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Here the Tibetan words are given in alphabetical order, with their accepted sanskrit equivalents followed by the english meaning. All the technical terms are illustrated from extracts form sanskrit Buddhist and Tibetan works.
mutual interdependance. The second half of the book discusses, amongst
Hockey history like you've never seen it before. Who knew that paperwork could be so fascinating? In Written in Blue and White, author Greg Oliver explores the fascinating archives of Allan Stitt, one of hockey's leading collectors, unearthing gem after gem that details the history of the Toronto Maple Leafs through the past century. Explore early contracts with players, and how the clauses evolved; read personal correspondence from Leaf players and management; find out what was behind Wally Stanowski's 1945 fine for $100; see receipts from the 1935 Stanley Cup playoffs - and learn just how much oranges cost. Since documents can't talk, Oliver seeks out the men behind the words, like former general managers Jim Gregory, Gerry McNamara, and Floyd Smith; players such as Ron Ellis, Dick Duff, and Darryl Sittler; and key behind-the-scenes people like trainers, agents, reporters, and publicists.
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A musical practice used for centuries the world over, improvisation too often has been neglected by scholars who dismiss it as either technically undissectible or inexplicably mysterious. At different times and in different cultures, performing music that is not "precomposed" has constituted an artful expression of the performer's individuality (the Baroque); a wild, unthinking form of expression (jazz antagonists); and the best method to train inexperienced musicians to use their instruments (the Middle East). This wide-ranging collection of essays considers musical improvisation from a variety of approaches, including ethnomusicology, education, performance, historical musicology, and music theory. Laying the groundwork for even further research into improvisation, the contributors of this volume delve into topics as diverse as the creative minds of Mozart and Beethoven, the place of improvised musics in Western and non-Western societies, and the development of jazz as a musical and cultural phenomenon.
Nature is a topic in many Indian and Tibetan philosophical texts, although its meaning varies considerably in both Hindu and Buddhist scriptures. The discussion of nature pursued in this book begins with Nagarjuna (first century), founder of the Middle Way School, who refuted a fabricated nature in his Treatise on the Middle. In that seminal text, he puts forth the three basic criteria for nature: it must be something that is non-fabricated, independent, and immutable. This book presents Dzong-ka-ba's discussion of the overly narrow object in his Great Exposition and relates that discussion to Nagarjuna's verses in Treatise on the Middle. When combined with an understanding of an overly broa...