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Haunting, alarming, transformative, and elusive, these poems bridge together the gaps between development stages: from girl, to woman, and then mother. With the complexities that intertwine them, can you be all three at once? Who shapes our identity, and who is in control here? How do we recognize, acknowledge, and honor the changing of who we are?
No Ruined Stone is a verse sequence rooted in the life of 18th-century Scottish poet Robert Burns. In 1786, Burns arranged to migrate to Jamaica to work on a slave plantation, a plan he ultimately abandoned. Voiced by a fictive Burns and his fictional granddaughter, a "mulatta" passing for white, the book asks: what would have happened had he gone?
1998 Agnes Lynch Starrett Prize winner.Shara McCallum is the eighteenth winner of the Agnes Lynch Starrett Poetry Prize, one of the nation's most prestigious awards for a first book of poetry. The Water Between Us is a poetic examination of cultural fragmentation, and the exile's struggle to reconcile the disparate and often conflicting influences of the homeland and the adopted country. The book also centers on other kinds of physical and emotional distances: those between mothers and daughters, those created by being of mixed racial descent, and those between colonizers and the colonized. Despite these distances, or perhaps because of them, the poems affirm the need for a multilayered and cohesive sense of self. McCallum's language is precise and graceful. Drawing from Anancy tales, Greek myth, and biblical stories, the poems deftly alternate between American English and Jamaican patois, and between images both familiar and surreal.
Mervyn Morris was appointed Poet Laureate of Jamaica in 2014. He has had an abiding impact on the literature of the Caribbean as poet, essayist and teacher. Peelin Orange, with its mix of Englishes (Standard, Jamaican Creole – patois – and a combination of the two), and its variety of forms, from free verse to metred and rhymed measures, represents half a century of invention and re-invention. Morris knows how universals can inhere in the local, the incarnation in a Caribbean setting. With his light, intense musicality, he speaks to and for a community. His wit, his love of people and places, his anarchic 'Afro-Saxon' spirit, ensure that his poems are full of surprise in language, image and in the turns of sense they make.
Song of Thieves delves into issues of racial identity and politics, the immigrant experience, and the search for "home" and family histories. In this follow-up to her award-winning debut collection, The Water Between Us, Shara McCallum artfully draws from the language and imagery of her Caribbean background to play a haunting and soulful tune.
"Throughout her life my mother [Doris] lived in two places at once: Kingston, Jamaica, where she raised a family of nine children, and Harvey River, in the parish of Hanover, where she was born and grew up." In the tradition of Michael Ondaatje's Running in the Family and Carlos Eire's Waiting for Snow in Havana comes Lorna Goodison's luminous memoir of her forebears—From Harvey River. When Doris' English grandfather, William Harvey, discovers a clearing at the end of a path cut by the feet of those running from slavery, he gives his name to what will become his family's home for generations. For Doris, Harvey River is the place she always called home, the place where she was one of the "f...
In ''Stars Shall Bend Their Voices,'' some of the most respected living poets meditate on the role of hymns and spiritual songs in their lives and writing. Representing many spiritual traditions and many approaches to personal spiritual practice, Stars Shall Bend Their Voices is a testament to the lasting impact of spiritual music on many of today's best poets.
Black Nature is the first anthology to focus on nature writing by African American poets, a genre that until now has not commonly been counted as one in which African American poets have participated. Black poets have a long tradition of incorporating treatments of the natural world into their work, but it is often read as political, historical, or protest poetry--anything but nature poetry. This is particularly true when the definition of what constitutes nature writing is limited to work about the pastoral or the wild. Camille T. Dungy has selected 180 poems from 93 poets that provide unique perspectives on American social and literary history to broaden our concept of nature poetry and Af...
Chet’la Sebree’s Field Study is a genre-bending exploration of black womanhood and desire, written as a lyrical, surprisingly humorous, and startlingly vulnerable prose poem I am society’s eraser shards—bits used to fix other people’s sh*t, then discarded. Somehow still a wet nurse, from actual babes to Alabama special elections. Seeking to understand the fallout of her relationship with a white man, the poet Chet’la Sebree attempts a field study of herself. Scientifically, field studies are objective collections of raw data, devoid of emotion. But during the course of a stunning lyric poem, Sebree’s control over her own field study unravels as she attempts to understand the de...
Since the publication of her first collection, The Water Between Us, Shara McCallum has steadily created a rich body of poems that have mined the rich deposit of emotional and intellectual capital found in her background of multiple migrations, culturally and geographically. McCallum's poems reflect her rooting in a Jamaican experience unique for her childhood in a Rastafarian home filled with reckless idealism, the potential for profound emotional pathology, and the grounding of old folks traditions. Her work has explored what it means to emerge from such a space and enter a new world of American landscapes and values. The Face of Water collects some of Shara Mccallum's best poems, poems that establish her as a poet of deft craft (and craftiness), whose sense of music is caught in her mastery of syntax and her ear for the graceful line.