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Marked
Paramedic Cacy Ferry, whose clandestine job is escorting the dead to the Afterlife, is intensely attracted to her mysterious new partner, Eli Margolis, but when a rogue element seizes the reins of fate, she learns Eli is hiding a secret of his own.
Fated
Aislin Ferry and Jason Moros have only days until they will be called to account before the Keepers of the Afterlife. Yet as they race to restore order and make their case, their worlds fall into total disarray. Mutiny within the fractured Ferry family threatens Aislin's hold on power and role as Charon. Meanwhile, the fearsome Lord of the Kere has family trouble of his own. Someone is unraveling the fabric of fate, and Moros suspects one of his supernatural siblings is behind the terrible bid to unleash Chaos. Now unlikely allies, Aislin and Moros each need the other to escape the wrath of the Keepers. As the stakes rise, it becomes clear that protecting their respective empires is not the endgame. With the fate of all humanity dangling by a thread, Aislin and Moros must surrender completely to one another if they are to fight their common enemy. And as time runs out, someone must make the ultimate sacrifice.
Assassin's Fate
Three sexy dragonborn princes. An assassin with an erased past. And the impossible mission of assassinating the dragon emperor. I have spent my whole life training to be an assassin of Linmoor Valley, an underground gild of the world’s most lethal merceneries. My past is a blank, my master merciless. I kill on command, no questions asked. Life changes after the day I’m sent to the town’s brothel to make a kill. The people who ordered the killing now want me to execute the greatest assassination of our time. Their mission is simple: Kill the tyrant dragon emperor and bring peace to the four kingdoms. A wiser assassin would refuse the impossible. But I can’t. From the moment I see the ...
Servants: A Downstairs History of Britain from the Nineteenth Century to Modern Times
"A compassionate and discerning exploration of the complex relationship between the server, the served, and the world they lived in, Servants opens a window onto British society from the Edwardian period to the present."--www.Amazon.com.
Of Metal and Wishes
This love story for the ages, set in a reimagined industrial Asia, is a little dark, a bit breathless, and completely compelling. A “grisly and satisfying” tale (Publishers Weekly) inspired by The Phantom of the Opera. Sixteen-year-old Wen assists her father in his medical clinic, housed in a slaughterhouse staffed by the Noor, men hired as cheap factory labor. Wen often hears the whisper of a ghost in the slaughterhouse, a ghost who grants wishes to those who need them most. And after one of the Noor humiliates Wen, the ghost grants an impulsive wish of hers—brutally. Guilt-ridden, Wen befriends the Noor, including the outspoken leader, a young man named Melik. At the same time, she is lured by the mystery of the ghost. As deadly accidents fuel tensions within the factory, Wen is torn between her growing feelings for Melik, who is enraged at the sadistic factory bosses and the prejudice faced by his people at the hand of Wen’s, and her need to appease the ghost, who is determined to protect her against any threat—real or imagined. Will she determine whom to trust before the factory explodes, taking her down with it?
The Servant's Hand
A work of innovative literary and cultural history, The Servant's Hand examines the representation of servants in nineteenth-century British fiction. Wandering in the margins of these texts that are not about them, servants are visible only as anachronistic appendages to their masters and as functions of traditional narrative form. Yet their persistence, Robbins argues, signals more than the absence of the "ordinary people" they are taken to represent. Robbins's argument offers a new and distinctive approach to the literary analysis of class, while it also bodies forth a revisionist counterpolitics to the realist tradition from Homer to Virginia Woolf. Originally published in 1986 (Columbia University Press), The Servant's Hand is appearing for the first time in paperback.
Tiger! Tiger! (The First Jungle Book)
Tiger! Tiger! - Shere Khan hunt Mowgli. Mowgli returns to the human village and is adopted by Messua and her husband, who believe him to be their long-lost son. Mowgli leads the village boys who herd the village's buffaloes. Shere Khan comes to hunt Mowgli, but he is warned by Gray Brother wolf, and with Akela they find Shere Khan asleep, and stampede the buffaloes to trample Shere Khan to death. Mowgli leaves the village, and goes back to hunt with the wolves until he becomes a man. The Jungle Book (1894) is a collection of stories by English author Rudyard Kipling. The stories were first published in magazines in 1893–94. The original publications contain illustrations, some by Rudyard's father, John Lockwood Kipling. Kipling was born in India and spent the first six years of his childhood there. After about ten years in England, he went back to India and worked there for about six-and-a-half years. These stories were written when Kipling lived in Vermont. Famous stories of The Jungle Book Rudyard Kipling: Mowgli's Brothers, Kaa's Hunting, Tiger! Tiger!, The White Seal, Rikki-Tikki-Tavi, Toomai of the Elephants, Her Majesty’s Servants.
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Servant of the Underworld
The first book in the critically acclaimed Obsidian and Blood trilogy: Year One-Knife, Tenochtitlan the capital of the Aztecs. Human sacrifice and the magic of the living blood are the only things keeping the sun in the sky and the earth fertile. A Priestess disappears from an empty room drenched in blood. It should be a usual investigation for Acatl, High Priest of the Dead--except that his estranged brother is involved, and the the more he digs, the deeper he is drawn into the political and magical intrigues of noblemen, soldiers, and priests-and of the gods themselves... REVIEWS: ‘ gripping mystery steeped in blood and ancient Aztec magic. I was enthralled.’ — Sean Williams ‘An Az...
Servants and Paternalism in the Works of Maria Edgeworth and Elizabeth Gaskell
Writing during periods of dramatic social change, Maria Edgeworth and Elizabeth Gaskell were both attracted to the idea of radical societal transformation at the same time that their writings express nostalgia for a traditional, paternalistic ruling class. Julie Nash shows how this tension is played out especially through the characters of servants in short fiction and novels such as Edgeworth's Castle Rackrent, Belinda, and Helen and Gaskell's North and South and Cranford. Servant characters, Nash contends, enable these writers to give voice to the contradictions inherent in the popular paternalistic philosophy of their times because the situation of domestic servitude itself embodies such ...
