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Extravagant Inventions
Catalogue published in conjunction with the exhibition "Extravagant Inventions: the Princely Furniture of the Roentgens" on view at The Metropolitan Museum of Art, New York, from October 30, 2102, through January 27, 2013.
Playing with Fire
European sculptors of the Neoclassical period often modelled their works in clay before producing finished pieces in marble. This book offers a comprehensive overview of Neoclassical terracotta models by European artists, featuring the works of0. Pajou, Houdon, and Canova, among many others.
Italian Renaissance and Baroque Bronzes in the Metropolitan Museum of Art
he revival of the bronze statuette popular in classical antiquity stands out as an enduring achievement of the Italian Renaissance. These small sculptures attest to early modern artists' technical prowess, ingenuity, and desire to emulate—or even surpass—the ancients. From the studioli, or private studies, of humanist scholars in fifteenth-century Padua to the Fifth Avenue apartments of Gilded Age collectors, viewers have delighted in the mysteries of these objects: how they were made, what they depicted, who made them, and when. This catalogue is the first systematic study of The Metropolitan Museum of Art's European Sculpture and Decorative Arts collection of Italian bronzes. The colle...
Earth and Fire
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Modernizing Muscovy
First Published in 2004. Modernizing Muscovy is a comprehensive account of seventeenth-century Russian history. It rejects the traditional interpretation of this era as the twilight of the Russian Middle Ages. By revealing important instances of dynamic change in the late Muscovite state, economy, and society, the book demonstrates the crucial importance of pre-Petrine reform in Russia’s transition to one of the great powers of the world. The book’s broad scope makes it a veritable encyclopaedia of late Muscovite history. It both synthesizes previous scholarship and breaks new ground in many important areas.
Bernini
"The brilliantly expressive clay models created by Gian Lorenzo Bernini (1598-1680) as "sketches" for his works in marble offer extraordinary insights into his creative imagination. Although long admired, the terracotta models have never been the subject of such detailed examination. This publication presents a wealth of new discoveries (including evidence of the artist's fingerprints imprinted on the clay), resolving lingering issues of attribution while giving readers a vivid sense of how the artist and his assistants fulfilled a steady stream of monumental commissions. Essays describe Bernini's education as a modeler; his approach to preparatory drawings; his use of assistants; and the response to his models by 17th-century collectors. Extensive research by conservators and art historians explores the different types of models created in Bernini's workshop. Richly illustrated, Bernini transforms our understanding of the sculptor and his distinctive and fascinating working methods."--Publisher's website.
A Spiritual Revolution
The ideas of the Protestant Reformation, followed by the European Enlightenment, had a profound and long-lasting impact on Russia’s church and society in the eighteenth century. Though the traditional Orthodox Church was often assumed to have been hostile toward outside influence, Andrey V. Ivanov’s study argues that the institution in fact embraced many Western ideas, thereby undergoing what some observers called a religious revolution. Embedded with lively portrayals of historical actors and vivid descriptions of political details, A Spiritual Revolution is the first large-scale effort to fully identify exactly how Western progressive thought influenced the Russian Church. These new ideas played a foundational role in the emergence of the country as a modernizing empire and the rise of the Church hierarchy as a forward-looking agency of institutional and societal change. Ivanov addresses this important debate in the scholarship on European history, firmly placing Orthodoxy within the much wider European and global continuum of religious change.
Rienzi
The first book to document the Rienzi house, gardens and collection.
Globalizing Knowledge
Heralding a push for higher education to adopt a more global perspective, the term "globalizing knowledge" is today a popular catchphrase among academics and their circles. The complications and consequences of this desire for greater worldliness, however, are rarely considered critically. In this groundbreaking cultural-political sociology of knowledge and change, Michael D. Kennedy rearticulates questions, approaches, and case studies to clarify intellectuals' and institutions' responsibilities in a world defined by transformation and crisis. Globalizing Knowledge introduces the stakes of globalizing knowledge before examining how intellectuals and their institutions and networks shape and...
Verrocchio
A comprehensive survey of the work of this most influential Florentine artist and teacher Andrea del Verrocchio (c. 1435–1488) was one of the most versatile and inventive artists of the Italian Renaissance. He created art across media, from his spectacular sculptures and paintings to his work in goldsmithing, architecture, and engineering. His expressive, confident drawings provide a key point of contact between sculpture and painting. He led a vibrant workshop where he taught young artists who later became some of the greatest painters of the period, including Leonardo da Vinci, Sandro Botticelli, Lorenzo di Credi, and Domenico Ghirlandaio. This beautifully illustrated book presents a comprehensive survey of Verrocchio's art, spanning his entire career and featuring some fifty sculptures, paintings, and drawings, in addition to works he created with his students. Through incisive scholarly essays, in-depth catalog entries, and breathtaking illustrations, this volume draws on the latest research in art history to show why Verrocchio was one of the most innovative and influential of all Florentine artists. Published in association with the National Gallery of Art, Washington, DC
