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Ophelia
The study emphasizes the role of the arts and humanities in the re-plotting of gender and also links cultural production to political circumstances, specifically to the end of the Franco dictatorship and the transitional to a new democracy in Spain. The inclusion of both the visual art of Marina Núnez and art photographs as well as literary authors and dramatists offers views of overarching motifs in the cultural production of Spain. The book includes an historical component, with an analysis of works by major nineteenth and early twentieth-century Spanish poets, including Espronceda, Bécquer, Villaspesas, Lorca, and the pioneer female author Blanca de los Rios. The list of writers from the 1970s forward includes both highly recognized figures, Clara Janés, María Victoria Atencia, Eduardo Quiles and an extensive group of important writers less recognized beyond among critics.
P/herversions
Ana Rossetti is a unique phenomenon in Spanish culture, a performer and a writer who resists categorization within any single genre, gender, period, or medium. One of the most exciting Spanish writers of the last twenty-five years, Rossetti can be both transgressive and playful, employing erotic signs (fetishes, taboos) derived from fashion, literature, design, pornography, psychology, theater, drag, and Catholicism to destabilize critical, analytic, political, social, and gender categories. Critics, however, have faced a dilemma that this book seeks to overcome: how to define her work - which bridges high and low cultures and includes poetry, fiction, essay, fashion, drama, children's literature, and opera - without resorting back to the very categories that her own artistic practice questions.
Feminist Literary and Cultural Criticism
Feminist Literary and Cultural Criticism explores inter-disciplinary connections across Cultural Anthropology, Geography, Psychology, and feminist literary criticism to develop a theoretical framework for spatial criticism. Using the spatial gynocritics framework developed in the book, it analyzes selected texts from five different genres–short-story, novel, film, cartoons, and OTT series, created by women. The creators discussed in the book constitute a transnational collectivity of women that shares common concerns about gender, environment, technology, and social hierarchies. They comprise a geographically and linguistically diverse group from India, Uruguay, Spain, Argentina, and the U...
Legend of Myself
In this collection of 65 short poems, Roberta Quance exemplifies the range, vitality and mysticism of work by one of Spain's foremost, if controversial, contemporary female poets, drawing on the contents of a number of Spanish collections. In Atencia's poetry the poetic subject is often seen as someone who occupies an interior space, either crossing over the threshold from the outside world to an inner one (a garden, a house, a castle), or moving from the inner, home space to one even more interior: the world of dreams and imagination and hope, which can project outward into liminal spaces of the sky or the sea. A very basic paradox of Christian mystical experience – of abasement and magni...
Maria Victoria Atencia: Legend of Myself
In this collection of 65 short poems, Roberta Quance exemplifies the range, vitality and inner mysticism of work by one of Spain’s foremost, if controversial, contemporary female poets, drawing on the contents of a number of Spanish collections.
Spanish Women's Writing 1849-1996
Traces the tradition of Spanish women's writing from the end of the Romantic period until the present day. Professor Davies places the major authors within the changing political, cultural and economic context of women's lives over the past century-and-a-half -- with particular attention to women's accounts of female subjectivity in relation to the Spanish nation-state, government politics, and the women's liberation movement.
In Her Words
During her lifetime, Gloria Fuertes achieved the status of a controversial cultural icon, both through her poetry for adults and through her poetry, recorded readings, and television programs for juveniles. This collection of lively essays, by authors who specialize in contemporary Spanish poetry, approaches the works of Gloria Fuertes from various theoretical and critical perspectives. In Her Words speaks to the inherent complexity of Gloria Fuertes's poetry, as manifested in its ultimate indeterminacy and undecidability, yet attests to this poet's abiding value as the voice of the marginalized-women, the poor, children, all the invisible members of society-who were silenced during the year...
Cultural Encounters in Contemporary Spain
Previous critical studies have focused on feminist approaches to Janes's oeuvre. This study seeks to expand those discussions through an analysis of the aesthetics of cultural otherness (rather than simply gendered otherness) within Janes's prolific literary production.
Myth and Subversion in the Contemporary Novel
This bilingual work identifies and explains the subversive rewriting of ancient, medieval and modern myths in contemporary novels. The book opens with two theoretical essays on the subject of subversive tendencies and myth reinvention in the contemporary novel. From there, it moves on to the analysis of essential texts. Firstly, classical myths in works by authors such as André Gide, Thomas Pynchon, Julio Cortázar, Italo Calvino or Christa Wolf (for instance, Theseus, Oedipus or Medea) are discussed. Then, myths of biblical origin – such as the Flood or the Golem – are revisited in the work of Giorgio Bassani, Julian Barnes and Cynthia Ozick. A further section is concerned with the pla...
Women Poets of Spain, 1860-1990
This is the first volume-in English or Spanish-to analyze the work of the principal women poets of Modern Spain. In it, John Wilcox draws on recent feminist critical theory and shows how Spanish poetry by women is not just a modern phenomenon but an ignored tradition whose roots reach back to the very beginnings of poetry of the Iberian Peninsula.
