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Beyond the Turnstile
This handbook of values will help museums of every kind and size articulate their value to their community at a time when economic woes cause even supporters to question their importance.
Beyond the Prado
When Francisco Franco’s long dictatorship of Spain ended with his death in 1975, the transitional government set out to create a democracy that celebrated rather than suppressed regional and ethnic diversity. Its success is often described as ‘the Spanish miracle’. The new leadership committed itself to developing institutions that respected and represented Spain’s many cultures and traditions. In Beyond the Prado, Selma Reuben Holo argues that Spanish state and regional leaders consciously used the power of museums to foster democratic identity in the country’s citizens. In case studies such as the Guggenheim Museum Bilbao, the Sephardic Museum in Toledo, and IVAM, the modern cont...
Odd Man in
"I'm grateful for this. Muchnic draws a sharp picture of Simon's astute collecting and his contrarian career. The setting is fascinating too--Los Angeles since the 1950s, making itself into a cultural capital."--John Walsh, Director, J. Paul Getty Museum
The J. Paul Getty Museum Journal
The J. Paul Getty Museum Journal I is a compendium of articles and notes pertaining to the Museum's three collections—Greek and Roman antiquities, European Paintings, and French decorative arts. The first two issues deal solely with antiquities and are intended as a tribute to Bernard Ashmole. This volume includes a note by J. Paul Getty and essays by Rainer Berger and Reiner Protsch, Joseph Breslin, Elizabeth Trimble Buckley, Brian F. Cook, Erna Diez, Michael M. Eisman, Jiří Frel, Elaine K. Gazda, Denys Haynes, Dorothy Kent Hill, Selma Holo, R. G. Hood, and Sinclair Hood.
Pragmatic Imagination and the New Museum Anthropology
Pragmatic Imagination and the New Museum Anthropology shifts museum anthropology’s relationship to the broader field from marginal to central by revealing the sophisticated transdisciplinary praxis (theory + practice) at the heart of current museum anthropologies. The book features international case studies that operate at the interfaces of critical museology, anthropology, material culture studies, art practice, and more. The theory of pragmatics proposes that meaning-making is collaborative and best evaluated through its impact in the world. Collectively the chapters in this volume evidence a ‘pragmatic imagination’ at work as museum anthropology practitioners ingeniously combine inventiveness (the possible) and practicality (the actual) in ways that drive the field forward. Defining museum anthropology as a pragmatic practice explicitly theorizes this work in order to mark its significance; demystify its processes of knowledge production; connect it more readily to debates within and beyond anthropology; and facilitate critique.
Slavery in Small Things
Slavery in Small Things: Slavery and Modern Cultural Habits isthe first book to explore the long-range cultural legacy of slavery through commonplace daily objects. Offers a new and original approach to the history of slavery by an acknowledged expert on the topic Traces the relationship between slavery and modern cultural habits through an analysis of commonplace objects that include sugar, tobacco, tea, maps, portraiture, print, and more Represents the only study that utilizes common objects to illustrate the cultural impact and legacy of the Atlantic slave trade Makes the topic of slavery accessible to a wider public audience
The International Handbooks of Museum Studies, 4 Volume Set
The International Handbooks of Museum Studies is a multi-volume reference work that represents a state-of-the-art survey of the burgeoning field of museum studies. Featuring original essays by leading international museum experts and emerging scholars, readings cover all aspects of museum theory, practice, debates, and the impact of technologies. The four volumes in the series, divided thematically, offer in-depth treatment of all major issues relating to museum theory; historical and contemporary museum practice; mediations in art, design, and architecture; and the transformations and challenges confronting the museum. In addition to invaluable surveys of current scholarship, the entries include a rich and diverse panoply of examples and original case studies to illuminate the various perspectives. Unprecedented for its in-depth topic coverage and breadth of scholarship, the multi-volume International Handbooks of Museum Studies is an indispensable resource for the study of the development, roles, and significance of museums in contemporary society.
Goya in the Norton Simon Museum
"This book is the first to examine the extraordinary Goya collection--which includes more than 1,400 prints, a drawing, and three paintings--in the Norton Simon Museum. The collection includes prints from various series and editions treating a range of subjects, such as religious iconography, landscapes, portraits, and social satire. Lushly illustrated and authored by a distinguished Goya scholar, this catalogue is an essential guide to a treasure trove of the artist's works"--
Small-great Objects
Small-Great Objects presents a remarkable look into the art-collecting practices of two of modern art's most widely influential figures, Anni (1899-1994) and Josef (1888-1976) Albers. Their impressive collection of over 1,400 objects from Latin America, namely Mexico and Peru, represents a conscious endeavor that goes well beyond that of a casual hobby, displaying a deep appreciation for the art, textiles, and overall ingenuity of the ancient American world. This insightful book draws on primary-source materials such as the couple's letters, personal papers, and archival photographs--many never before published--and demonstrates their conviction that these Prehispanic objects displayed a formal sophistication and bold abstraction that defy the prevalent conception of the works as "primitive." Moreover, it shows how the Alberses spread their appreciation of the ancient world to others, through their teachings, their writings, and their own art practices.
The Oxford Handbook of the Positive Humanities
This text reviews and synthesizes the theories, research, and empirical evidence between human flourishing and the humanities broadly, including history, literary studies, philosophy, religious studies, music, art, theatre, and film. Via multidisciplinary essays, this book expands our understanding of how the humanities contribute to the theory and science of well-being by considering historical trends, conceptual ideas, and wide-ranging interdisciplinary drivers between positive psychology and the arts.
