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Not a River
* SHORTLISTED FOR THE 2024 INTERNATIONAL BOOKER PRIZE * It’s not a river, it’s this river. A hot, motionless afternoon. Enero and El Negro are fishing with Tilo, their dead friend’s teenage son. After hours of struggling with a hooked stingray, Enero aims his revolver into the water and shoots it. They hang the ray’s enormous corpse from a tree at their campsite and let it go to rot, drawing the attention of some local islanders and igniting a long-simmering fury toward outsiders and their carelessness. It’s only the two sisters—the teenage nieces of one of the locals, Aguirre—with their hair black as cowbird feathers and giving off the scent of green grass, who are curious about the trio and invite them to a dance. But the girls are not quite as they seem. As night approaches and tensions rise, Enero and El Negro return to the charged memories of their friend who years ago drowned in this same river. As uneasy and saturated as a prophetic dream, Not a River is another extraordinary novel by Selva Almada about masculinity, guilt, and irrepressible desire, written in a style that is spare and timeless.
Not a River
Three men go out fishing, returning to a favourite spot on the river despite their memories of a terrible accident there years earlier. As a long, sultry day passes, they drink and cook and talk and dance, and try to overcome the ghosts of their past. But they are outsiders, and this intimate, peculiar moment also puts them at odds with the inhabitants of this watery universe, both human and otherwise. The forest presses close, and violence seems inevitable, but can another tragedy be avoided?Rippling across time like the river that runs through it, Selva Almada’s latest novel is the finest expression yet of her compelling style and singular vision of rural Argentina.This masterful novel reveals once again Selva Almada's unique voice and extraordinary sensitivity, allowing its characters to shine and express in action what the depths of their souls harbour. One of the Best Books of 2020 in Clarín and La NaciónShortlisted for the Mario Vargas Llosa Novel Prize
The Wind That Lays Waste
Leni crossed her arms, said nothing, and watched the fight unfold. She was like a bored onlooker at a boxing trial, wasting no energy on the undercard, saving her passion for the moment when the real champions would step into the ring. And yet, at some point, she began to cry. Just tears, without any sound. Water falling from her eyes as water was falling from the sky. Rain disappearing into rain._The Wind That Lays Waste _begins in the great pause before a storm. Reverend Pearson is an evangelist preaching the word of God across northern Argentina with Leni, his teenage daughter, in tow. When their car breaks down, fate leads them to the workshop of an ageing mechanic, Gringo Brauer, and hi...
Dead Girls
In this brutal, gripping novel, Selva Almada narrates the case of three small-town teenage girls murdered in the 1980's in the interior of Argentina.Three deaths without culprits: 19-year old Andrea Danne, stabbed in her own bed; 15-year old María Luisa Quevedo, raped, strangled, and dumped in wasteland; and 20-year old Sarita Mundín, whose disfigured body was found on a river bank. Almada takes these and other tales of abused women to weave together a dry, straightforward portrait of gender violence that surpasses national borders and speaks to readers' consciousness all over the world.Following the success of The Wind That Lays Waste , internationally acclaimed Argentinian author Selva Almada dives into the heart of this problem with a reported novel, comparable to Truman Capote's In Cold Blood or John Hersey's Hiroshima , in response to the urgent need for attention to the ongoing catastrophe that is femicide.Not a police chronicle, not a thriller, but a contemporary noir novel that lives in the hearts of these women and the men who have abused them. Almada captures the invisible, and with lyrical brutality, blazes a new trail in journalistic fiction.
Idols and Underdogs
An anthology of Latin American football fiction Eleven stories, one from each country in the South American World Cup qualifying group, plus Mexico (following the precedent set by the Copa América). Idols and Underdogs includes some of the most prestigious names in Latin American literature. A hymn to the jogo bonito, these short stories demonstrate, in stark contrast to its European counterpart, just how connected Latin American football is to its roots in the backstreets, barrios and favelas. Including Juan Villoro (Mexico), Edmundo Paz Soldán (Bolivia), Ricardo Silva Romero (Colombia), Sérgio Sant’Anna (Brazil), Sergio Galarza (Peru), Selva Almada (Argentina), Carlos Abin (Uruguay), Roberto Fuentes (Chile), Miguel Hidalgo Prince (Venezuela), José and Hidalgo Pallares (Ecuador), and Javier Viveros (Paraguay), this is a who’s who of Latin American fiction. Also contains author interviews, charting personal views on football and its intersections with politics, literature, and wider culture. Idols and Underdogs is an English translation of Por amor a la pelota: once cracks de la ficción futbolera. Translated by George Shivers, Shawn Stein and Richard McGehee.
Explorers Dreamers and Thieves
Explorers, Dreamers and Thieves is an adventure through memory and archives. This book is an exercise in invention that emerges from the complex history of encounter between Europe and the Americas. Following the success of Untold Microcosms – which saw ten Latin American authors write stories inspired by objects from their countries held by the British Museum – the curatorial team at the Museum and at Hay Festival have joined forces again, this time with a slightly different proposal.Six writers – Selva Almada ,Rita Indiana ,Josefa Sánchez ,Philippe Sands ,Juan Gabriel Vásquez andGabriela Weiner – were invited to examine a series of ethnographic documents: a profusion of diaries, letters, drawings, thoughts and transactions, all referring to the acquisition of works for the collection. Using this material as a starting point, they were asked to imagine narratives about the people involved in bringing those pieces to the museum. The journey through these texts is not unlike the one that, in years past, was undertaken by the explorers, dreamers and thieves who serve as an inspiration for this book.
Gender Violence in Twenty-first-century Latin American Women's Writing
How do contemporary female authors in Latin America tackle gender violence in their writings?This book analyses the portrayal of violence against women in the works of ten contemporary Latin American female authors: Alejandra Jaramillo Morales, Laura Restrepo, Ena Lucia Portela, Wendy Guerra, Selva Almada, Claudia Pineiro, Diamela Eltit, Carla Guelfenbein, Lydia Cacho and Fernanda Melchor. Governments in Latin America have routinely failed to protect women from abuse, threats, censorship, repressive policies on reproduction rights, forced displacement, sex trafficking, disappearances and femicides, and this book beats a new path through these burning issues by drawing on the knowledges encap...
Europa28
In collaboration with Hay Festival and Wom@rts. Introduced by Laura Bates, founder of the Everyday Sexism Project. ‘To be European,’ writes Leïla Slimani, ‘is to believe that we are, at once, diverse and united, that the Other is different but equal.’ Despite these high ideals, however, there is a growing sense that Europe needs to be fixed, or at the least seriously rethought. The clamour of rising nationalism – alongside widespread feelings of disenfranchisement – needs to be addressed if the dreams of social cohesion, European integration, perhaps even democracy are to be preserved. This anthology brings together 28 acclaimed women writers, artists, scientists and entrepreneu...
Handbook of Latin American Studies, Vol. 76
The newest volume of the benchmark bibliography of Latin American studies.
Towards a Feminist Translator Studies
This pioneering work advocates for a shift toward inclusivity in the UK translated literature landscape, investigating and challenging unconscious bias around women in translation and building on existing research highlighting the role of translators as activists and agents and the possibilities for these new theoretical models to contribute to meaningful industry change. The book sets out the context for the new subdiscipline of feminist translator studies, positing this as an essential mechanism to work towards diversity in the translated literature sector of the publishing industry. In a series of five case studies that each exemplify a key component of the feminist translator studies "to...
