume charts Freud's work on paper, including the etchings, over his entire career. It features the formative early work, the sketches in preparation for painting his masterpiece, Large Interior W11 (after Watteau) (1983), the sketches of the completed painting in the studio and the astonishing later studies of his mother. The book ends with the etchings of recent years"--Jacket, p. [2].
Lucian Freud
In 1964 Lucian Freud set his students at the Norwich College of Art an assignment: to paint naked self-portraits and to make them "revealing, telling, believable ... really shameless." It was advice that the artist was often to follow himself. Visceral, unflinching and often nude, Freud's self-portraits chart his biography and give us an insight into the development of his style. These paintings provide the viewer with a constant reminder of the artist's overwhelming presence, whether he is confronting the viewer directly or only present as a shadow or in a reflection. Freud's exploration of the self-portrait is unexpected and wide-ranging. In this volume, essays by leading authorities, including those who knew him, explore Freud's life and work, and analyze the importance of self-portraiture in his practice.
Freud
British artist Lucian Freud is widely considered the most important figurative painter working today. His portraits may be physically unflattering to their subjects, but they are honest, frank, and unapologetic.
