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“This book is not for you. It is not for architectural academic elites. It is not for those who have gentrified our neighborhoods, overly intellectualized the profession, and ignored all contemporary Black theory within the discipline. You have made architecture a symbol of exclusion, oppression, and domination rather than expression, aspiration, and inspiration. This book is not for conformists-Black, White, or other.” As architecture grapples with its own racist legacy, Hip-Hop Architecture outlines a powerful new manifesto-the voice of the underrepresented, marginalized, and voiceless within the discipline. Exploring the production of spaces, buildings, and urban environments that emb...
How American architecture can address systemic anti-Black racism: a creative challenge in 10 case studies Reconstructions: Architecture and Blackness in Americais an urgent call for architects to accept the challenge of reconceiving and reconstructing our built environment rather than continue giving shape to buildings, infrastructure and urban plans that have, for generations, embodied and sustained anti-Black racism in the United States. The architects, designers, artists and writers who were invited to contribute to this book--and to the exhibition at the Museum of Modern Art for which it serves as a "field guide"--reimagine the legacies of race-based dispossession in 10 American cities (...
“This book is not for you. It is not for architectural academic elites. It is not for those who have gentrified our neighborhoods, overly intellectualized the profession, and ignored all contemporary Black theory within the discipline. You have made architecture a symbol of exclusion, oppression, and domination rather than expression, aspiration, and inspiration. This book is not for conformists-Black, White, or other.” As architecture grapples with its own racist legacy, Hip-Hop Architecture outlines a powerful new manifesto-the voice of the underrepresented, marginalized, and voiceless within the discipline. Exploring the production of spaces, buildings, and urban environments that emb...
A broad range of diverse voices in architecture discuss issues of equity, access, and social justice embedded in and related to the built environment. Margin and Text is a collection of essays, interviews, and personal stories, as well as historical and current writings and lectures, contributed by BIPOC and female practitioners and educators in architecture. Each piece offers reflections on architecture’s troubled past, commentary on its fluid present, and visions of possible futures, all set amid today’s context of broad social activism, divisive politics, and the devastating toll of the COVID-19 pandemic. Edited by architecture educators Betsy West, Kelly Carlson-Reddig, and José L.S...
Nothing in MoMA is a series of photographs captured in areas of Manhattan museums in which there are no artworks, written words, or people. Addressing the "grammar that organizes and secures our scene of looking," in the words of art historian David Joselit's introduction, the book imagines a composite empty museum or a narrative of marginal attention. Originally displayed in partial prototype as a children's board book at Artists Space in 2015, Nothing in MoMA is here collected for the first time in the series' entirety. Evoking the history of indeterminacy as much as that of institutional critique, the deadpan composition of Adams's photographs likewise recalls François Jullien's theory of bland aesthetics, in a playful reductio of socio-institutional space to a bare literality. Both a visual essay on museum phenomenology and a performance document, Nothing in MoMA describes a choreography of avoidance, in which a conceptual constraint becomes a means of seeing and navigating concrete space.
This Companion covers the hip-hop elements, methods of studying hip-hop, and case studies from Nerdcore to Turkish-German and Japanese hip-hop.
Architecture and Choreography: Collaborations in Dance, Space and Time examines the field of archi-choreographic experiments—unique interdisciplinary encounters and performed events generated through collaborations between architects and choreographers. Forty case studies spanning four decades give evidence of the range of motivations for embarking on these creative endeavors and diverse conceptual underpinnings, generative methods, objects of inquiry, and outcomes. Architecture and Choreography builds histories and theories through which to examine these works, the contexts within, and processes through which the works emerged, and the critical questions they raise about ways to work toge...
Radical Logic is a publication that explores the work of the award-winning architecture office Ensamble Studio led by Antón García-Abril and Débora Mesa. The book documents the first twenty years of the Boston- and Madrid-based office at a key moment in their career. After having designed and built a series of remarkable structures, such as the Hemeroscopium House in Madrid, the SGAE Central Office in Santiago de Compostela, The Truffle in Costa da Morte, and Structures of Landscape for Tippet Rise Art Center in Montana, their projects Ca'n Terra House in Menorca and the Ensamble Fabrica in Madrid mark the next phase of the office. Through specially commissioned interviews with the architects, essays, and photographic documentation of their work by photographer James Florio, the book provides unique insight into the ideas that drive the studio, the ambitions behind their key projects, and their ongoing explorations.
The Architecture of the Bight of Biafra challenges linear assumptions about agency, progress, and domination in colonial and postcolonial cities, adding an important sub‐Saharan case study to existing scholarship on globalization and modernity. Intersected by small creeks, rivulets, and dotted with mangrove swamps, the Bight of Biafra has a long history of decentralized political arrangements and intricate trading networks predating the emergence of the Atlantic world. While indigenous merchants in the region were active participants in the transatlantic slave trading system, they creatively resisted European settlement and maintained indigenous sovereignty until the middle of the nineteen...
Collage and Architecture remains an invaluable resource for students and practitioners as the first book to cover collage as a tool for analysis and design in architecture. Since entering the contemporary art world over a century ago, collage has profoundly influenced artists and architects throughout the twentieth century and into the twenty-first. In Collage and Architecture, Jennifer A. E. Shields explores its influence, using the artworks and built projects of leading artists and architects, such as Mies van der Rohe, Daniel Libeskind, and Teddy Cruz to illustrate the diversity of collage techniques. This new edition includes: A stronger focus on contemporary practices, including digital methods; New designers and architects, including Marshall Brown, WAI Architecture Think Tank, and Tatiana Bilbao, bringing their methods and work to life; An expanded global and diverse perspective of architecture as collage; Collage is an important instrument for analysis and design. Through its 261 color images, this book shows how this versatile medium can be adapted and transformed in your own work.