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One of hockeyÕs most colourful characters, from hockeyÕs most colourful era, tells all Gilles Gratton was not a typical pro hockey player. He refused to don his equipment and man his net if the planets were not properly aligned. He skated naked at practice. He created one of hockeyÕs most famous goalie masks based on his astrological sign. He fought with coaches and management, speaking his mind to his detriment. Sex, drugs, and rock ÕnÕ roll ruled his life, not stopping pucks. Truthfully? He never really wanted to be an NHL goaltender; he wanted to be Tibetan monk. And so, he quit hockey to seek enlightenment. Now, in his autobiography, Gratton teams up with author Greg Oliver to tell his wild and at times, yes, loony story: from his early days in Montreal, where his brother Norm Gratton became an NHL player, too; through his stints with the OHAÕs Oshawa Generals, the Ottawa Nationals and Toronto Toros of the rogue WHA, and the St. Louis Blues and New York Rangers in the NHL.
Professional hockey enforcers—popularly known as “goons”—finally get their due in this rollicking look at the players who have perfected the art of making mayhem. Whether they are called upon to duke it out with a fellow troublemaker or intimidate an opponent’s top scorer, these are the men who get the crowds to their feet, the sports radio shows buzzing, and the TV audience spilling their beers in excitement. Old timers like Joe Hall and Red Horner are profiled here, along with legendary heavy hitters Tiger Williams, Stu Grimson, and Bob Probert, fan favorites Tie Domi and Georges Laroque, and contemporary hockey stars Arron Asham and Brian McGrattan. The book also delves into the intense debate over the issue of violence on the ice as well as the personal and professional dramas of the NHL’s bad boys: the suspensions, the concussions, and the constant controversy of their role in the game.
A man with three different names ties together the stars of professional wrestling, country music, and the New York Mets. John Arezzi was a lifelong Mets fan who dreamed of a job in baseball. In 1981, he took a job with the Mets Class A team in North Carolina. But Arezzi had another love: professional wrestling. He ran a fan club for the villainous “Classy” Freddie Blassie as a teenager, then progressed to wrestling photographer, and finally even stepped into the ring himself as John Anthony. Eventually he escaped to pursue a new life in altogether different world: country music. After adopting a new name, John Alexander, his many accomplishments include discovering both Patty Loveless a...
A poking satire at religion, god and stuff. I need fifty characters not including spaces.
A comprehensive look at the colourful villains, bad guys and heels who give professional wrestling so much of its character - from Gorgeous George and before to Ric Flair and the modern supervillains!
Four noted wrestling writers discuss the life and death of Chris Benoit, a Canadian professional wrestler who became one of the most popular athletes in professional wrestling before committing a double-murder suicide in 2007.
Sport and Psychoanalysis: What Sport Reveals about Our Unconscious Desires, Fantasies, and Fears explores the intersection of sport and psychoanalysis, emphasizing the often-overlooked psycho-social dimensions underpinning the experience of sport. By challenging the idea that sport offers an “escape” from reality—a realm separate to the politics of everyday life—each chapter critically considers the unconscious desires, fantasies, and fears that underpin the sporting spectacle for both participants and spectators. Indeed, beyond simply applying psychoanalysis to sport, this book proposes how sport can be used to pose questions to psychoanalysis, thus using sport as a medium to elucid...
Amelia is given a magical stationary set... everything she draws or makes with it comes to life!
The violence of combat sports left a mark on how fans and communities remembered athletes. As individual endeavors, combat sports have often produced more detailed, emotionally poignant, and deeply personal stories of triumph than those associated with team sports. Commemorative statues to combat athletes are therefore unique as historical markers and sites of memory. These statues tell remarkable stories of the athletes themselves, but also the people and communities that planned and built them, the cities and towns that memorialized them, the fans who followed them, and the evolution of memory and place in the decades that followed their inauguration. Edited by C. Nathan Hatton and David M. K. Sheinin, The Statues and Legacies of Combat Athletes in the Americas brings together an interdisciplinary team of scholars from across North America to interrogate the intimate and layered meanings attached to these monuments to the lives and legacies of combat athletes.
The wild blood-on-the-mat saga of the rise and fall of the infamous Stampede Wrestling company.